Un'ex drogata assiste a un omicidio. È costretta a collaborare con l'assassino per salvare la vita di sua figlia. Deve lottare contro il tempo, la polizia e la malavita per salvare l'unica p... Leggi tuttoUn'ex drogata assiste a un omicidio. È costretta a collaborare con l'assassino per salvare la vita di sua figlia. Deve lottare contro il tempo, la polizia e la malavita per salvare l'unica persona che significa qualcosa per lei.Un'ex drogata assiste a un omicidio. È costretta a collaborare con l'assassino per salvare la vita di sua figlia. Deve lottare contro il tempo, la polizia e la malavita per salvare l'unica persona che significa qualcosa per lei.
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- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Recensioni in evidenza
So, please call me, Olga, and I will personally write you a decent action movie script. One where no one dares utter the cliché, "no! YOU drop it." Because everyone knows the real Olga Kurylenko would take the shot in a heartbeat, and waste the cowardly bad guy hiding behind his quivering hostage with deadly accuracy.
Personally, I don't like when a script puts character in a position and their reaction is to be "incompetent". But sometimes it is realistic, and understandable. But it feels like this movie is consistently taking this line, which becomes frustrating after a point.
Not to mention the so-called "reasoning" behind the lead's pairing making little sense, as we have a father already in pain immediately subjecting someone else to the same suffering.. defies logic (and taking over half the film to get there).
The chain of events and execution of the premise leave a LOT to be desired.. I didn't enjoy this at all. Can't really recommend it.
The actors tried really hard to make something of a very thin screenplay. The plot was fine, the visuals actually great for what was clearly a tiny budget and the editing good.
Harvey Keitel was chronically underused but maybe that was a contractual thing and Kurylenko was quite decent although not believable as an ex-addict; too beautiful!
The main problem for me was the poor screenplay, script and pacing. The plot crawled along at an agonisingly slow pace at it's worst and the twist incredibly improbable.
Still, it's better than Twisters and A Quiet Place: Day One on a fraction of their budgets.
Samuel Bartlett, Ferdinando Dell'Omo and Andrea Iervolino wrote a script and storyline that started out okay, but then fell into a slump about halfway through and never recovered. The movie trotted on in a monotonous pacing without really going anywhere. And it felt like I was sitting through a long sequence of filler to make the movie run for 87 minutes. There wasn't much story progression to the narrative in general, and that made sitting through "Paradox Effect" rather tedious and boring actually.
And you don't really care much about the characters in the movie either, as the character gallery is flaccid and one-dimensional.
While Harvey Keitel is on the movie's cover, he is but a name to lure in the audience, as he is not in the movie all that much. I am not particularly much a fan of Olga Kurylenko, but she actually carried the movie well enough, make it a bit more bearable to sit through the monotonous narrative.
I found "Paradox Effect" to be a disappointing movie, and it is definitely not a movie that I will ever return to watch a second time. There are far better action thrillers out there, but if you enjoy the genre perhaps give director Scott Weintrob's 2024 movie a chance.
Sitting through the 87 minutes was a bit of a test, as there wasn't all that much story progression, and without much of anything overly interesting happening, it just wasn't anything to write home about.
My rating of "Paradox Effect" lands on a generous four out of ten stars.
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Title Card: It is impossible to suffer without making someone pay for it -Friedrich Nietzsche
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 64.703 USD
- Tempo di esecuzione1 ora 27 minuti
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