Shortcomings

In a funny way, this movie is exactly the type of movie that is talk about in Shortcoming... The main character is someone who does not accept himself with his bias...but also project on others this bias...he is unhappy and make everyone around him unhappy ...your typical guest to find happiness by discovering & accepting who were are...the thing that make this movie different is that the main characters are Asian...but also their acting which make it believable, some funny moments, some serious, some unreal, just like life itself. An other spectator used the term man\child which would also fit.

Shortcomings is a film I had been wanting to see for a while, but because of the underwhelmingly lukewarm response it received from other reviewers I was not in a hurry to spend my money just to be disappointed. But I am glad I finally watched it!

I'm definitely part of the target demographic which isn't strictly Asian-American, it's more of anti-romantic comedy for older urban Millennials who are still struggling with being adultier adults at 35 or 40. There was also a lot of queer representation. I started laughing out loud at the obvious dig at Crazy Rich Asians in the first five minutes. Yet there's also a poignant shift in perspective closer to the end of the story.

Ben is every "too cool to like anything" mildly toxic masculinity trope from my generation. Apart from the chip on his shoulder about being perceived as less macho as an Asian man, he's stereotypically every suburban white guy from younger Gen X or older Millennial high school and college who mocked people for liking certain bands, was always too full of himself to watch certain movies. I've had relationships with men like Ben when I was younger. I think calling him a narcissist is going a bit too far, but he's definitely immature and can be deeply unpleasant because his own insecurity in his masculinity makes him passive-aggressive and hostile like a permanently 17 year old black rain cloud on other people's joy.

His best friend, Alice, is an equally sharp-tongued and emotionally unavailable lesbian force to be reckoned with and her own growth over the arc of the story is implied to inspire Ben to finally grow up, too.

Of course, a protagonist can be a loser, but he or she has to have something of quality that the audience can fall in love with or even at least can relate to or root for. Ben is controlling, unfaithful, negative, and being a racist himself. Most importantly, he's the biggest hypocrite. All the other things, he can be loved by character development, but he does what he despises and criticizes without any moral conflict. That's when the audience drops any interest left in him. The ending is weak as well.

As Randall Park's directorial debut, 'Shortcomings' is not bad at telling the story and continuing it smoothly without any huge leap of logic.

"Shotcomings"... Man, I've had bigger laughs watching paint dry. I mean, the previews had me thinking this was going to be the comedy of the year. Remember those? Hilarious. But the movie? A couple of chuckles here and there, but mostly crickets. And what was up with that plot? More like "What plot?" If movies had arcs, this one was stuck in the flatlands. Honestly, by the end, I was just sitting there thinking, "Did we really need this movie in our lives?" I guess I set my hopes too high. Thought I was in for a comedy feast but left feeling like I just had a light snack. Bit of a letdown, tbh.

Stephanie Hsu had a good cameo, you forget about it as the movie progresses but it comes up again and plays an small but enlightening and important role for what the movie's convey. There are a lot of Asian-American movie's coming out recently, I think EEAAO took the spotlight but I watched joy ride a few weeks ago which was great, and now Shortcomings, even though it seems like it'll fly under the radar.

Some elements of the movie reminded me of Wes Anderson movies, with frequent pauses to divide the movie into chapters as if it were a novel. It didn't forgo realism in favor of his orange sunset dollhouse aesthetic feel however. Something that I realized was that the movie was awfully quiet, like minimal surrounding sounds and you barely notice the scene's background characters too. I love how Spider-Man exists here and Jacob Batalon recognizes it.

Subtitle's would be nice but the movie is in English in almost it's entirety. It's not the funniest but the funny scenes did feel real. It feels like real people and above all the movies story, events and characters were believable so the moments that need to invoke emotions do that well... the cringe moments, the romantic moments, the humiliating moments, self realizing moments all felt like you were there in the moment for the characters.

I think it's less of a romcom and more of a drama comedy, even though Ben's relationships play a huge role I think it was a character study in the end for the character himself, self reflection and all that; so his love interest are just used as tools to that end. I liked that they each got meaningful endings too. He reminds me of Ramy from the tv show of the same name, in the sense of the second hand embarrassment, his world views and how much his decisions or what he says annoyed me because I wanted him to choose better. A man child basically.

It's not as excitingly paced, so not one of those cinema experiences were you get to have a blast, probably a movie better watched alone. Reminds me a little of Destination Wedding too in it's anti-romcom-ness, except this has a few more cute scenes. It did make me feel mushy inside at points but it's still not a romance as I said. I think it gets better as it goes, I wasn't sure at the start but I loved it by the time the movie was done.