VALUTAZIONE IMDb
5,9/10
40.335
LA TUA VALUTAZIONE
Una madre non si ferma davanti a nulla per recuperare il figlio rapito.Una madre non si ferma davanti a nulla per recuperare il figlio rapito.Una madre non si ferma davanti a nulla per recuperare il figlio rapito.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Jason George
- David
- (as Jason Winston George)
Arron Shiver
- Bill
- (as Aaron Shiver)
Jill E. Alexander
- Nancy
- (as Jill Alexander)
Recensioni in evidenza
Karla Dyson (Halle Berry) is a stressed out waitress in New Orleans. Her son Frankie is everything to her. Her husband is fighting for primary custody of him. At a park, Frankie is kidnapped with Karla following in hot pursuit.
Halle Berry seems to have fallen into a lot of these minor thrillers. The first half has some good thrills. This is essentially one long car chase concluding in a fight to the death. There are a few too many convenient twists which erodes the believeability of the movie. At one point, she is following the kidnappers surreptitiously and I figured that's good way to follow them to their hideout. Instead, it keeps trying to elevate the intensity by having unrealistic turns. The movie slowly falls apart but it keeps trying and that's somewhat watchable.
Halle Berry seems to have fallen into a lot of these minor thrillers. The first half has some good thrills. This is essentially one long car chase concluding in a fight to the death. There are a few too many convenient twists which erodes the believeability of the movie. At one point, she is following the kidnappers surreptitiously and I figured that's good way to follow them to their hideout. Instead, it keeps trying to elevate the intensity by having unrealistic turns. The movie slowly falls apart but it keeps trying and that's somewhat watchable.
First off, let me just say that I can rarely be bothered to write reviews on here. The only reason I decided to was due to: 1) lack of reviews, and most importantly 2) the very few reviews that have been posted here are so incomprehensively negative that the only explanation I can come up with was that they had to be shills (which is surprising to me, as most 'shills' on IMDb are only here to artificially increase a film's positive reviews).
That being said, I found these these first two negative reviews utterly baffling. Now I'm no expert film critic, but movies are my number one passion in life. As such, I've seen so many that I've literally arrived to the point where I'm thoroughly jaded...so much so that most everything that I've seen usually leaves me both bored and uninterested, or at best, mildly amused. Now that I've had my mini-rant, I'll continue on with my review.
As the title of the film implies, the story is as basic as it gets: a mother's son gets kidnapped, and said mother stops at nothing to get him back. From that simple premise (which has been rehashed millions of times), I began watching this with the expectation that I'll be seeing one cliché after another, with gratuitous violence and over-blown CGI and/or cheesy effects mixed in for good measure. I can honestly say that not only were those expectations overturned, but for the first time that I can remember, I was literally sat on the edge of my seat and kept in suspense throughout. That statement may sound generic and trite, but coming from a jaded cinephile, it becomes a huge compliment.
I never lost interest for a second, and the sheer intensity and suspense that I felt throughout 'Kidnap' got to the level where I was actively looking to see how many more minutes was left before it ended not because I was bored and wanted to know how much more tedium I had to suffer, but so that I could tell how much more hell the protagonist (and by extension, I) had to go through before all the nail-biting suspense could finally come to an end.
It was a taught cat-and-mouse thriller expertly choreographed, and Halle Berry's acting was sublime! In fact, I was initially so put-off by the film's synopsis, I would have passed this over in an instant had it not been for the fact that Ms Berry was in it! The acting, cinematography and stunt-work were masterfully crafted in such a way so as to get you emotionally invested throughout. I think that is why this film engendered such a visceral reaction whilst watching it. If you cannot relate to nor care about the characters, the film you're watching falls flat, and you consequently lose interest very quickly. Not so with 'Kidnap'. The relatability of Berry's character, plus the superb job she did with this role, puts you right in the car seat next to her.
If you are like me, and suffer from the ennui that inevitably comes from having seen almost every movie ever made, and are looking for the proverbial 'white knuckle ride' and adrenaline rush, then I cannot recommend 'Kidnap' strongly enough. In fact, I wouldn't be exaggerating to say that this is on my top 4 list of films I've seen this year thus far!
So in a way, I give thanks to the two negative reviewers. Had it not been for them, I wouldn't have even bothered writing this review!
That being said, I found these these first two negative reviews utterly baffling. Now I'm no expert film critic, but movies are my number one passion in life. As such, I've seen so many that I've literally arrived to the point where I'm thoroughly jaded...so much so that most everything that I've seen usually leaves me both bored and uninterested, or at best, mildly amused. Now that I've had my mini-rant, I'll continue on with my review.
As the title of the film implies, the story is as basic as it gets: a mother's son gets kidnapped, and said mother stops at nothing to get him back. From that simple premise (which has been rehashed millions of times), I began watching this with the expectation that I'll be seeing one cliché after another, with gratuitous violence and over-blown CGI and/or cheesy effects mixed in for good measure. I can honestly say that not only were those expectations overturned, but for the first time that I can remember, I was literally sat on the edge of my seat and kept in suspense throughout. That statement may sound generic and trite, but coming from a jaded cinephile, it becomes a huge compliment.
I never lost interest for a second, and the sheer intensity and suspense that I felt throughout 'Kidnap' got to the level where I was actively looking to see how many more minutes was left before it ended not because I was bored and wanted to know how much more tedium I had to suffer, but so that I could tell how much more hell the protagonist (and by extension, I) had to go through before all the nail-biting suspense could finally come to an end.
It was a taught cat-and-mouse thriller expertly choreographed, and Halle Berry's acting was sublime! In fact, I was initially so put-off by the film's synopsis, I would have passed this over in an instant had it not been for the fact that Ms Berry was in it! The acting, cinematography and stunt-work were masterfully crafted in such a way so as to get you emotionally invested throughout. I think that is why this film engendered such a visceral reaction whilst watching it. If you cannot relate to nor care about the characters, the film you're watching falls flat, and you consequently lose interest very quickly. Not so with 'Kidnap'. The relatability of Berry's character, plus the superb job she did with this role, puts you right in the car seat next to her.
If you are like me, and suffer from the ennui that inevitably comes from having seen almost every movie ever made, and are looking for the proverbial 'white knuckle ride' and adrenaline rush, then I cannot recommend 'Kidnap' strongly enough. In fact, I wouldn't be exaggerating to say that this is on my top 4 list of films I've seen this year thus far!
So in a way, I give thanks to the two negative reviewers. Had it not been for them, I wouldn't have even bothered writing this review!
Well... I will first give credit where credit is due. I will admit that despite the many flaws to be found, I was never bored once during my viewing experience. And I will also admit that Halle Berry gives it her all, and certainly deserves an "A" for her great effort. Unfortunately, Berry is often required to spout dialogue (when no one else is around) that feels quite contrived and makes you think that the filmmakers thought the audience would be too stupid to figure out what her character was thinking and feeling if she was silent. A bigger problem is that there many moments where her character does some really stupid things that just extend the situation instead of finishing things much sooner had her character had some basic smartness. For that matter, the bad guys (and also some other characters) do their part to act stupid enough so that they stretch out the narrative as well. Had the movie's characters been of reasonable intelligence, we might possibly have had something here. But as it is, the movie is not that much better than silently watching a blank wall for 95 minutes.
I wouldn't put this in the thriller category, I'd put in more in the fantasy line, as you genuinely so need to forget all sense of reality.
The pluses definitely outweigh the negatives, the main body of the film is somewhat thrilling, the car chase and kidnap scenes will have you on tenterhooks.
However it is dogged by several issues, the main one being the lack of any police, if it had been set in the 1950's I could understand, but in the days of CCTV, I struggle to understand how any of the events were even remotely possible. The opening credits went on for way too long, and throughout you will continually say to yourself, that would never happen.
Halle Berry is good, she's been dogged by some poor films, but she's never stopped being a very good actress.
If you can overlook its many flaws, you'll enjoy it.
The pluses definitely outweigh the negatives, the main body of the film is somewhat thrilling, the car chase and kidnap scenes will have you on tenterhooks.
However it is dogged by several issues, the main one being the lack of any police, if it had been set in the 1950's I could understand, but in the days of CCTV, I struggle to understand how any of the events were even remotely possible. The opening credits went on for way too long, and throughout you will continually say to yourself, that would never happen.
Halle Berry is good, she's been dogged by some poor films, but she's never stopped being a very good actress.
If you can overlook its many flaws, you'll enjoy it.
I was optimistic about this being good since Halle berry was starting. She did a great job playing a panicked mother but the storyline after the actual kidnapping event was extremely unrealistic. High speed police chases and tools being thrown at vehicles on the highway and nobody calls the cops? No traffic cams picked up on any of this? Highly unlikely. Save your money and don't go see this movie. There weren't enough good parts to make this a good movie to pay for and I no longer want to watch Halle berry movies in the future.
Lo sapevi?
- QuizWas initially going to be released on October 9, 2015, but was pushed back 5 times due to the studio going bankrupt. It was eventually released on August 4, 2017.
- BlooperA 911 call is placed from a landline cordless phone, the phone number is associated with a stationary address. Authorities know where the house is based on this phone number, and the house doesn't move. The cordless phone has a range of maybe 50 ft. But the 911 dispatcher states "we will triangulate on your location" despite Karla knowing the address. Authorities only need to triangulate on cell phones which are mobile, using 3 cell towers to find their location.
- Citazioni
Karla Dyson: Let me tell you something, as long as my son is in that car, I will not stop. Wherever you go I will be right behind you.
- Curiosità sui creditiPhotos of Halle Berry and Sage Correa at the park are shown during the first half of the end credits.
- Versioni alternativeThe Blu-ray and DVD release is 14 minutes shorter than the theatrical and VOD release.
- Colonne sonorePurple Butterflies
Written by Federico Jusid, Ale Martí, Anele Onyekwere
Performed by Raya Yarbrough, Danny Jay & The Pimpampums
Published by Metronome MP
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Mujer en llamas
- Luoghi delle riprese
- Slidell, Louisiana, Stati Uniti(outdoor filming)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.971.040 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.016.323 USD
- 6 ago 2017
- Lordo in tutto il mondo
- 34.814.102 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Proporzioni
- 2.39 : 1
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