Vanishing on 7th Street

Why nut burn stuff for light. They had a entire city full of wooden objects to burn for light. Even if this was set in a rural area, they could've collected wood to burn at night.

Existentialist horror film from director Brad Anderson ("Session 9") and writer Anthony Jaswinski exploits the all too understandable human fear of the dark. It stars Hayden Christensen as Luke (a reporter), Thandie Newton as Rosemary (a physical therapist), John Leguizamo as Paul (a movie theatre employee), and newcomer Jacob Latimore as James (a 12 year old son of a barmaid). They're brought together in a bar when mysterious forces overwhelm the city of Detroit, turning daytime into the night time. Also, dark spirits seem to be everywhere, and the human population of the city has mostly disappeared (leaving only piles of clothes behind). These four people must ponder such questions as why this has happened and why it's the four of them that are left, in addition to struggling to survive.

Anderson creates such spooky atmosphere and tension that it's a shame that the film doesn't work better than it does. This viewer would agree with others that it does feel like an unfinished script, and it leaves people wanting to know what comes next. Obviously, Jaswinski and Anderson aren't about to really explain anything in this slim story, which in itself is not necessarily a bad thing, but then our four main characters are never fleshed out that much. Therefore, it's hard to maintain much rooting interest in them, despite the best efforts of this cast. Still, you do feel for Rosemary and James to some degree since they don't know the fates of their son and mother (respectively). The film is very well shot in the 2.35:1 aspect ratio by Uta Briesewitz, with the lighting never revealing more than it should, and the visual effects are generally well done. One of the main problems is that the set-up is just too familiar to be that engaging. For one thing, the piles of clothes left behind automatically calls to mind "Night of the Comet" from 26 years previous.

Look for Andersons' filmmaking peer Larry Fessenden as a bike messenger.

Six out of 10.

An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain-surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. -- (C) Magnolia

I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.

Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.

The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.

Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.

How can you run from the dark? After waking up to an empty city Luke (Christensen) and a small group of survivors try to find a way to escape. When they realize the darkness is what is causing the vanishings can they find enough light to survive? Based on the previews I had pretty high expectations for this movie, it was very slow moving. The idea was pretty creepy, and it is tons better then "The Happening", although the story line was pretty similar. This movie seems like a really good "Twilight Zone" episode, but it doesn't really work as a full length movie. It gets repetitive pretty quick. It begins as a pretty scary movie, but runs out of steam quick and begins to drag. This is not a bad movie at all, but after the "last man on earth" type movies like "I Am Legend" this one doesn't really compare. Much, much better then "The Happening", but not one to rush out and see. I give it a C.

Would I watch again? - Probably not.

*Also try - Skyline & The Happening

'VANISHING ON 7TH STREET': Two and a Half Stars (Out of Five)

Brad Anderson directs this apocalyptic horror film about an unknown darkness falling on mankind and devouring everything in it's path. Hayden Christensen, Thandie Newton, John Lequizamo and newcomer Jacob Latimore star as a small group of survivors who band together. The film was written by Anthony Jaswinski (who's written a few other low rent horror films no one's heard of, mainly of the made for TV variety). Anderson has shown some skill in past projects (he directed the impressive 2004 thriller 'THE MACHINIST', featuring a 110 pound Christian Bale) but here he sinks to pure mediocrity directing a pretty forgettable routine thriller.

One random day there's a severe power outage and most of the world's population vanishes into thin air, leaving nothing behind but their clothes. The remaining survivors are quickly gobbled up by the ever growing darkness as well and the only way to escape it is to stay in the light, which becomes more and more scarce as electricity continues to fail and the days grow shorter and shorter. The film focuses on four surviving strangers who find each other in a bar on 7th Street in Detroit Michigan. Christensen stars as a TV anchorman named Luke, Leguizamo co-stars as a movie theater projectionist named Paul, Newton also co-stars as a mother desperately looking for her lost child and Latimore plays a young boy first camped out in the bar hopelessly waiting for his mom to return.

The film is interesting at first but none of it's puzzling questions are really answered. It's suspenseful and effectively eerie at times but nothing builds to a very satisfying conclusion. The point of the movie is never clearly known. Some will enjoy it's open-endedness but others will be frustrated by what some will call it's creative laziness. The performances are all adequate at best, the screenplay somewhat boring and the directing ho-hum. Not a complete waste of time for horror and suspense thriller fans but ultimately forgettable.

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