Micro Men

Micro Men is an enjoyable docu-drama about the early days of the home computer revolution. I was there at the time reading computing magazines avidly and typing out the printed programmes which never worked because of typos. This was avid viewing.

It is Sinclair versus Acorn. Although you would not realise from this film that Clive Sinclair was better known as Uncle Clive, the genial, nerdy 1970s whiz kid who built cheap home computers with dead flesh keyboards.

The Acorn boys on the other hand built more stylish computers with proper keyboards and they even won the contract for the BBC computer.

In this drama, Clive Sinclair (Alexander Armstrong) is seen as a bad tempered bully (he was never regarded as such a person at the time.) Although he was later revealed to be a bit of ladies man, loved a flutter at the Vegas casinos and voted Tory.

Chris Curry (Martin Freeman) of Acorn Computers is the more lovable one. The nice, genial one with his more business headed Austrian partner.

The early 1980s British companies led the world of home computing, although Microsoft had plans for a uniform operating system.

Pitching Acorn v Sinclair is a great history lesson and drama. Unfortunately, both companies were also left picking up the pieces afterwards as Microsoft surpassed them a few years later.

About a decade ago it was considered somewhat trendy to film movies about the creation of technology that continues to shape our lives to this day. Some of the prominent examples are The Social Network and Jobs, that tell the stories of people who ultimately succeeded in their aspirations. Unlike these two, Micro Men, a British TV semi-documental drama directed by Saul Metzstein in 2009, does not encourage any survivorship bias. It narrates the brief but thrilling history of home-grown British computer industry, toeing the line between comedy and tragedy.

The plot centres on the rivalry between Clive Sinclair (Alexander Armstrong), an inventor and entrepreneur with a passion for designing miniature electronics and electric vehicles, and Chris Curry (Martin Freeman), a colleague of his who goes on to start his own business. It is their tense competition that drives the adoption of personal computers in British schools, homes and offices. Most of the film's story is based on the actual events, with a few scenes invented. Numerous cuts to the relevant contemporary TV programmes and commercials (a wonderful touch, in my view) add to the "documentary" feeling.

Despite being set primarily in mundane office spaces, the story manages to keep the viewers' attention thanks to Armstong's expressive acting. His portrayal of Sinclair as an eccentric, self-assured and self-centred individual, short-tempered to the point of being laughable, yet insanely committed to his ideas, may seem overblown and unconvincing to some. However, it undoubtedly shifts the production in the even more comedic direction. Freeman gets overshadowed quite a bit, but still delivers a solid performance of a comparatively down-to-earth businessman, countering his overly exuberant co-star.

Micro Men features a totally fitting soundtrack of mostly electronic music, which was booming in the times depicted in the film. The screenwriters do not overwhelm the audience with technical details of any sort, but if you dig this kind of thing, I bet you won't be disappointed, too. Overall, though by no means a masterpiece, this production deserves the attention of tech lovers and everybody looking for a well-screened real-life story to watch.

Thanks for such a great piece of entertainment.

There were lots of funny bits in this film, largely due to the acting of Sinclair.

It was also light-hearted with a feel good factor at the end with people making up to each other and with Sinclairs quotes about life - "Ah, but a man's reach should exceed his grasp, or what's a heaven for?".

Some great 80's music as well.

Even if you were'nt into home computers at the time, then this is still a good drama.

Havily simplified, to the point of absurdity.

Clive is shown as a clown. They have shown his eccentric sides without representing his ingenuity. He is no mental slouch by any means.

Real dynamics around Sinclair Research was far more colorful.

Cliwe did not stick with C5 because he just couldn't see its flaws but because he was desperately trying to push it to some point where he could hit some market niche and make some money off it.

Anyone that has ever done some electronic projects, sold them and lived off that profit will tell you that sometimes you have to get creative to put bread on the table and some projects you do in some arrangements for the money.

Sinclair Research was not exception, rather the opposite.

Just saw this on BBC4. A very interesting take on how close the UK came to dominating the world computer development and manufacturing industry in the early 80s, only for it to all fall apart just 5 years later.

Despite some garish and unconvincing make-up, Armstrong shows he can do serious drama in his portrayal of Sir Clive Sinclair, the man who brought affordable computing to the masses. Martin Freeman is good (as always) as the confidante in Sinclair's company who, unable to understand Sinclairs bloody mindedness over what to concentrate their efforts on, leaves and sets up arch rival 'Acorn Computers' with an Austrian business partner.

The production team have done a solid job in displaying the drabness of the era. The mix of archive TV footage of the time inter-cut with this filmed TV drama works quite well. The background story of how the UK became a world leader in the home PC market, and then blew it, is a fascinating tale for anyone interested in recent history. At one point Freemans character turns to Sinclair and says 'We could have been the British IBM but you wouldn't listen to me' is very apt. Sinclairs obsession with the notorious C5 is also addressed. It does make you wonder what would have happened had there been more cohesion in the industry at the time rather than the arrogant self interest of the industry that resulted in the UK losing such a massive foothold.

A thought provoking drama that has just enough momentum to keep itself interesting despite some flaws.