Il maestro e Margherita

Great movie!

At times, quotes from the novel are spoken word for word, at times the director changes details, but clearly just to fit everything in - the runtime is already huge.

Voland and the Master are miscast, especially the Master. They confused a melancholic alcoholic with a gothic metrosexual. The cat remains undeveloped. How the actor who played Ivanushka ended up in this movie is a mystery.

But Gella, Margarita, Koroviev, Pilate, and Maigret are good choices.

Stravinsky is very good!

Stepa Likhodeev is brilliantly played, the best role (it's a pity it's not bigger).

All the most important quotes from the book are spoken, but there wasn't enough time for the funniest ones.

The director, praise Satan, didn't fill the movie with funny scenes, although there are plenty in the book, and instead focused on exactly what Bulgakov's novel is about: censorship under a dictator, which drives not only writers but also ordinary citizens insane.

Its quite an impressive result - to squeeze such a book into single movie.

If previous series were dedicated a lot for Jesus (Ganozzi) and Pontius Pilat theme, here we see quite an extensive story of Master.

I really liked that Master is shown not as crazy obsessed by his novel psycho individual, but rather as a normal person who was just killed step by step with his own genius by new Soviet ideology and traitors/slaves of this new era propaganda

You can easily build a parallel with what is happening today in Russia.

I really liked the episode in the end when city is on fire with all the stars symbols on the roof and the most famous sentence and Pontius and how he hates the city which is swallowed by the darkness

That was the epic end!

The movie adaptation of the classic book is a rare gem that successfully captures the essence of the story, the tragic lives of the Master and Margarita. The film explores the absurdity of communism, the struggles a creative writer has to endure under a suppressive regime, and features a beautiful love story that adds to the movie's emotional depth. The execution of the film is excellent, with fantastic actors bringing the characters to life, including August Diehl as Woland, Yevgeny Tsyganov as the Master, and Yuliya Snigir as Margarita. In all, I loved the different themes interwoven in this lovely tragedy.

I was terrified when I heard that an adaptation of Bulgakov's masterpiece had just been released. I feared having to endure a dreadful disaster that would make me nauseous and ruin this iconic book, which I've read, reread, and read again. I trembled at the thought of raging and shouting my anger... And then the miracle happened! Mikhaïl Lockshin accomplished the almost impossible feat of adapting this philosophical-political novel for the screen and brilliantly capturing the absurd humor of its author. This film is an absolute marvel! The direction is clever, the casting is perfect, and the meticulously crafted sets seem to have come straight out of the book. The Master is captivating, Marguerite is enchanting, and Behemoth is true to himself (I only regret that his legendary machine gun didn't get more screen time!).

I applauded at the end, wiping away a tear of joy. Bravo! What a delight!

The movie is done really well. It looks great, it's well edited, has great sound design and all the performances are flawless.

The timelines and realities are so convoluted that it would make Nolan scratch his head. However, the movie does a great job at keeping the story comprehensible and engaging.

I usually don't like long movies, but in this case the two and a half hours runtime is well justified and passed by quickly. There's no runtime padding and everything feels essential.

The only reason I subtracted one star is that the humor from the book didn't properly precipitate into this movie (but that's super subjective so take with a grain of salt). Otherwise it's a nearly perfect and innovative adaptation of a good book.