Il maestro e Margherita

The Master and Margarita (2023) is simply the best film I've seen released in years, visually stunning, the iconic novel is adapted in the most thought-provoking perspective & grabs your imagination instantly. What I loved the most is that, IS NOT about the political prosecution of the author/protagonist; but about how the love of Margarita totally frees him, more than his muse -he writes for her, aware that the manuscript will probably end up in the fire- is the force that binds the book and his world together. Reality and fantasy are beautifully intertwined, and the writer can't tell what goes on in his mind from the outside world. All actors (incl. The cat Behemoth) are fantastic; particularly Yulia Snigir as Margarita, it is simply impossible not to fall in love with her from the moment she appears on the screen. The Devil / Voland here is also playful & more than perverse brings much needed humour, like a fellow who enjoys taking the piss ruthlessly at any price. So people keep comparing it to the series of 2005, well, i do not compare all love stories to Casablanca or Gone With the Wind, each period has different takes and creative freedom, I like this film more even than the book, which, let's face it, was an unfinished draft assembled by Bulgakov's widow, so let's stop slagging masterly done stuff when the original story wasn't even finished. Do not miss, real cinema lovers!!!!

These days it's tempting to refuse anything Russian, but in this case one has to note that 1) this is adapted from the most celebrated work of Russian fiction in the 20th century, written by a Kiev-born dramatist shortly before his death and forbidden from publication in the Soviet Union until the 1960s, and 2) this was largely financed by an Odessa-born American billionaire who owns the sports network DAZN. Also, principal photography was finished in late 2021, before the invasion of Ukraine.

The phantasmagorical plot makes for an extraordinary reading experience because one cannot summarize it. Like all truly great literature, this is not really a story about something, it's a series of bizarre anecdotes set in the framework of forsaken romance in the claustrophobic Stalinist Moscow of the 1930s, where the Devil appears on the pages of a writer in crisis, and then seemingly in reality. German actor August Diehl's performance as Woland is the best of his career and he gives the character a perfect ambivalence which is required in portraying the supernatural. It is quite possible to read into his Satan an allegory of Putin himself, and it is also quite possible to deny it. The hysterical satire of the novel requires high production values which previous adaptations never achieved - this film almost overdoes it, as do many Russian actors. But the leading couple is quite convincing, even if they pale within the impressive imagery.

Upon release in Russia, the film was attacked by the Pro-Putin crowd which helped to turn this into the most successful Russian film of the century. It's a miracle it was even released since US-born director Lockshin finished post-production in the States and did not return to Russia after the invasion, which he has frequently condemned. So credit where credit is due, this film is a beacon of creative light in Russia's political darkness.

Great movie!

At times, quotes from the novel are spoken word for word, at times the director changes details, but clearly just to fit everything in - the runtime is already huge.

Voland and the Master are miscast, especially the Master. They confused a melancholic alcoholic with a gothic metrosexual. The cat remains undeveloped. How the actor who played Ivanushka ended up in this movie is a mystery.

But Gella, Margarita, Koroviev, Pilate, and Maigret are good choices.

Stravinsky is very good!

Stepa Likhodeev is brilliantly played, the best role (it's a pity it's not bigger).

All the most important quotes from the book are spoken, but there wasn't enough time for the funniest ones.

The director, praise Satan, didn't fill the movie with funny scenes, although there are plenty in the book, and instead focused on exactly what Bulgakov's novel is about: censorship under a dictator, which drives not only writers but also ordinary citizens insane.

The movie is done really well. It looks great, it's well edited, has great sound design and all the performances are flawless.

The timelines and realities are so convoluted that it would make Nolan scratch his head. However, the movie does a great job at keeping the story comprehensible and engaging.

I usually don't like long movies, but in this case the two and a half hours runtime is well justified and passed by quickly. There's no runtime padding and everything feels essential.

The only reason I subtracted one star is that the humor from the book didn't properly precipitate into this movie (but that's super subjective so take with a grain of salt). Otherwise it's a nearly perfect and innovative adaptation of a good book.

The movie adaptation of the classic book is a rare gem that successfully captures the essence of the story, the tragic lives of the Master and Margarita. The film explores the absurdity of communism, the struggles a creative writer has to endure under a suppressive regime, and features a beautiful love story that adds to the movie's emotional depth. The execution of the film is excellent, with fantastic actors bringing the characters to life, including August Diehl as Woland, Yevgeny Tsyganov as the Master, and Yuliya Snigir as Margarita. In all, I loved the different themes interwoven in this lovely tragedy.