Il ragazzo che gridava al lupo... mannaro

Ok gang. The story is intersting enough and cute enough that you will be ok if you sit down to watch it with your tweens. The actors gave it their all. It has heart.

They truly did their best with a low budget.

There are no cuss words. Not one. No nudity. They will not even use the word "kill". This is as safe for kids as can be. Almost no blood, and no gore at all.

After typing it all that I raised it to a 7. It deserves it.

It is a feel good movie.

Great for halloween time by the way. Like, perfect.

The writers took their time to weave a story that is not hard to follow but not overly simplistic.

If yo have tweens, enjoy it.

After inheriting a family castle in Romania, a family discovers the dark secret behind the local legend of a vicious beast roaming the city as they race to stop a horde of vampires from taking control of the castle.

This here turned out to be quite an enjoyable and entertaining kiddie-centered horror-comedy. There's a lot of good in this about making an even mix between tween-inspired parts and more normal horror motifs, and there's plenty to both sides in here. The tween backbone here is all well-handled with the different attitudes toward the single father dating, the romance for once isn't obtrusive to the story in detriment for the actual horror, and the beginning where they explore the castle is just filled with some quality gags that really showcase the goofier humor present that really appeals to kids. From the gags trying to scare the sister to the constant sibling-like digs on each other and the side-splitting recurring gag with a character's name, there's some really funny stuff in here and it gets better once the transformation occurs. The antics that depict the transformation, from the heightened sense and reactions to the lessening of objection towards previously-objectionable attitudes and how their date goes which is constantly threatened by her burgeoning abilities for some nice laughs but knows to transition into horror territory nicely as once those abilities creep in, the explanation and back-story about the creature amongst the town's history is wonderfully handled. It makes for a pretty enjoyable time by creating a pretty strong connection through the twisted mythology with the action in the last half which is just non-stop brawling between the two werewolves and the vampire clan through the catacombs under the castle, through the cemetery and finally into the neighboring warehouse providing plenty of fun times as the fight progresses, and overall this is mixed quite nicely with the humorous aspects of the story. The fact that the creatures are done with practical make-up effects that look rather impressive for the realism and great they look in design and movement is another key factor here, and the only real flaws come from the beginnings of their life. The trouble it goes to set her up as a goofy klutz only to be saved by the werewolf curse is way too clichéd and feels too overwrought to be of much originality. As well, the whole thing is dropped once they get to the castle anyway, leaving the inclusion rather curious. Otherwise, there's not much to dislike here.

Rated Unrated/PG: Violence.

Good watch, probably won't watch again, but can recommend.

This, a Nickelodeon production, is obviously targeting younger kids, but is a surprisingly watchable "teen angst over traumatic event" coming of age story with a really good preternatural twist to it.

It does lend into "no one will believe me, boo hoo", but this movie has a subtle message of empowerment to kids, and (I think) women: the ladies out stage the guys easily throughout the entire movie.

Victoria Justice is a proven entity in leading and carrying a movie, which she manages to do until she bumps into the older women would rightly steal the focus. Brooke Shields does a great "foreign lady that is either about to kiss or hit someone, but does neither" type of role here, and Brooke D'Orsay gave a confident and consistent enough performance that I honestly thought it was Eva Green essentially doing her character from "Dark Shadows".

I think this is better for younger audiences, but good enough that an older audience can still appreciate it.

Jordan Sands (Victoria Justice) is a dorky teen who became the lady of the home after her mother's death. She's awkward, accident-prone (especially near hunky boys) and picked on by the mean girls. Her father David is struggling as her little brother Hunter gets into trouble for his grotesque pranks. They find that they inherited their Great Uncle Dragomir Ducovic's castle in Wolfsberg, Romania. The California family travel to Romania. Jordan is taken with local boy Goran. Madame Varcolac (Brooke Shields) is the creepy housekeeper. Sketchy real estate agent Paulina Von Eckberg (Brooke D'Orsay) entices David. The kids discover a secret lab and Jordan steps on a broken vial. She becomes meat-loving, athletic and more powerful. Her senses improve and she stops needing glasses. However her transformation doesn't end there.

This is a barely passable tween horror which means that it's not really scary. Victoria Justice has the love of the tween audience. The production is limited TV level. The Vancouver sets don't have the right Gothic look. Brooke Shields is overacting. The werewolf looks like a Halloween costume. The final battle has low grade special effects and some stunts. It doesn't have any fun or horror to interest anyone older than a young tween.

Greetings And Salutations, and welcome to my review of The Boy Who Cried Werewolf; here's the breakdown of my ratings:

Story: 1.25 Direction: 1.25 Pace: 1.75 Acting: 1.50 Enjoyment: 1.50

TOTAL: 7.25 out of 10.00

Werewolves; Vampires; dark, mysterious figures; an immense and ominous castle; and a creepy-ass housekeeper - what more could a family film need(?)

Thankfully the writers, Art Edler Brown and Douglas Sloan provide the audience with a witty script to keep them chuckling through the hour and a half. Unfortunately, the underlying concept is overly-used in plenty of teen flicks; The rites of passage storyline. After the tragic death of their mother, poor old dad has to cope with the aftermath. His son Chase is having a hard time and overcompensates with horror-based practical jokes. There are power outages where he lies in wait near the fusebox to scare his sister. There are decapitated body parts swimming in fake blood left in the fridge. So, you can understand the movie's title and think you know where the story is heading - or is it? His sister Jordan is the bespectacled nerd in school who likes the football jock and would like to be part of the Heather's clique - Sounds a little familiar, doesn't it? It should; these elements had been done to death before this picture's 2010 release. Happily, Brown and Sloan transport us out of the dangerous waters of teen movies by adding a motley mixture of horror goodies and gags. Yep, Jordan will still metamorph into a mighty attractive bewitching mademoiselle and love interest to the local Romanian village teen heartthrob and bakers boy, but mystery and suspense will litter her path. And the secrets and misgivings come from many avenues. Firstly, who is the forboding housekeeper, Madame Varcolac, whose very name has the creatures of the night singing their sweet music? Why is the local estate agent so keen to sell the mansion, and does she have romantic designs on their dad? What is the secret of their departed benefactor, and why does it appear to be connected with a popular video game franchise? Added to the numerous conundrums, Brown and Sloan proffer the audience with decent characters. Each is an individual in their own right, which helps significantly with the humour.

Eric Bross isn't the world's greatest director. In truth, his stock and trade are on the average side. But he excels at managing the movie's tempo. Not only can he manipulate it impeccably to create excitement, tension, and a little dread, he's punchline-perfect with the visual and vocal gags. And though he has a good eye for composition - the upward pan of the mansion shows how massive it is but also attaches an eerie feeling to the building - he could've done with adding more captivating camera angles, especially for the fights and the chases. His cutting is excellent, as I said. However, changing their height and angle would've heightened the excitement. At least there's no camera shake - Thank you for that, Mr Bross. There's a scene when Jordan takes off across the rooftops; Bross follows her athletic departure with a pan and a slight zoom. It would've been nice to have a couple of close-ups on the rooftop or maybe more of a following shot. But these are small things because the movie works.

The cast is superb. However, this film belongs to Brooke Shields. After watching her in this picture, I can say this lady sure can act. Yes, her accent may slip a couple of times, if I'm being pernickety, but she sure does come across as scary and intimidating. I wouldn't mess with Madame Varcolac.

And in all honesty, I'd recommend watching the whole of this movie just for the music video at the end. Madame Varcolac and the rest of the cast singing Britney Spiers' song, Baby, One More Time, is priceless - and Shields stays in character, awesome. But the bonus is the movie is one enjoyable romp through the Old Country of horror. The Boy Who Cried Werewolf will be a go-to movie whenever I get down and need my spirits lifted.

Now take off that fur coat and... What do you mean you're not wearing a fur coat... Err, well, just come over here and take a look-see at my IMDb lists - Absolute Horror, Just For Laughs, and Guilty Pleasures to see where I ranked The Boy Who Cried Werewolf. Sit: Rollover: Good werewolfie.

Take Care & Stay Well.