Un viaggio di un gruppo di persone alla ricerca di connessioni umane nel mondo cablato di oggi.Un viaggio di un gruppo di persone alla ricerca di connessioni umane nel mondo cablato di oggi.Un viaggio di un gruppo di persone alla ricerca di connessioni umane nel mondo cablato di oggi.
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- Sceneggiatura
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Recensioni in evidenza
This movie has three parallel stories, with one important thing in common: real lives unravel as their presence on the media, especially the social media, spirals out of control. Moreover, as it turns out, each story ends up intersecting with one or both of the others.
There is Ben, a lonely teen who is hideously deceived and then callously exposed on the Web by two mean-spirited schoolmates. This drives Ben to make a grave decision that will leave his future hanging by a thread and his parents and sister reeling.
Then there are Cindy and Derek, who are trying to grapple with the death of their baby. As if that weren't enough of an issue in their life, they discover their credit cards have been maxed out. The private eye they hire, Mike, backtracks Cindy's and Derek's every online move, with unexpected revelations. Moreover, the result of Mike's investigation turns out to compound the problem rather than solve it.
Finally, there is Nina, an up-and-coming TV news reporter who gets her hands on the life story of Kyle, an older teen engaging in a salacious line of work performed online in front of a camera. Nina's TV piece is at first widely applauded, but its broadcast unleashes an avalanche of trouble for both Nina and Kyle, as well as for other people in their career lives.
A ready interpretation of the title "Disconnect" is to associate it with the dangers of "disconnecting" with real people in the real world. And indeed: people in this movie do communicate a lot via text messaging, and in chat rooms. In these spheres, things are sometimes not what they seem—and neither are people: two characters make up another, and communicate with someone else pretending to be that person, with potentially lethal consequences.
But the title "Disconnect" can also be taken as an imperative: "Disconnect!" Log off already! Otherwise, you will forget real existences cannot be edited, backed up, deleted, and restored like virtual ones. Actually, real life in this movie interferes with virtual plots in a way that even the latter take unintended twists and turns.
It turns out Mike not only changes Cindy and Derek's life (they set out to make a dramatic move as a result of Mike's investigations), he also is forcibly involved in the story around Ben. Ben's dad, in turn, is a legal counsel at the TV station where Nina works; that way, he is drawn on two fronts into the fallout from risky behavior of teens on the Internet.
While this is Nina's immediate connection to another story in this movie, the mere fact that she is a TV personality probably superimposes her story on the others: just as everybody is online these days, everybody still consumes sensational TV news. (Need it even be said: when you turn on your TV, you also "disconnect" from real life.)
The three stories progress at a similar pace and climax at the same time. After all the scheming, searching, plotting, and just plain misunderstanding emanating from cell phones and computer keyboards, the scenes suddenly stop in freeze-frame. Real-world existences clash in an ultimate, inevitable collision. The disconnect comes home to roost.
There is Ben, a lonely teen who is hideously deceived and then callously exposed on the Web by two mean-spirited schoolmates. This drives Ben to make a grave decision that will leave his future hanging by a thread and his parents and sister reeling.
Then there are Cindy and Derek, who are trying to grapple with the death of their baby. As if that weren't enough of an issue in their life, they discover their credit cards have been maxed out. The private eye they hire, Mike, backtracks Cindy's and Derek's every online move, with unexpected revelations. Moreover, the result of Mike's investigation turns out to compound the problem rather than solve it.
Finally, there is Nina, an up-and-coming TV news reporter who gets her hands on the life story of Kyle, an older teen engaging in a salacious line of work performed online in front of a camera. Nina's TV piece is at first widely applauded, but its broadcast unleashes an avalanche of trouble for both Nina and Kyle, as well as for other people in their career lives.
A ready interpretation of the title "Disconnect" is to associate it with the dangers of "disconnecting" with real people in the real world. And indeed: people in this movie do communicate a lot via text messaging, and in chat rooms. In these spheres, things are sometimes not what they seem—and neither are people: two characters make up another, and communicate with someone else pretending to be that person, with potentially lethal consequences.
But the title "Disconnect" can also be taken as an imperative: "Disconnect!" Log off already! Otherwise, you will forget real existences cannot be edited, backed up, deleted, and restored like virtual ones. Actually, real life in this movie interferes with virtual plots in a way that even the latter take unintended twists and turns.
It turns out Mike not only changes Cindy and Derek's life (they set out to make a dramatic move as a result of Mike's investigations), he also is forcibly involved in the story around Ben. Ben's dad, in turn, is a legal counsel at the TV station where Nina works; that way, he is drawn on two fronts into the fallout from risky behavior of teens on the Internet.
While this is Nina's immediate connection to another story in this movie, the mere fact that she is a TV personality probably superimposes her story on the others: just as everybody is online these days, everybody still consumes sensational TV news. (Need it even be said: when you turn on your TV, you also "disconnect" from real life.)
The three stories progress at a similar pace and climax at the same time. After all the scheming, searching, plotting, and just plain misunderstanding emanating from cell phones and computer keyboards, the scenes suddenly stop in freeze-frame. Real-world existences clash in an ultimate, inevitable collision. The disconnect comes home to roost.
I'm going to keep this a simple review, there's plenty of longer ones if you want that. I went to this movie with zero expectations. I wanted to see a movie today and this just happened to be 1 of the 4 playing at my small theater. The movie was very well done. All 3 stories were intriguing and believable. Many sad stories such as these are often over-dramatized and make me hate them. However, I found this one to hit the drama level perfectly. They make you feel for the characters and believe their actions (to which I'll say all of the actors did an AMAZING job, particularly the kids).
I almost wish I could see a feature-length movie of 2 of the 3 stories in this. Those being the bullied kid and the other of cyber sex ring. Those 2 were definitely hit their mark. I thought the 3rd, with the couple who lost their money to identity theft, was good as well...but perhaps not to the same level as the others. To be fair though, the other 2 might just have been more intriguing of a topic for me.
Just a quick comment on the Rating: Personally, I think this movie should have been rated PG-13. There was only light violence (not gloritized, either) and very brief, tasteful nudity. All while 2 of the stories were relating to very real scenarios related to kids. Meh, maybe I'm just being silly thinking kids can handle movies about topics they clearly live through.
I almost wish I could see a feature-length movie of 2 of the 3 stories in this. Those being the bullied kid and the other of cyber sex ring. Those 2 were definitely hit their mark. I thought the 3rd, with the couple who lost their money to identity theft, was good as well...but perhaps not to the same level as the others. To be fair though, the other 2 might just have been more intriguing of a topic for me.
Just a quick comment on the Rating: Personally, I think this movie should have been rated PG-13. There was only light violence (not gloritized, either) and very brief, tasteful nudity. All while 2 of the stories were relating to very real scenarios related to kids. Meh, maybe I'm just being silly thinking kids can handle movies about topics they clearly live through.
10sls3
I see a lot of movies, and the great majority of them make little impression on me. They are fun and entertaining, but quickly forgettable. Not DISCONNECT, though. This is a powerful and provocative film that not only keeps you pinned to your seat but also makes you think about the consequences of your actions. It should certainly be required viewing not only for young people but also for anyone who uses social media or communicates via the Internet. This is a timely, well-written, well-acted, and well-paced movie that stays with you long after you leave the movie theater. I was also pleased by the fact that the director and writer did not take the easy way out. No glib, predictable solutions here, which is one reason why the film's events linger in your mind.
I have watched this movie 3 or 4 times and it is gripping. Now, in 2023, the core of this seems like it should be old news, the awareness of just how dangerous and delicate online living should be second nature to understand it is virtual, not real, yet real people are involved in and they all have their stories. The drama of this one involves several overlapping lives, connected but not and deals with some very real things that are happening in society. I cannot go into it or it won't be a surprise, but this is a heavy movie to watch. Actors played their roles really, really well directed well, great dialogue, serious emotion going on.
A brilliant story to tell how technology has alienated marriage, family and friendship instead of connecting people. It is even sadder when all the stories are based on true events. I watched it at the Hong Kong International Film Festival and for the first time after almost 10 films thought this is the first one which can be publicly released for a wider audience because of its social message, especially right after two cases of murders of local parents by their adult sons who loved to play computer games.
Disconnect mainly centers on three sub stories which are loosely linked. There was nothing wrong in each character's internal logic or perception of the world: a lonely teenager looking for friendship, a wife confiding to a stranger on the internet because her husband cannot talk with her on their loss of their son, a young journalist trying to get a scoop on runaway youth turned cyber sex provider.
As the story progress, however, we see how these longing deviate and troubles follow. Some people were so longing for connection with other human beings but cannot be satisfied at home that they naively trust this virtual relationship on the internet or mobile phone – while on the other end of the line, their "friends" might well be abuser or bullies, taking advantage of these lonely hearts, intentionally or not.
Since the director used to shoot documentaries, the film is filled with an authentic flavor, developing with an urgent tempo. The cast are excellent in portraying they care for their families with wrong method so it looks like they are communicating on the wrong channels thus counterproductive. Jason Bateman is superb in portraying a concerned father who tried to save his son after realizing how much he has neglected him. The large portion of computer chat is displayed by text overlaying on head shots of the authors. And here is what we see how good the acting is, especially young Colin Ford who showed a strong sense of guilt on an innocent face, but also deep concern for his friend.
The characters are not lovable but you cannot help but feel sorry for them and keep asking what went wrong. It also makes us reflect what we need to do, as parents, as classmate, as a regular net shopper to be really connected with people we care amid this overflow of information technology. Just turn off your computer, drop your mobile, and go see it.
Disconnect mainly centers on three sub stories which are loosely linked. There was nothing wrong in each character's internal logic or perception of the world: a lonely teenager looking for friendship, a wife confiding to a stranger on the internet because her husband cannot talk with her on their loss of their son, a young journalist trying to get a scoop on runaway youth turned cyber sex provider.
As the story progress, however, we see how these longing deviate and troubles follow. Some people were so longing for connection with other human beings but cannot be satisfied at home that they naively trust this virtual relationship on the internet or mobile phone – while on the other end of the line, their "friends" might well be abuser or bullies, taking advantage of these lonely hearts, intentionally or not.
Since the director used to shoot documentaries, the film is filled with an authentic flavor, developing with an urgent tempo. The cast are excellent in portraying they care for their families with wrong method so it looks like they are communicating on the wrong channels thus counterproductive. Jason Bateman is superb in portraying a concerned father who tried to save his son after realizing how much he has neglected him. The large portion of computer chat is displayed by text overlaying on head shots of the authors. And here is what we see how good the acting is, especially young Colin Ford who showed a strong sense of guilt on an innocent face, but also deep concern for his friend.
The characters are not lovable but you cannot help but feel sorry for them and keep asking what went wrong. It also makes us reflect what we need to do, as parents, as classmate, as a regular net shopper to be really connected with people we care amid this overflow of information technology. Just turn off your computer, drop your mobile, and go see it.
Lo sapevi?
- QuizJason Bateman stated that this is his favorite film he has ever worked on.
- BlooperWith the exception of Nina Dunham's iPhone 5, the phones used by most characters are actually iPod Touch devices.
- Citazioni
Mike Dixon: Everything you do, someone out there can see.
- ConnessioniFeatured in At the Movies: Venice Film Festival 2012 (2012)
- Colonne sonoreKeep Everybody Warm
Performed by Prairie Cartel
Written by Michael Willison, Jodie Lynn Zeitler, David Scott Lucas
Published by Long Nights / Impossible Odds
Courtesy of The Prairie Cartel
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- La era de la desconexión
- Luoghi delle riprese
- Saw Mill River Motel, Elmsford, New York, Stati Uniti(Motel exterior)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.436.900 USD
- Fine settimana di apertura Stati Uniti e Canada
- 124.000 USD
- 14 apr 2013
- Lordo in tutto il mondo
- 3.428.048 USD
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