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Dhobi Ghat (Mumbai Diaries)

Titolo originale: Dhobi Ghat
  • 2010
  • Not Rated
  • 1h 40min
VALUTAZIONE IMDb
7,0/10
14.076
LA TUA VALUTAZIONE
Dhobi Ghat (Mumbai Diaries) (2010)
Dhobi Ghat (Mumbai Diaries) is the story of four people from very different backgrounds, whose worlds intersect and leave them forever altered. As they find themselves drawn into compelling relationships, the city finds its way into the crevices of their lives, separating them even as it brings them closer... Fragments of their experience - seen through a naïve video diary, black and white photographic images and painting - form a portrait of Mumbai and its people, bound together as they journey through longing, loneliness, loss and love.
Riproduci trailer1: 00
1 video
1 foto
Drama

Aggiungi una trama nella tua linguaThe lives of four people intersect in Mumbai: a washer-man who wants to become an actor, a banker-turned-photographer, a painter looking for inspiration, and a newly-married immigrant who jo... Leggi tuttoThe lives of four people intersect in Mumbai: a washer-man who wants to become an actor, a banker-turned-photographer, a painter looking for inspiration, and a newly-married immigrant who journals her experiences on home video.The lives of four people intersect in Mumbai: a washer-man who wants to become an actor, a banker-turned-photographer, a painter looking for inspiration, and a newly-married immigrant who journals her experiences on home video.

  • Regia
    • Kiran Rao
  • Sceneggiatura
    • Kiran Rao
  • Star
    • Prateik Patil Babbar
    • Monica Dogra
    • Kriti Malhotra
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    14.076
    LA TUA VALUTAZIONE
    • Regia
      • Kiran Rao
    • Sceneggiatura
      • Kiran Rao
    • Star
      • Prateik Patil Babbar
      • Monica Dogra
      • Kriti Malhotra
    • 201Recensioni degli utenti
    • 58Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 10 candidature totali

    Video1

    Dhobi Ghat (Mumbai Dairies)
    Trailer 1:00
    Dhobi Ghat (Mumbai Dairies)

    Foto

    Interpreti principali92

    Modifica
    Prateik Patil Babbar
    Prateik Patil Babbar
    • Munna
    • (as Prateik)
    Monica Dogra
    Monica Dogra
    • Shai
    Kriti Malhotra
    Kriti Malhotra
    • Yasmin
    Aamir Khan
    Aamir Khan
    • Arun
    Danish Husain
    Danish Husain
    • Salim
    • (as Danish Hussain)
    Kitu Gidwani
    Kitu Gidwani
    • Vatsala
    Jehan Manekshaw
    • Pesi
    Ashok Varma
    • Yasmin's Husband
    Sanjivani Oagle
    • Silent Neighbour
    Aasha Pawar
    • Lata bai
    Jyoti Pawar
    • Vanita
    Babita Sehgal
    • Munna's Client
    Jitendra Shinde
    • Karim
    • (as Jitendar Narari Shinde)
    Nafisa Amin Khan
    • Amma
    Rohit Tiwari
    Rohit Tiwari
    • Rakesh
    Homi Mulla
    • Shai's Father
    Norma Lobo
    • Agnes
    Sunny Charles
    • Taxi Driver
    • Regia
      • Kiran Rao
    • Sceneggiatura
      • Kiran Rao
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti201

    7,014K
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    Recensioni in evidenza

    8manoj-aryan

    Mumbai Diaries

    We are at an art gallery in a painting exhibition. Appropriately low key. City is Mumbai. Kitu Gidwani is manager of the whole thing and announces artist decided to make an appearance and should say a few words. Artist Arun (Aamir Khan) is visibly reluctant presence facing the crowd or art-lovers whatever says in man-of-few-words fashion that it's a tribute to people from different states and raises a toast to Mumbai, "To my muse, my whore, my beloved…."

    Kiran Rao's debut film also a tribute to this bustling city of millions where four characters randomly run into each others' lives and make an impact. Like us meeting people and our story meets their story, vice- versa and streams go on. At the same gallery amongst the attendant an American NRI on sabbatical Shai (easily find of the year, inspired casting) meets Arun. Art talk, smoke, alcohol mix well. Fingers touch, so does the bodies. But the night-after ends badly because of Arun being asshole finding it difficult to say simple words 'not looking for something serious'.

    There is a dhobi guy Munna (Pratiek, natural brilliant) who Shai befriends. She from another world treats him well, equal, goes to street photography with him to Nagapada, Machali market etc which is of course local to him. This boy, a wannabe actor (Salmaan being his idol) falls for the girl of course in the course, but never crosses his boundaries. They belong to different worlds (for society different classes) he and she both knows. Their odd, tender love-story or story, unsullied, forms the core of the Dhobi Ghat for me. There is definite chemistry between them. But never spoken of. Captured in gestures. Stolen yearning glances. Half chances. Even obvious finale burst out is still with no words. There is a beautiful night scene shot in rain where Shai and Munna have a drink at her place, later she falls asleep, air is electric, boy is tempted, leans for a kiss, backs out at final moment, leaves.

    Meanwhile on other thread Arun looking for inspiration changing homes stumbles into few video tapes, sort of video letters of a recently married and migrated girl previous tenant of the flat Arun is living. Her name is Yasmeen (Kirti) and tapes are addressed to her brother back in her home town describing city from her eyes. He is hooked, possessed by these tapes, like porn her manager taunts. We don't blame him. Scenes in these tapes are almost poetic. We literally see how innocence is crushed in this endless city which swallows, sees everything from great successes, glamour to horrors of the fate, people.

    All the principal characters are kind of chasing other. Munna chasing Shai, Shai-Arun, Arun-Yasmeen and Yasmeen her dream in city (which is fifth character in the movie). We go after things most try to attract us, evade us. And it's city like this which can shelter such diverse characters with desires, caution secrets, waiting to be discovered, fulfilled, hurt.

    Lensed on slick, clean canvas and dream background scored by Gustavo Santaolalla movie is shot guerrilla-style on location minimalist approach, low on budget, rich in content. In this character driven piece ninety six minutes no interval (finally nice to see some arts winning over commerce) eventually everyone will get some kind of closure or otherwise. Just like in real life. Their stories are scripted like in a diary, aptly titled Mumbai diaries told soulfully by its sensitive director. Lovely.
    Prince_Adam

    Dear To All The Muses

    Lo and behold, there's a new talent on the director's chair. Take a bow, Kiran Rao, this is one of the best directorial debuts ever.

    Dhobhi Ghat is a scholar's (Kiran Rao) dedication to its muse (Mumbai). A savoury ode to one's fetishes. A philosopher's view of the contradictions of our civilization. And a guiltless acceptance of one's harmless pursuits. There is no scepticism in Rao's love for the city. It's pure and unconditional. That is why she chose "Dil tadap tadap ke keh raha hai aa bhi ja" as the song to describe her feelings.

    He meets her, she meets him and he meets Yasmin. There's no beginning. There's no end. There's a journey that goes, ripping the obstacles around it, while walking, sipping a cuppa tea, smelling the fragrance of flowers and hacking the caustic forces in form of cruel changes before they suck our passion.

    The editor's chopping table called for a sacrifice; as a result, the fifth character, that of the labourer, went away. One may call it a mistake, but perhaps it was influenced by the ruthless impatience of today's young breed.

    We all know Prateik had talent. We all saw how he turned an unlikeable introvert from Jaane Tu Ya Jaane Na into a lovable character. This time he submits himself to his character of Munna, a ghetto boy. Never do you feel that he is the MTV-watching yuppie. The ode to Salman Khan, the Khan of all seasons, is a masterstroke. How could Munna be a fan of anyone else, other than the 'Bhaijaan' of the Hindi film industry? Monica Dogra is impressive. She underplays herself so well. We need to see more of her. Kirti Malhotra (Yasmin) is a talent to watch out for.

    Now on to the biggie: Aamir Khan. He is the only mainstream actor, a man of the classes and the masses, who'd have the guts to be a part of a cinema like this where he is basically a supporting character, free from any starry traits. This character is the opposite of what he played in Ghajini. There he played it to the gallery with aplomb. Here he's restrained, virtually immersed in the background. He talks less, thinks more. For those not used to subtle acting, this performance of Aamir warrants a repetitive viewing to get the notes correctly.

    Here lies a cathartic passion of finding one's inner-self in Mumbai Diaries. In many ways, it's a kind of a love story where one doesn't realises that one is in love till years go by -- an unchanging soul of one's life. It grows on you like a fine malt.
    10aafreen-karim

    A poetic tale of people living in Mumbai

    Dhobi Ghaat-Mumbai Diaries:I didn't even know that Mumbai Diaries was a part of the title but thats what the film is truly about.Mumbai is not just a city/habitat but a character which is the common thread linking the 4 human characters.It's like a person molding all of them differently.A bored wife from small town finds Mumbai - a companion,the ocean - a confidante, Mumbai rains- the romance that she could never find in her husband.A girl from New York finds Mumbai to be an exploration of the landscape and of human beings,life in its by lanes and how it changes by day and by night,discoveries and realities of life ,of the wedge still existing between the rich and the poor so simply shown in the way that tea is served to an employer and to a Dhobi.Prateik Babbar perfects the lingo and nuances of a Dhobi/life in slums to the T.Pratik's character is so well defined from how he goes by the railway tracks doing his daily morning ablutions while the sky is still dark, the place where he lives, the bed soaked by the first sign of rains and for some privacy just a curtain made of patches of cloth and no door.Aamir's character becomes intertwined with a woman who is just an accidental and disconnected find and goes on to become a muse and then to someone whose loss is nerve-wracking.There are just too many beautiful moments only to be seen to be experienced in this movie, the first time Prateik/Munna gathers enough courage just to share the armrest in the theater with Monica Dongra/Shai and how happy and blissfully he is doing that, how he finds shame in being a rat killer,how he falls in love but restrains himself even while having the opportunity, how he even tries to make her feel jealous even while realizing the futility of doing so. These characters are what every Mumbaikar is all about, going about our daily lives/chores while still aspire to find love, build a connection with another person,achieve our dreams, find a little romance by the sea, culinary bliss in the Malpua of Mohammed Ali road and Bhel-puri of Juhu. It's all there in mumbai and in this beautiful film. The background score and the Mumbai noise lifts the film, the casting is apt and such a delight and the story lucid.I loved the end.For a first time director its certainly an achievement to transform her vision so beautifully on screen. Sheer Poetry in motion. Take a bow!
    9golden-silence

    beautiful..leaves you wanting more.

    I dunno why people here have been giving this such bad reviews. I understand this movie is the typical bollywood movie, but that does NOT make it a bad movie. I know many Aamir Khan fans who went to see the film were probably disappointed as it is not like his usual films...

    I have always enjoyed his work and I think this movie has a LOT more to offer than Aamir Khan. The others actors were INCREDIBLE, and it's amazing that they are just ordinary people. Maybe that's why there were, because in a lot of ways, Mumbai Diaries is about every day life.

    Kriti (the girl who plays Yasmin) was amazing. I laughed when she laughed and cried when she didn't. I LOVE the way her part was incorporated in the movie and that credit goes to Kiran Rao. Which brings me to my next point. I think Kiran did a wonderful job with this film, and I actually don't see how people could criticize her just because her husband is Aamir.

    The story lines were written beautifully. Each story had depth and meaning. Every one meant something to one another, but there was no place for them in the each others lives.

    Munna's character is so endearing and sweet, he makes you fall in love with him from the first scene. And Shai's performance leaves you wanting more. She plays the international girl perfectly, and being a bit of an 'outsider' myself, I know exactly how it is going back to your roots. Shai had it down pat. Yasmin, again, I think for me..was the best character. I loved her from the very beginning. She was innocent and happy and almost child-like, you couldn't help but love her...Aamir was like always, brilliant. The guy's talented as the world knows.

    This film is not you average Indian movie, but it is a beautiful piece of work and truly captures your attention. Not once was I bored or wondered when the movie would end. Yes it had it had some flaws, main one being the cursing...for some reason that made me laugh. I felt it didn't really go with the situation, and was a bit forced. Other than that, kudos to the whole team for creating this movie.

    Numbers and 'hit'/'flop' status does NOT make a movie a 'good' movie...every one is different and has their own opinions. For me, this was a great movie. :) Def one of my favourites.
    10raazgupta

    I had given up on Bollywood movies for a long time, and then I saw this.

    Let me start by saying that if you were expecting Transformers, this movie is not for you. If instead, you find yourself in a quiet room with the patience to watch something intelligent, then this would be your cup of masala chai :) Anything I say about this movie will not be enough to praise its quality. I have to go back and watch it a couple more times, before I have anything insightful to say. But I must say something, because of the way in which this movie has touched me.

    I had grown jaded over the past few years, looking at the quality of movies being released in Bollywood. I would start a movie only to find myself bored by the same age-old clichés. So my expectations weren't very high when I started this one. But by the end of it I was sitting up straight, with my hands in a praying pose, watching with the utmost concentration. I guess I see a little bit of myself in Arun and Shai. I also sometimes think about the people that we the privileged don't see in our daily lives. The builders who build skyscrapers, yet have no place to call home. The dhobis who clean other people's clothes, yet hardly have any themselves. Kiran Rao does an amazing job of taking all these elements and representing them in the form of video, photography, art and music. There are coincidences and small clichés, but they aren't as blatantly idiotic as in other movies.

    There is poetry in this movie about the privileged, the loved, the lost and the city that is Mumbai. One of my favorite movies of all time. I'm definitely going to keep an eye out for Kiran Rao and Aamir Khan productions.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Aamir Khan is such a big name in India that he could not go in and out of the house that the shoot was taking place in without arousing huge public interest. So he and his wife Kiran Rao, who is also the director, actually stayed in the same house for the entire duration of the shoot.
    • Connessioni
      Featured in The Hour: Episodio #7.86 (2011)
    • Colonne sonore
      A Love Letter To The City
      Composed by Gustavo Santaolalla

      Courtesy of Super Cassettes Industries Limited (T-Series)

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    Dettagli

    Modifica
    • Data di uscita
      • 21 gennaio 2011 (India)
    • Paese di origine
      • India
    • Sito ufficiale
      • Official site
    • Lingue
      • Hindi
      • Inglese
    • Celebre anche come
      • Mumbai Diaries
    • Luoghi delle riprese
      • Mumbai, Maharashtra, India
    • Azienda produttrice
      • Aamir Khan Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 102.000.000 INR (previsto)
    • Lordo Stati Uniti e Canada
      • 576.639 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 365.297 USD
      • 23 gen 2011
    • Lordo in tutto il mondo
      • 3.082.958 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 40 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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