Cheyenne, una rockstar ritiratasi dalle scene che vive a Dublino grazie ai diritti d'autore, torna a New York per trovare l'uomo responsabile di un'umiliazione subita dal suo defunto padre d... Leggi tuttoCheyenne, una rockstar ritiratasi dalle scene che vive a Dublino grazie ai diritti d'autore, torna a New York per trovare l'uomo responsabile di un'umiliazione subita dal suo defunto padre durante la seconda guerra mondiale.Cheyenne, una rockstar ritiratasi dalle scene che vive a Dublino grazie ai diritti d'autore, torna a New York per trovare l'uomo responsabile di un'umiliazione subita dal suo defunto padre durante la seconda guerra mondiale.
- Regia
- Sceneggiatura
- Star
- Premi
- 20 vittorie e 17 candidature totali
- Elevator Woman #4
- (as Sara Kamoo)
Recensioni in evidenza
Sean Penn is just amazing and the whole movie is something you don't see much in US cinemas. Its so different that there is almost no comparison. Of course it will be a big hit within the Gothic scene, but also the regular movie fan should give it a try. Its very slow paced road trip, but Penn carries that overwhelmingly with his outstanding performance of the character, who reminds of course of Robert Smith, but in a superb way. The story is very simple and so I leave that totally out, since it would spoil it right away.
My favorite scene is when he visits the show from David Bryne playing "This must be the place", keep it in mind and enjoy the show! Its certainly an experience for real movie fans!
(That it won't be a huge box office hit, most likely, should not hold anybody back who wants to see a good movie!)
Sean Penn tries very hard in this film, taking on a role of the worn out and disturbed rock star (Cheyenne) living in isolation. His character is weirdly ambiguous—and just plain weird—somewhere between a cross-dresser, a transvestite, and a myopic hedonist. He is something like "the idiot" of literature who seems completely out of touch but also has a wisdom and aloof perspective others do not.
It sometimes works. The movie itself is filled with ambiguity, and not in an enchanting way. Since it does not charm by its aura and filmic intention (it has little of either), it should give us a better sense of what exactly is going on. Oh, you'll get the drift, and you'll pick up on the Cheyenne's regret and melancholy. And you might understand he hits the road in a bumbling search for some evil-doer geriatric Nazi (I'm serious) that no other person is better qualified to pursue.
Well, any movie that pushes into its own sphere with some enthusiasm is worth watching, to me. I'm glad I did. But I can use my experience to warn a viewer that it's a personal calling here. Penn alone is reason to either hate or like the film, his overacting reminding me mostly that there are people who are really like this character who would have done much better. Instead we feel him acting all the time. It should be said that some of the other actors are forced to push their performances, too.
One curious aspect to the film I loved was all the versions of the one song in the film, "Home" or "This Must Be the Place" by the Talking Heads (and performed by all kinds of people including David Byrne himself in a small, very tacked-on cameo). Some of the versions are so different you might not even catch that it's the same song again. Listen.
So what's the point of all this angst and campy sadness? I think it's about the rediscovery of this Cheyenne's self. His real self, a person with normal qualities. He succeeds by breaking out of his self-imposed hermetic world and in a way it's a warm and almost terrific experience. For him and for the viewer. But for all its intentions it felt forced to me. There wasn't enough supporting material, not enough ambiance, and not enough character development (oddly enough, since it's all about Cheyenne's character). There is so much time spent on superficial aspects we never really get into the depths that might be here. Maybe.
I want to think of this as a 10 star dream with a 4 star soul. That makes 7, I guess. But it feels less satisfying than that for me, and I'm thinking you'll know by now whether you might give this a tentative whirl.
Ciao ciao, Alberto
This was such a film for me.
No spoilers here, but some aspects of the photography are amazing,simply beyond surrealistic,more glowingly minimalistic in their utter magnificence. How the hell can you make a supermarket shopping trip into an adventure journey through a time-warped window of photographic beauty? Watch out for the car at the gas station scene. It's a visually structured scene that hit my eyes with astonishment.
The acting is superb.Yet, that word seems so inadequate to describe Sean Penn's utterly mind-blowing performance. I had to keep reminding myself that this was Sean Penn and these continued reminders simply made his performance all the more brilliant.
In the manner of an 'old Master',Paolo Sorrentino places layer after layer of subtle strokes to compose a mesmerizing work. He takes his time about it, as though each stroke of his brush must be precisely executed so that the whole may be that 'other reality' I seek in my film watching.
If you will watch this then you must prepare yourself to surrender totally into ' it's reality'- I found it well worth the capitulation.
Lo sapevi?
- QuizThe organ-like instrument that David Byrne plays for Cheyenne is a variation of Byrne's "house organ." Byrne created the organ in 2008 as part of an art installation project in New York City. Instead of playing musical notes, each key on the organ transmits a signal through a wire, which in turn "plays" the building: for example, motors vibrating a set of metal girders, hoses blowing air through the building's water pipes, or metal rods striking the radiator.
- BlooperCheyenne refers to the band as "The Talking Heads". David Byrne and group went so far as to name an album "The Name of This Band is Talking Heads" to help people drop the "the".
- Citazioni
Rachel: No shit! Now I remember you. You sang with Mick Jagger once.
Cheyenne: I know him. He's a good singer, I like the way he dances.
Rachel: Listen your cheeseburger is a bit too well done. You don't mind do ya? Unfortunately, that's life!
Cheyenne: You know what the problem is... Rachel?
Rachel: What?
Cheyenne: Without realizing it, we go from an age where we say: "My life will be that" to an age where we say: "That's life."
- Versioni alternativeThe international version is approximately 7-minute shorter than the version screened at the Cannes Film Festival and released in Italy.
- ConnessioniFeatured in WatchMojo: Top 10 Sean Penn Performances (2013)
- Colonne sonoreThis Must Be The Place (Naive Melody)
Written by David Byrne (as D. Byrne), Tina Weymouth (as T. Weymouth), Jerry Harrison (as J. Harrison), Chris Frantz (as C. Franz)
Performed by David Byrne
(c) Warner Bros. Music Inc. / Index Music Inc.
Licensed by Warner Bros. Music Italy S.r.l.
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Dettagli
Botteghino
- Budget
- 25.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 143.979 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7754 USD
- 4 nov 2012
- Lordo in tutto il mondo
- 11.928.909 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1