VALUTAZIONE IMDb
4,9/10
28.023
LA TUA VALUTAZIONE
La popolazione di Detroit è quasi completamente scomparsa, ma alcuni rimangono. Quando la luce del giorno scompare, si rendono conto che l'oscurità sta arrivando per loro.La popolazione di Detroit è quasi completamente scomparsa, ma alcuni rimangono. Quando la luce del giorno scompare, si rendono conto che l'oscurità sta arrivando per loro.La popolazione di Detroit è quasi completamente scomparsa, ma alcuni rimangono. Quando la luce del giorno scompare, si rendono conto che l'oscurità sta arrivando per loro.
Thandiwe Newton
- Rosemary
- (as Thandie Newton)
Jordan Trovillion
- Concession Girl
- (as Jordon Trovillion)
Erin Nicole
- Paige
- (as Erin Nicole Brolley)
Carolyn Clifford-Taylor
- Female TV Anchor
- (as Carolyn Clifford-Taylor)
Nicholas Yu
- Chinese Reporter
- (as Nick Yu)
Arnold Agee
- Kid
- (non citato nei titoli originali)
Christina Benjamin
- Movie Theater Patron
- (non citato nei titoli originali)
Courtney Benjamin
- Movie Theater Patron
- (non citato nei titoli originali)
Benjamin Brennan
- Movie Theater Patron
- (non citato nei titoli originali)
Recensioni in evidenza
The movie is creepy and dark and functions well without shock moments and the spilling of blood. There is some solid acting and the characters are not totally unbelievable, though they appear a little like the usual all-American suspects. I definitely don't agree with the frequent criticism that the movie lacks an explanation. The lack of an explanation is the actual concept of the movie. If the movie provided one, it would be as much fun as looking at a filled-in sudoku. The viewer is given food for thought by the different explanatory approaches done by the movie characters. I liked the reference to the "lost colony"-case, a historical oddity concerning the unresolved vanishing of a group of early settlers in America. I agree that the ending can be understood in a way that makes it seem cheesy - I interpreted it differently and so for me it was satisfying. I don't want to give anything away so let me just say as much: In my opinion no one survives at the end, but that certainly is disputable. My rating is a solid 6, although I was tempted to give more just to lift the overall rating since imo it is undeserved.
An unexplained blackout plunges the city of Detroit into total darkness, and by the time the sun rises, only a few people remain-surrounded by heaps of empty clothing, abandoned cars and lengthening shadows. A small handful of strangers that have survived the night each find their way to a rundown bar, whose gasoline-powered generator and stockpile of food and drink make it the last refuge in a deserted city. With daylight beginning to disappear completely and whispering shadows surrounding the survivors, they soon discover that the enemy is the darkness itself, and only the few remaining light sources can keep them safe. As time begins to run out for them, darkness closes in and they must face the ultimate terror. -- (C) Magnolia
I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.
Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.
The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.
Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.
I hate to use something from RUBBER, a film I loathed, but it fits so well here: VANISHING uses the plot of "no reason," a plot that raises many questions but doesn't answer them by the time the credits roll. It is this very reason why the film is disliked by many. Yet, films like THE HAPPENING, KNOWING, and THE FORGOTTEN get bashed because of the explanations of their plots. Go figure. Yes, as human beings, we often want to make sense of events that occur, especially in films, yet we need to realize things in life just happen. VANISHING may be low on explanation, but it's high on suspense due to the use of a common fear: the dark.
Let's take a moment to talk about why so many people fear the darkness: It's not the darkness itself that people are afraid of, but rather, the fear of the unknown. Just what is lurking in the darkness? VANISHING uses this fear and capitalizes on it which generates many of the films' unnerving moments. In fact, its resistance on explaining everything is what makes the film scary. And no, the film doesn't use any "pop out" scares. It's better than that. The film builds up its scares with a chilling atmosphere. That, ladies and gentlemen, is called suspense, and don't be surprised. Director Brad Anderson is in the chair. With films like TRANSIBBERIAN and THE MACHINEST already under his belt, Anderson knows how to make films that are thrilling.
The cast is good as well, but that's probably because I have a soft side for them. Haters of Hayden Christensen will find themselves unconvinced, but I thought he pulled off a good performance. Although their characters don't ask for much, John Leguizamo and the beautiful Thandie Newton do a great job providing sympathy to their roles. Jacob Latimore, the kid actor, plays quite an annoying character at first, which shouldn't be a surprise, but I got to eventually warm up to him in the middle point of the film.
Overall, VANISHING impressed me. While there may be some inconsistency in its high-concept premise, it really makes up for it on the scares. The actors are good as well and the production values are great for a small film like this. Give this film a chance.
While parts of the movie peaked my interest, overall, it was very disappointing. A vague plot, poor script, weak effects and actors trying their best to make it work. Too bad they failed. A movie with this premise has great potential, it can lead the viewer down a path and let the audience intellectually fill in the blanks. In order for that to occur, the movie itself must provide the plot points, the material that that allows, and draws the viewer to want to connect the dots and create, so to speak, their own movie within a movie. I just gave up, and so, apparently, did the filmmakers. I won't gave away anything, because there really isn't anything to tell.
OK - let me start by saying this isn't a BAD film. Its just that there's no pay-off at the end. You're left with a "So what WAS going on?" feeling. All successful stories have a start, a middle and an end. Vanishing on 7th Street is missing the 'end'.
The acting, direction and camera work all make the grade - but thats all. Its almost as if they've JUST managed to do enough to warrant getting paid. While there are a few nice touches during the film, there isn't anything here that you wont have seen before. Although I was surprised by one event close to the end which I wont ruin by revealing here.
Unless you have some reason to watch this film I wouldn't waste the time. There are 100s of 'fair/mediocre' films out there so choose one that at least has a proper 'end'.
5/10
The acting, direction and camera work all make the grade - but thats all. Its almost as if they've JUST managed to do enough to warrant getting paid. While there are a few nice touches during the film, there isn't anything here that you wont have seen before. Although I was surprised by one event close to the end which I wont ruin by revealing here.
Unless you have some reason to watch this film I wouldn't waste the time. There are 100s of 'fair/mediocre' films out there so choose one that at least has a proper 'end'.
5/10
Why nut burn stuff for light. They had a entire city full of wooden objects to burn for light. Even if this was set in a rural area, they could've collected wood to burn at night.
Lo sapevi?
- QuizThe cast members would jog in place in between takes in order to maintain a proper level of intensity that was required for their characters.
- BlooperThe jukebox plays CDs but suffers from vinyl-style slowing down of the music when the power drops.
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.6 (2011)
- Colonne sonoreHello Little Boy
Written and Performed by Mildred Anderson
Licensed by Arrangement with Prestige Music (BMI)
Courtesy of Prestige Records / Concord Music Group, Inc.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Vanishing on 7th Street?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Desaparición en la calle 7
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 22.729 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2898 USD
- 20 feb 2011
- Lordo in tutto il mondo
- 1.671.196 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti