VALUTAZIONE IMDb
5,1/10
5279
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaLondon based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.
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- Sceneggiatura
- Star
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- 3 vittorie totali
Recensioni in evidenza
A very low budget action/horror Brit flick featuring freerunning mutant zombie flesh eaters. Craig (Cliffhanger) Fairbrass and Danny (just about every recent cheapo-diamond-geezer pseudo-Arthur Mullard C-Grade megatrash straight-to-video Brit movie in recent years) Dyer take the leads.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
The script and dialogue are pretty darned atrocious and the acting is sub-primary school nativity play standard. But, the pace is frenetic, the action violent and unrelenting, and it is a bit of mildly diverting fun. Plus, considering the budget must have stood at around £7.80 and a bag of chps, the convincing representation of London in the midst of a zombie apocalypse is fairly well rendered and quite suitably atmospheric.
There's plenty of punching, strangling, bludgeoning and shooting of the freerunning mutant zombie flesh eaters, and the very fact that the makers thought a Resident Evil type of virus McGuffin with the side-effect of gracing the stricken with parkour skills was a workable creative advance on the "28 Days Later" formula, makes it quite hilarious to watch at times.
Worth a look if you've nothing better to do. A cheerfully trashy time-waster.
I sat through this bum-fluff at the recent GoreZone Festival in London's West End and almost lost the will to live before the opening credits had rolled. The prologue featuring bargain-basement 'action-man' Craig Fairbrass woodenly spouting even more wooden dialogue at the camera as a prep for the sub '28 Days Later' 'Rollercoaster' to come, made my heart sink faster than 'The Detonator' ride at Thorpe Park, and quickly proved its pedigree as a very bad omen for things to come.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Another plague has broken out in London, causing normal humans to become growling, flesh-chompiing zombies with cat-like quickness.
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
"Devil's Playground" is basically a complete rip-off of Danny Boyle's 2002 horror masterpiece "28 Days Later". Same basic concept; fast-moving infected (not actually zombies as such)on the loose in modern day London and a group of individuals trying to escape the horror, fighting amongst themselves on the way. The one thing it doesn't borrow from it's source material is any level of intelligence. The characters are melodramatic clichés and way too good-looking and well-groomed to be in any way realistic; even though it's a low-budget British film it unfortunately follows the crap Hollywood template of shallow, unbelievable, glamorous leads stuck in an increasingly over-the-top set of action-based scenarios. Still, if you just want to watch something empty-headed and fun then it's not all bad. The stunt sequences are well done and the movie is nicely shot, with some fantastic views of London on display. Don't take it too seriously and you'll have a good time.
It's interesting how influential Danny Boyle's 28 DAYS LATER was . It wasn't apparent at the time but from that point onwards each and every zombie film must feature zombies , sorry "infected" who can outrun Usain Bolt while having the endurance of a marathon runner . It's also noticeable how many zombie films there are with a massive number of short films and films on The Horror Channel featuring zombie apocalypse . Perhaps most notciable of all is how poor most of them are . and with hindsight Boyle's film was much better than I thought it was on first viewing . This inspiration called DEVIL'S PLAYGROUND is better than most of its peers but that's probably down to a simple reason it's a conscious rip off from Boyle's original
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
In its favour and considering its cast it'd be a very easy route to take and treat as a Lads Mags horror comedy with lots of nudge nudge wink wink humour testing the patience of its prospective audience . One thing I did like was the dead pan serious tone and while it's hardly big budgeted it does its utmost best to paint a convincing infected outbreak that took place unseen in 28 DAYS LATER . One of the rejected plots for 28 WEEKS LATER was having a SAS platoon rescuing the Prime Minister from the infected outbreak and once you're aware of this rejected screenplay you're able to see how this scenario would have played out on screen . Replace the PM with someone who has a possible immunity to the infection and replace the SAS platoon a more diverse group and you're left thinking that Boyle and Garland got it riht with the version of 28 WEEKS LATER that did make it to the cinemas . Not to be too hard DEBVIL'S PLAYGROUND it's much more enjoyable than I expected it to be and has been one of the better films The Horror Channel has shown recently
Lo sapevi?
- QuizSean Pertwee makes his cameo as a favor to producer Jonathan Sothcott after having to drop out of Dead Cert at the last minute.
- BlooperNatalie Quye is credited as "Infected Doctor-eating Man", but since she is a woman, that credit should be "Infected Doctor-eating Woman".
- ConnessioniReferenced in Cinemassacre's Monster Madness: Dawn of the Dead (1978) (2013)
- Colonne sonoreBringing London To A Standstill
By James Edward Barker
Performed by James Edward Barker
Copyright 2010
Published by Veneration Music 2010
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Dettagli
- Data di uscita
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- Sito ufficiale
- Lingua
- Celebre anche come
- Sân Chơi Của Quỷ
- Luoghi delle riprese
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Botteghino
- Budget
- 2.400.000 USD (previsto)
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Proporzioni
- 2.35 : 1
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