Peepli [Live]

Satire is always a tricky genre for directors. Always a possibility of making a mockery of a grave situation or making it too serious for the audience (especially Indian) to take it. This balancing act between the poignant and theatrical is a precarious one, which is why Anousha Rizvi's directorial debut is noteworthy. Rizvi, a former reporter/journalist from NDTV brings a more insightful approach to the problem of farmer suicides and dynamics of media coverage.

I am not a great fan of Indian cinema. But every once in a while a movie comes along that shows ambition and reach which is not reminiscent of our cinema in general. The script while focusing on the predicament of farmers also manages to bring in the role of the media and the politicians. Probably, one of the more well rounded scripts in Hindi cinema in recent times.

The plot:-" Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the very same government's program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die!!! His brother is happy to push him towards this unique 'honor' but Natha is reluctant. Local elections are around the corner and what might have been another unnoticed event turns into a 'cause celebré' with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone's lips - "Will he or Won't he?" As the mania escalates what will be the fate of Farmer Natha; nobody seems to care how he really feels?"

The criticism levelled out at the film inspite of the positive reviews is the lack of empathy it generates for the state of the farmers. It is a fair argument if those were your expectations from the film. My take is that it wasn't and it shouldn't be a director's prerogative to "effect" the audience. Especially in a satire, where the prime motive is to poke fun at the theatrical failure of system and its participants. Be it "Dr. Strangelove or how I learn to stop worrying and love the bomb" , "Network" , "Wag the dog", "Jaane Bhi do Yaaron" or any other great satire, I never really think the writer was conscious of establishing sympathy or empathy for the characters. Humour in life and films was essentially developed to convey some real harsh absolute truths in a sugar coated manner. We from the cities who our so pre occupied with planning our weekend, our holidays, our Diwali shopping, job appraisal etc can't be realistically expected to be social workers and understand the true plight of the farmers after paying Rs. 200 for an A/c theatre with sofa seat. It is quite incredible how insulated we are from "less privileged".

Of the performances everyone if top notch. Raghuveer Yadav is an explosive talent and I am glad he got this role. On a slight negative, the gag got a bit stretched in second half which could have been edited by 5-10 minutes. It is always a risk in a satire, when unnecessary emphasis is added on an element that audiences have understood, in this case it was of media "sensationalization". I think it was truly insightful in showing political and media nexus and how the cover stories and sound bytes are planned for. Maybe after this, people consuming the news will be more discrete.

Contrary to my gut feeling Peepli Live wasn't too bad a movie to catch , especially when you are looking for entertainment in it's more rudimentary form.

Minimalist in her approach, The director of this movie has proved beyond a doubt that melodrama and reality are two very different and hardly reconcilable things. Bare naked in it's projection of Indian Villages, the movie is what Khosla K Ghosla was to the middle class. In fact one feels nauseatic watching those ridiculous 80's 90's flicks where village folk were depicted as specimens from a high end fancy dress exhibition. With damsels wearing mutlicoloured , skimpy clothes and men wearing hideous outfits bearing no similarity whatsoever with the actual village attires.

Peepli on the other hand treats everything as it is. The movie is devoid of glamour, any glamour. Which means the movie , given it's theme, is good.

There are no subplots which drag the viewer away into romantic liaisons. No sugary silver linings here.

The entire cast fits in well with the theme and also makes us wonder as to how can all those Khans, Kapoors , Khannas call themselves actors .I mean the actors in the movie didn't give away anything.

The script however was ridden with too many profanities for comfort. The movie could have done without them as well . But that's creative freedom and also gave some folks in the theatre something to cheer about.

The movie is good.

Bollywood is changing finally! Bigtime!! Makers are now finally shifting their focus on realistic movies rather than making movies having same old clichés and melodrama. Latest film to add in the list is Peepli Live. Produced by ever dependable Aamir Khan, the movie has no big name in the star cast but kudos to Débutante Director Anusha Rizwi's superb screenplay and direction and combining with monstrous marketing strategies by Aamir Khan this created waves worldwide.

The subject of the movie is simple yet thought provoking. As India moves to an industrialized economy, farmers are committing suicide. Self- serving politicians at all government levels have been unwilling or unable to do anything about this. While the movie might appear as a spoof on the farmer suicides but it ends up conveying much more and presents some shocking facts.

Peepli residents Natha(Omkar Das) and elder brother Budhia(Raghuveer Yadav)after losing their land to the bank for not paying up their loan take the jest seriously and decide to volunteer. Natha decides to commit suicide and it becomes a big news. Reporters Nandita Malik(Malaika Shenoy), Deepak(Vishal Sharma) and a local reporter Rakesh(Nawazuddin) along with others make it a big issue and eventually the positions of many ministers is at stake. What follows is a very well directed satire.

Anusha Rizwi has handled her directorial debut like a pro.The lingo is earthy and much humour is derived from the manner it is spoken by the characters. Anusha leaves no stone unturned to poke fun of vote hungry politicians. Acting Department is ruled by Omkar Das and Vishal Sharma. Expressions given by the former make his character very endearing and the dialogues spoken by the latter are hilarious. Raghuveer Yadav has enacted his role impressively! Nawazzudin is exceptional as the reporter whose conscience awakens. Shankar Raman's Camera work makes a good impact. Music by Indian Ocean is OK.

To conclude, I would say go for it is you really want to see bollywood coming of its age and of course because its an Aamir Khan Production.

My Rating: 7/10

Thanks & Regards

The film is a hard hitting satire about the country, its people and the living conditions. More importantly, it has exposed the Indian psyche. It shows that India is not run by anybody. It runs on its own.

The movie also depicts the news media in its true and natural color. I had personally once noticed that "Knee surgery for the PM" was the headline and "24 farmers commit suicide in a week" was under "News in brief" section. Some news channel report every news item as "Breaking news". Basically, they magnify, marginalize and sometimes distort any news depending upon who controls them. Everyone has vested interests.

All news channels have just one objective. Drive up their rankings. To do that, they will go to any extent.

The movie also depicts politicians in their true color. It is a known fact that they will do anything to win the elections. Well, you cant expect anything else from them because 99% of them are high class thugs.

The movie is not meant for the average Indian who expects the formula (1 hero + 1 heroine + villains + 4 love songs + i item girl song + 4 fight scenes) I loved the language used in the film. It is the way a farmer would speak. No fancy monologues (usually referred to as dialogues). There are a few bad words and I wonder what the impact will be if those are removed.

I strongly recommend this movie because the situations are quite funny and at times you will laugh like crazy.

So go ahead and enjoy!

Anusha Rizvi has a story to tell and she does it all too un-preachily. No sermons. No grandstands. Her narrative, taking care of every nuance, puts the point right across, and manages to move you. She takes a light- hearted approach to a serious issue. The satire, directed at the media and the government, tends to go tad bit overboard, but is hard-hitting and convincing, for most part. Laudable performances by theatre artists Omkar Das Manikpuri as Natha and Raghubir Yadav as Budhia, (Natha's elder brother). A first timer in the Hindi film industry, Omkar Das is sure to take you by surprise. You may not take to him instantly but his childlike vulnerability and subtle ways, win you over, as the story progresses. Be it his tripping in the gobar, or his confiding in Budhia that he doesn't want to suicide, or the tenderness with which he pats the goat, even as he lies cowering from his own set of woes. (Titbit - Apparently, Rizvi spotted Omkar Das at a play in Bhopal. Until then, Amir was suppose to play Natha) Raghubir Yadav is born to act. He emotes flawlessly. One such scene is where he is arguing with Natha over who should suicide. Within a second, he solemnly vows to suicide, all teary-eyed, in the next, he takes a 'relieved' drag off his beedi, having managed to convince innocent Natha to sacrifice his life ;) From the grouchy (yet entertaining) amma (Farookh Zafar), to Natha's nagging wife Dhaniya (Shalini Vatsa); from the B-grade Hindi news channel correspondent Deepak, to the stoic English news channel reporter Nandita (Malaika Shenoy), it's a perfect cast all the way. The film gets drab and predictable in parts but manages to leave an impact, nevertheless!