Macabre

MACABRE is one of those tasty blood-gushingly psychological tortures in three neat and tidy acts. Even the trailer is hard to watch without looking away. Act One has two newly weds, Adjie and Astrid, with three of their best friends. Chill out, relax in Bandung, Indonesia. Head for Jakarta, but give a lift home to a strange girl who says she's been robbed. In her mother's house, we enter the pristine, bourgeois world of Dara, who insists on repaying kindness with food and drink. And torture. Once drugged, our guests enter a blood-dripping, nightmarish world of no escape, their bodies neatly sliced one by one and professionally packaged. Astrid gives birth. Dara's calm, sophisticated composure never breaks its stride. She coolly empathises with Astrid's pain before pointing out that baby and hubby will experience even more. Viewing permitted. As the film is introduced at the end of a all-night film programme, we are told not to worry if we are already tired. The plot is simple and nothing to fret over. "Pink blobs are people, red buckets are blood, and whirring things are chainsaws." A classic story where the point isn't revealed till the end, and the suspense, sadistic pain, and surreal nastiness doesn't stop for a second. A satisfying if rather colourful conclusion to the long night at Edinburgh's Dead By Dawn horror film festival.

Newly-weds Adjie and Astrid, Adjie's sister Ladya and a few of their friends fall prey to the wicked cannibal family led by evil Dara in the Mo-Brothers directed 'Macabre'. While the scenario is inspired from various cult-slashers of the late 70s and early 80s, the treatment is what makes it stand its own ground.

'Macabre' is indeed a lot more violent and gory film than you'd expect. The first 30 minutes neatly sets up the premise and nastiness follows suit. There are some skilfully choreographed kills and the writing is campy enough to draw cheers from the viewer. Although one initially hesitates to root for the protagonists as they consistently seem to be making bad decisions, the latter half is executed with sufficient flair. There are quite a few edge-of- the-seat moments.

Julie Estelle as Ladya puts up a good effort while Shareefa Daanish who plays Dara is menacing. Shareefa's striking features add to the character: her wide eyes and stone-faced expression (until the climax), her unhurried movement and other-worldly tone of speech are intimidating. The rest of the ensemble do their best with what's handed out to them. The violence is gratuitous (easily on par with Rob Zombie's films); dialogues are sparsely used to convey the intentions and emotions of the antagonists. In fact a lot more is conveyed through expressions and actions than through excessive babbling. This helps 'Macabre' carve out a niche of its own in the slasher genre.

Recommended for the lovers of horror, gore and slasher films. This definitely ain't for the weak-hearted!

I've never seen an Indonesian film before, and the last film I'd expect from there is some gory horror film as I know they're a very conservative country who even reject Lady Gaga! Macabre is much more sickening than Gaga. The formula has been used many times before but to me it's far from tired. I love horror films that take place in a house run by a demented, murdering family. The Texas Chainsaw Massacre and Frontiers come to mind (both are favourites of mine) and Macabre offers quite an impressive and thrilling spin! We've all heard the story before, but a lot of films tend to get it very wrong, focusing on way too much exposition before getting down to the horror. Macabre gets down to it quite quickly, giving us an interesting half hour build up before all hell breaks loose! The great thing about Macabre is that it is never boring, there is always something going on very much like the remake of Mother's Day. One big problem with Macabre is that it's over-populated with way too many characters who all look very similar, or don't really have much character to them. Macabre lacks the character development that is needed in the slasher department, however that's not to say that aren't some character's to root for.

At one point the film becomes so over-populated it's nay on impossible to tell what's going on! However, part of Macabre's entertainment value lies in its chaos. Make no mistake, Macabre is an extremely solid and very re-watchable horror film that would be perfect for those nights where you have a little party! It's a non-stop roller-coaster ride which serves up some extremely nasty treats. The character of Dara is memorably creepy and she's certainly a person you would not like to mess with. Her wide eyes, scraped-back hair and slow mechanical voice makes her a fantastic villain and one that you're not likely to forget.

Another great thing about Macabre is that it has a very similar idea to blood and gore as French horror. That means it doesn't hold back! I think every scene features some pretty horrific gore which all adds to the entertainment and thrills. There are some really great practical effects, and inventive kills that should have horror fans drooling at the mouth. Macabre has been likened to Inside but I personally don't see that, other than there being a pregnant character in both films, and both showing a liberal idea to the use of blood, Macabre is much more Frontiers-esque. However, I don't think that Macabre is up to Frontiers' perfection.

Frontiers exceeds in every way possible. Through the directing, writing, character development, music and editing. Whilst Macabre is pretty solid on the writing front some of the directing is slightly off-key, although most of the time it's pretty impressive with the Mo Brothers being sure not to film the action too shaky or too close so we can't see what the hell is going on! Macabre is quite choppy on the editing front and some of the lighting is also quite amateurish. However, I don't want to dwell too much on the negatives because this is actually a really good film and one which I enjoyed very much.

Whilst Macabre may not be the horror masterpiece the trailer would suggest it still serves up some hardcore horror thrills that makes a good substitute for French horror. It's way better than most American stuff to come out and is never boring. In fact, I would've liked to have seen even more! The ending is creepy and the supernatural ideas also add an original and quite disturbing quality to the film. My only real gripe is that I bought the UK version and it might just be my DVD but it seemed incredibly blotchy to me, making the blacks appear more greyish-blue than black, which is a shame with the film spending the majority of the time in the dark! It kind of spoilt the experience for me. Hopefully the film will get a well deserved wider release with a better transfer. Highly recommend to all you horror lovers!

Have you seen a recent french movie called "Inside" (International title)? If you have and enjoyed it, you will also enjoy this one. A "fun" and very bloody movie, that definitely is not for the faint-hearted.

But it takes it's time to get started. If you can "wait" for 20 minutes or so, the "ride" will start and you can lean back and enjoy. It's not overly plotted or has any real good acting in it, but then again, do you really need those things, in a movie like this? Of course it has quite some flaws, but again, if you let yourself go with the flow on this one, you can enjoy it. Just know what you watch, if you like those kinda things and you will have a good time.

There were a few things that kept me from putting "Macabre" (2009) on my high priority list. This movie is a feature length spin-off of the "Darah" short film that was originally part of the horror anthology entitled "Takut: Faces of Fear" (2008). I wasn't particularly fond of the short film. It had some good violence but the protagonists irritated me a bit too much (especially their moronic decision-making). Obviously, I put off watching the spin-off for months. Another factor is that I'm still timid with regards to Indonesian horror films due to the scarce number of online reviews and ratings that make the selection process analogous to walking in a mine field. There's really no way to predict whether you're in for an instant classic like "The Forbidden Door" (2009), a cool flick like "Kuntilanak" (2006), or a total turd bomb like "Hantu Perawan Jeruk Purut" (2008).

I finally ended up watching "Macabre" tonight and I must say that it was more entertaining than I thought it would be. Within the opening five minutes I already felt at ease once I saw the lovely Julie Estelle grace the screen. Even when she's in a bad movie like "Kuntilanak 2" (2007) she still makes it somewhat watchable, so her unexpected presence automatically raises my rating of this film by 1 or 2 points. Now, fans of Julie's ghost movies are in for a shocking experience when watching "Macabre" because her role here demands a much more physical, emotional performance. She pulls it off very well and this is likely the best performance of her young career.

The plot is basic and involves a group of friends who help a young woman by giving her a ride to her home. Things get nasty when her family turns out to be homicidal maniacs. In this sense "Macabre" follows a similar route taken by films such as "The Texas Chainsaw Massacre" (1974) and "House of 1000 Corpses" (2003). There's nothing new here, but in this genre it's the execution that counts and in this film there's a healthy dose of gritty, nasty, bloody violence and gore to keep most horror fans satisfied. It doesn't reach the glorious blood overload of "Inside" (2007) (one of my top 10 favorite horror films of the decade), but it holds its own. After the brief setup this is a non-stop mix of suspense and bloodshed. A few of the death scenes are certainly memorable and will help "Macabre" to carve out it's own little identity in the genre.

One major problem that I have with loony, murderous family movies is obnoxious antagonists. Just because you're a ruthless, sick family unit doesn't mean that you have to yap your mouths all the time and act like juvenile lunatics. (One of the reasons why I'm not a huge fan of Rob Zombie's movies.) I much prefer the quiet, intelligent, menacing killers who calculate and go about their business with a twisted calmness. You know, the seemingly normal folk that are serving you tea and biscuits one minute and then slicing you in half with a chainsaw the next minute. In "Macabre" that's exactly what they are, and in some ways those quieter qualities help to muffle the bad decision-making that frequently creeps its head in movies such as this. What I mean by this is that the intelligent antagonists quickly handicap the protagonists, which limits their options and creates an entirely realistic scenario. The filmmakers loosen the reigns later on though and eventually the sense of realism recedes until you're left with some unrealistic elements. There are a few bone-headed decisions, but not enough to significantly detract from the positives. In addition, some of these characters take an incredible amount of brutality without kicking the bucket. On the positive side this provides for some long-lasting showdowns as well as some sweet death scenes.

"Macabre" is definitely worth seeking out, and would make a great Indonesian horror triple feature with "The Forbidden Door" (2009) and "Kuntilanak" (2006). Actually, you can add "The Raid" (2011) and "The Raid 2" (2014) as well to mix up the evening with some fantastic martial arts action.