Pee-wee

As a kid growing up in the 1980s Pee-wee was a household name. His incredible film Pee-wee's Big Adventure is a classic. Not to mention the follow-up Big Top Pee-wee. The effort he put into entertaining the public was never appreciated by most except a few true fans. This documentary goes over his childhood, stage work and films. Very well done and a great tribute to one of my favorite people of all-time.

His brief roles in movies like Cheech & Chongs Next Movie, Blow and Buffy the Vampire Slayer are really interesting and show a dynamic of Paul Reubens that went mostly unnoticed. Thank you Paul for the years of laughter and smiles.

There's an astonishing honesty about this documentary that Pee-wee admits: Few of us get to make a final statement about their lives. The filmmakers were unaware that Paul Ruebens was battling cancer for several years before they made the film. In fact, Paul padded away a few months after it was completed. Like Walter Isaacson's biography of Steve Jobs, a person facing death finds honest self-revelation easier than a person still protecting their identity and public image. Through out the film, Paul Ruebens consistently reveals that he finds it difficult to separate his alter-ego Pee-wee from the person Paul. When he gets a star on the Hollywood walk of fame, he notes that it was Pee-wee whose name is on the star, not Paul's. There are many revelations about Pee-wee's creative process including how the storyline of Pee-we's Big Adventure came about. While he and writer-director Tim Burton were developing the screenplay on the Warner Brothers studio, he saw many actors riding the lot of bicycles, so he asked: How do I get a bicycle? The next day, a 1950s era Schwinn DX showed up outside his office. Pee-wee ran into the office and told Burton he knew the plot would center on Pee-wee's love for that bicycle, how it would be stolen and how his adventure would be getting to back. It's a beautiful film about a child-like actor who mixed his fantasies with life's realities.

Paul Reubens was one of the true creative masters of our time. He didn't need a cartoon for his vision; he translated it into real life. The characters, the energy, the Playhouse itself, were so authentic and timeless that it felt like we were being invited into a safe space that lurked just behind the curtain of our everyday world. He managed to blend the mainstream with the avant-garde in such a way as to activate the full range of viewer imaginations and backgrounds- like all the best art. I remember checking my fridge during commercial breaks to see if we had any dancing food in there like Pee-wee's. And I was only partly disappointed when I found none... because I knew it was dancing when I wasn't looking. :)

This two-part doc by Matt Wolf offers a complete anthology of Paul's journey. We learn about his family and friends in Florida, early influences, education at CalArts, development at Groundlings, emergence on Broadway, and ultimately his superstardom on film and television amid the handful of personal issues that set him back.

I connected with the storytelling style here. It veers between historical clips, interviews and narration- notably from the man himself. Paul was a natural performer all the way through to the end. He talks to the camera as if he's sharing a secret with you. He's intellectually nimble, and his improv skills evidently never eroded. He knows precisely when to leaven adult anecdotes with juvenile humor: "Dad told me, 'Paul, if you're homosexual, I want you to be the greatest homosexual you can be'... so I went out that night to be the greatest homosexual ever- no, just kidding. ;)" His winsome attitude and smiling eyes make him a compelling speaker, and he means what he says in perfect earnest.

Learned a lot as well. Like how Pee-wee had a regular spot on Letterman before he made it big; he was once a contestant on The Dating Game; at CalArts he was part of an absurdly talented 10-actor ensemble that included Katey Sagal (= Peg Bundy) and David Hasselhoff (= HOFF!); and at Groundlings he laid the foundation for the Playhouse with mainstays Phil Hartman (Captain Carl) and John Paragon (Jambi). So if you're a Pee-wee fan, it's delightful. And if you're learning about him for the first time I'd love to be in your shoes because he's a total original whose greatness will inspire you.

Was there anyone who actually believed that Paul was a pedophile? There was never any there there. Yet the label tormented him until the day he died, as revealed by some gripping footage where he addresses the miasma of innuendo that swirled around his name. I'll never understand whose agenda we serve by perpetuating falsehoods against those who mean well. All I can say is, thank you Paul for laving pure joy over the world and sharing your singular artistry with us all. Your reputation remains clean to me, and legacy of Pee-wee Herman will be cherished forever. Conky's secret word today is LEGEND.

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"I just felt I could be the beacon out there and say it's okay to be different. It's okay to be creative. In fact not only is it okay, but let's celebrate it." - Paul Reubens.

I found this film extraordinary, and am so grateful it was made--as a "final testament" by this gifted, maligned and mistreated comic genius. Director Matt Wolf clearly had an ambivalent collaborator in Paul Reubens, but the way in which Wolf was able to craft such an incisive glimpse into the mind of this very private man is really remarkable.

With hindsight, it almost goes without saying that Paul Reubens got a raw deal, and his career ruination was, to say the least, undeserved. This documentary sheds light on the "second" career-damaging "scandal" to hit Reubens, when an ambitious city attorney for Los Angeles brought a patently false case against Reubens for possessing "obscene material." This excellent documentary succeeds in "humanizing" the late Reubens,, really, for the first time, publicly. His final recorded words are heartbreakingly sad and bring this beautiful tribute to a very moving close. If only Paul could have seen a tribute to him like this while he was alive. Short of that, this fine film serves as a well-deserved, heart-felt epitaph.

Whatever can be said about Paul Reubens (Pee-Wee Herman), the best explanation of who he really was resides in this excellent new Max two-part documentary "Pee-wee as Himself." Essentially, this is Paul Reubens interviewing himself, unfolding his deeply personal and often lonely life and his hard fought and spectacular rise to fame from the ground up.

But then came his controversial arrest in Florida, and later, a dubious investigation in California, both having the net effect of killing his career. In a sometimes homophonic and politically-driven society, Reubens certainly had the deck stacked against him.

Reubens publicly "outs" himself in this documentary, something he could not safely bring himself to do throughout his personal and professional life. He likely felt at this point in his storied career he had nothing to lose.

Ironically, the filmmakers and even many of Reuben's closest friends had no idea that he was quietly fighting cancer. Paul, of course, knew, and he wanted to make sure his self revealing documentary would be shown after his death. For various reasons (explained in the documentary), it would not air until May 23, 2025.

Reubens passed away July 30, 2023 at age 70.