Rapina e fuga

The storyline of the show is very interesting. The beginning of the show is very promising, but as it progresses, the pacing feels slow, and many scenes seem to lack purpose. The story switches between the past and present, showcasing the planning of a heist in the past and a killer targeting thieves in the present. The show has been shot in different locations. I'm giving the show 5 stars. The characters are strong, the acting is good to a certain extent, the visuals are good, but the background score is average. The show is enjoyable, but don't set your expectations too high because you might be disappointed at certain points.

My favourite genre, but so few of real quality. We watch in hope of finding another gem and this combines three components in one series: recruiting a team for a one-and-done job, the getaway, and the aftermath. The aftermath is the main story, having completely left old lives behind and beginning anew with new identities and untraceable lives - my favourite part to see how they pull this off in the modern security camera-social media-AI-facial recognition world. That's what keeps me watching. But the setup/recruitment for the job with Gemma posing and preening as a cliched, hard as nails crime boss is pitiful. I like her in other roles, but this is ridiculous. Too many movies/series have actors posing ridiculously as cliched toughies and it is way beyond capacity for suspension of disbelief. It can work in action films because of the fast pace - you scoff/laugh but the grunting and choreographed fight scenes/car chases move you relentlessly along without pause so they get away with it. That's the trick of action films, just good fun. But these slower paced jobs that want to be taken seriously cannot get away with this Milli Vanilli approach of stylish pretence as a substitute for substance. Gemma stepping straight out of wardrobe and immaculate colour-coded makeup, Jo muscle stepping straight out of the hair salon with a new, immaculate hairdo... just stupid.

I agree with the frustration expressed by others about taking the time to introduce competent, skilful characters only to have them behave out of character an episode later... why bother! We have an assassin who never misses, unless she's shooting at an old bloke in a tracksuit... all of a sudden she's inaccurate, only when shooting at this one guy... total role reversal. A professional assassin with a safe, spacious, anonymous, art filled storage lock up with power and a cache of weapons but... no meds, no first aid kit... has a fridge but zero provisions - full of one brand of soda. But whatever you do, don't hole up there because it's not set up as a safe room bolt hole... but the biggest somersault is Gemma's stoic unemotional character morphing into a weepy girl in the final scenes.

I know there were no female characters in Reservoir Dogs team, nor the Layer Cake team, nor the Snatch or Oceans 11 crews. I get this is targeting a broader audience in a different era and the obligations to include more female characters and gay characters - but you have to make it work. Genna is too young for the role, and the costume/hair/makeup departments got her character wrong, I get they were going for control and authority but it doesn't work... and then at the end they totally backflip on their initial intention and her character totally loses control and goes to water emotionally.

Pick a fvcking approach - if you want to write strong female characters, don't be such hypocrites and morph them into weepy emotional train wrecks when you are tooooo fvcking lazy and unimaginative to write a coherent finale without fatally compromising your supposedly strong female character. Shame on all of you - writers, director and producers. Pathetic.

The other characters are not worth mentioning.

So it's my genre, and I've watched to the end, and I'm still left dissatisfied and craving quality.

It's pretty refreshing these days when you see characters in a thriller/drama acting rationally in intense situations. They don't make dumb choices, they take excessive measures and doesn't half ass anything.

This show is definitely not breaking any new grounds, but is very well executed and never feels boring or stagnant. Production is good, about on par with your typical British drama and all that entails.

Some really satisfying scenes early on, especially the one where main guy gets kidnapped but realizes it's not by the people he thought it was.

Overall, highly recommend for those that like British shows, and crime thrillers in general.

Slickly produced, the first few episodes suck you in... only to deliver a plot so full of holes you can see right through it. No idea why it's billed as a comedy either... unless it's the laughable fact that the cast can instantaneously find each other across continents despite being off-grid and incognito. Don't get me started on the 'Brain' who is somehow impossible to find by the 'villain' despite not being incognito.

Regardless, standout acting from 'Muscle' & 'Psycho' who became the only reason I watched all the way through the series.

The finale is utterly preposterous and hammed up to the max by Eddie Izzard who seems to think he's in a pantomime.

I did not have high expectations after reading some reviews but I enjoyed the season and was not disappointed by the end. A cross between a Guy Ritchie and a Tarantino movie it certainly had a high violence content - but not cartoon violence as seen in John Wick It's well paced but lacks a bit of character development. It makes good use of flashbacks which were confusing at times and part of the storyline seemed a bit underdeveloped but it did not have much impact on the overall story. Eddie Izzard's role was a bit underwhelming. If you are looking for a series to binge watch it's not a bad choice.