Thar

A veteran cop sees the chance to prove himself when murder shakes up a sleepy desert town, sending him into the seedy underbelly of the town as he attempts to uncover a grisly torture plot.

Hindi film review: Thar streaming on Netflix #sanjuzzreviews #tharfilm #netflixindia

Directed by Raj Singh Choudhary and produced by Anil Kapoor & Anurag Kashyap Thar is a visual treat indeed. This is a rare film where the raw beauty of the rustic countryside plays an important role in enhancing the narrative immensely.

Set in a small sleepy town in Rajasthan on the Indo-Pak border, Surekha Singh ( Anil Kapoor) is the inspector on the verge of retirement along with is lower cast man Friday Bhura ( Satish Kaushik).

The peace and quiet of the town is disrupted with the coming of Siddharth ( Harshavardhan Kapoor), supposedly an antique dealer. Gruesome murders start to happen with the needle of suspicion pointing towards the stranger and also the drug smugglers operating in that area. Is the stranger hiding something or are the killings related to drug smuggling ? This is what our protagonist has to decipher along the way.

Anil Kapoor is the star and carries the film on his shoulders all the way .Satish Kaushik too is brilliant, adding a doze of humor to the otherwise laidback narrative. Harshvardhan Kapoor and Fathima Sana Sheikh too have done well.

The whodunit part is revealed quite early in the film. "why were the murders committed" is the key question here.

Not difficult to guess though !! Surprise element is missing.

This is a great experiment by the makers in integrating the wild west in the Indian backdrop. Definitely a refreshing change from the dubbed South Indian films which have recently flooded the market.

If you have enjoyed watching films like Manorama: 6 feet under, Gulaal and Lal Kaptaan this one is for you.

3/5 for this one .. adios!! 🙂

A toothless revenge drama/thriller that can be described by that popular idiomatic expression I.e. 'all show and no go'. Now look, I don't mind creators settling on common templates nor do I care if a certain film has been influenced by some Western features or not, instead, what I do expect though is an unambiguously penned narrative that can lay out the shenanigans of vengeance in a somewhat engrossing manner.

For a tale of comeuppance, it's rather imperative to have a commanding narrative as well as a set of constructive character developments. However, in this case, it had none! "Thar" might have had naive intentions in its heart but looking at the denouement, it has to be pointed out that their plans didn't go as intended. Apart from the obvious technological competencies (including the commendable aspects of Gore & Violence), and a couple of decent to fine performances, I find nothing worth your precious time down here.

Despite a rustic period setting and a clutch of fine performances, Anil and Harshavardhan Kapoor's "Thar" reduces to yet another case study in what could have been, with a plotline that was a bundle of cliches with nothing new or interesting enough to keep viewers invested. Director Raj Singh Chaudhary's well-intentioned western oozes intensity and tension yet falters in its tepid screenplay that never builds characters strong enough for the audiences to empathize with or a narrative that offers any real surprises.

We follow the journey of a veteran cop (Anil Kapoor) in a 1980s sleepy village hamlet in Rajasthan, intent on creating some impact in his otherwise mundane job as he approaches retirement. Enter the quintessential 'tall, dark and handsome stranger' in Harshavardhan Kapoor who is seemingly a visitor passing through the village in his quest for ancient artefacts as a trader. How the inspector unravels the true motivations behind the stranger's arrival and the chaos that ensues in the investigation for the rest of this visually pleasing yet narratively thin storyline.

While Anil Kapoor shines in the role of a deadbeat yet earnest cop, Harshavardhan is one-dimensional and monotonous as the young stranger, never providing any nuance or depth to his character, so much so that one gets the feeling that he was sleepwalking through this role. Satish Kaushik is expectedly terrific as Anil Kapoor's aide-de-camp while Fatima Sana Shaikh continues to improve her stock as one of Bollywood's finest leading ladies with a superb supporting performance as a village lass who gets inadvertently embroiled in this tale of deceit and revenge.

Cinematographer Shreya Dev Dube deserves praise for capturing the rustic western aesthetic of rural Rajasthan in all its glory and the Production Design by Wasiq Khan remains authentic and on point throughout. However, the film never rises to be more than the sum of its parts with the lack of narrative clarity and the absence of any real surprise elements beyond the beaten path of umpteen westerns before it, resulting in "Thar" reducing to another damp squib effort. Not recommended!

If you are unaware of the genre of this film, then not very long into this film when you will easily realize the genre of this film. That's it! From there onwards you pretty much know what the film is going to tell you. This is the biggest underwhelming part of the film ( in fact yesterday only I watched a Tamil film Saani Kayyidham and i could not help but find remarkable similarities between the this film Thar and that Tamil film).

When finally the makers reveal the reason why Harshvardhan is in a torture mood, it is just too flat. No emotional connect, everything shown in a montage form, which is why you dont feel for harshvardhan at all. You don't feel the slightest bit of anger for the accused (yeah you might think these are spoilers I am hinting at but mark my words it is so predictable that these are not even spoilers). Story definitely is nothing new and is a let down.

Still, it does hold on to your attention atleast the way things move, you want to know why harshvardhan tortures the three guys but you will know that they must have done something to deserve that, its just this "what must they have done" that is left to see in the film.

Locations and settings are terrific! Never seen bollywood do this ever with such authentic setting in the desert with good use of BGM, especially that whistle one. This is where the film scores brownie points.

Despite a sub par story, the actors have given their best. Anil Kapoor to harshvardhan to Satish Kauahik to Fatima, everyone.

Another negative point is the dacoit part. I felt it an absolute unnecessary addition. They are pnly there as show pieces .

Overall, a film that deserved a much better story. Such a weak story and a poor climax let's down the film.