Una donna attira l'attenzione di un ex interrogatore dell'esercito psicopatico e di un giovane emotivamente fragile che si prende cura della madre malata.Una donna attira l'attenzione di un ex interrogatore dell'esercito psicopatico e di un giovane emotivamente fragile che si prende cura della madre malata.Una donna attira l'attenzione di un ex interrogatore dell'esercito psicopatico e di un giovane emotivamente fragile che si prende cura della madre malata.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 6 candidature totali
- Alvin
- (as Nick Ashy Holden)
- Druggie Rock Girl
- (as Jenny Graven)
- Lee
- (as Pete Partida Jr.)
Recensioni in evidenza
Franki (The Lost's Marc Senter) is a rather immature musician, with dreams of making it big, all the while caring for his cancer stricken mother. A drunken encounter with Emily will set off an event which will have horrific consequences for them both. This in turn will trigger off a horrible, brutal and uncompromising revenge...
Unfortunately, I can't reveal anything else about this film without spoiling things, as it takes time to get to its revelation. Red White And Blue is a very slow burning character study piece, which makes its third act all the more shocking. This is NOT an exploitation flick, and any fans of exploitation revenge films should very much bear this in mind, as the film takes over an hour to setup the circumstances for its revenge payoff. However, it's a damn good film in its own right, with excellent performances all around, and an unusual outlook on its characters.
Emily for example is at least partly at fault for the consequences which effect her, and Franki is no typical screen villain here, but is rather a likable everyman. Nate, while clearly a psychopath is however in no way proactively aggressive, and basically nobody concerned fills in the required role one would expect for revenge films. Basically, it's an art-house film as far as I'm concerned, but it works.
The film itself looks great, with the first slow burning half consisting of bus stops, blue collar lunch areas and seedy looking dodgy bars, and it has a nicely gritty warts n all white trash vibe to it.
Again, fans of exploitation or shallow revenge films, take note, as this will not be what you're expecting, particularly from its misleading youtube trailer, but my advice is to stick it through, as it's a great revenge film, and a great film in its own right, that manages to shock in its third act via its sheer uncompromising nature
7/10. Won't be to everyone's tastes but I personally quite liked it, and anyone who liked Shane Meadows Dead Man's Shoes should find much to like here.
It might not be your cup of tea of course (nothing glossy to be found here), but if you let yourself into the story and the characters (with all their flaws, of whom they have many), then you will be rewarded with a very weird and angry story. It won't pull any punches either (whether you like that or not) and stays true to it's grittiness throughout. One of the better movies I watched in 2010 (and I watched quite a few)
The intro shows us a trailer trash brunette named Erica who sleeps with different men every night in a small Texas town. In the apartment compound where she lives, there's Noah who is a well-meaning bearded dude who will help her when she gets fired from her job as house cleaner. Erica rejects his acts of kindness at first but will later give in because he really is a stand-up guy (aw shucks). Conflict arises when one of the men who Erica had a one-night stand with discovers she left something behind that has potential to ruin his entire life. That sounds vague, but I'm afraid that is as far as I can go because more details mean less thrill punches. Trust me though when I say it has a really good story intelligently wrapped around the tropes of horror/suspense movie conventions.
The cinematography projects a dark and warm atmosphere that would probably taste like honey but would feel like it has an aftertaste of poison. Huge credit should be given to the Texas setting which is pretty idyllic. I didn't think for a second that Leatherface resided in the area. The BGM that is mostly comprised of piano arrangements works effectively as it has resemblance to what was successfully used in Takashi Shimizu's "The Grudge" and "Marebito." It sounds pretty but you also feel the sense of dread f***ing up your psyche.
Simon Rumley carefully peels out the layers of his characters by providing concise moments of well-written dialogue exchange and encapsulating the poignancy in the two leads' portrayal. It rings true in the dramatic scenes of Amanda Fuller (Erica) and Noah Taylor (Nate) together where they blew the roof off. I mean, the acting displayed here alone deserves a loud praise.
This is one of the more mature horror movies I have ever encountered, and it definitely is one that I could say one of the best from the genre that I have seen in the last five years. What a f***ing gem.
Rumley denies painting anyone in this movie good or bad. You have to watch an endless spiral of pain and wrongs that never seem to make a right but there is always a reason for actions that on first sight might seem illogical. The way the characters are interwoven and the similarities between them are slowly coming to light while the plot turns into a revenge movie culminating in some pretty drastic measures is brilliant. The movie is gritty and brutal in parts but I think Rumley managed to play these elements in a way that works psychologically and not visually. The way the story is told is excellent and the finale is not a lame twist that turns everything upside down but makes you realize you have been watching a revenge movie from the first frame onwards. I think Rumley put a lot of thought into this movie and it deserves that people sit down and take a little time to think about it too.
There is no clear antagonist or protagonist; I'm sure we could label some, but it detracts from the complex interactions and subtext. This movie has layers and it will stick with you for several days. I repeat - this movie stays with you and reaches some dark places.
The acting is very good and Noah Taylor is engrossing. I can not believe this guy is not cast in more roles, seriously. Taylor gives a stellar performance of the performance you almost wished you had never seen.
I recommend highly.
Lo sapevi?
- QuizSeveral scenes throughout the film emphasize the colors red white and blue.
- Citazioni
Nate: You put a guy in a room with an interrogator, you ask him a question, 95% of the guys will tell you the answer straight away. Now I got a question for you, and I know you're gonna tell me the answer. But unfortunately for you, I'm the guy they always bring in for the more headstrong 5 percent. And even more unfortunately for you, I'm a guy who really fucking loves his job.
- ConnessioniReferences Star Trek (2009)
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Botteghino
- Lordo in tutto il mondo
- 177 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
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- 2.35 : 1