Quando Wolverine viene chiamato in Giappone da una vecchia conoscenza, si ritrova coinvolto in un conflitto che lo costringe ad affrontare i propri demoni interiori.Quando Wolverine viene chiamato in Giappone da una vecchia conoscenza, si ritrova coinvolto in un conflitto che lo costringe ad affrontare i propri demoni interiori.Quando Wolverine viene chiamato in Giappone da una vecchia conoscenza, si ritrova coinvolto in un conflitto che lo costringe ad affrontare i propri demoni interiori.
- Premi
- 2 vittorie e 11 candidature totali
Hal Yamanouchi
- Yashida
- (as Haruhiko Yamanouchi)
Takao Kinoshita
- Fruit Cart Vendor
- (as Takao Kimoshita)
Riepilogo
Reviewers say 'The Wolverine' garners praise for Hugh Jackman's performance and deeper character exploration. However, the film faces criticism for its predictable plot, pacing issues, and underdeveloped supporting characters. The action scenes, though visually striking, are often repetitive. The inconsistent use of Wolverine's healing factor frustrates some viewers. Despite these issues, it is considered an improvement over its predecessor.
Recensioni in evidenza
Some time after the events of The Last Stand, this sequel of sorts focuses on Logan/Wolverine as a tortured soul living in isolation and haunted by vivid memories of his lost love. Now, having reached an emotional impasse, he travels to Japan to visit an old comrade. Once there, he quickly gets caught up in a complex political power struggle that, for the first time in his life, makes him truly vulnerable. Jackman, not unexpectedly, is formidable in the lead, and there are lots of visceral action scenes, but that does little to compensate for the faults; film's tone is grim, its characters—sans Jackman—are unappealing, plotting is convoluted, subject matter turns ugly, and the pace lags heavily after a strong start. Jackman effectively spits, scowls, snarls, and flexes his muscles in what has become his go-to role, but he has almost no support; too long, too dark, and too serious to really be fun. **
2009's X-men Origins: Wolverine was received negatively by both critics and the majority of the fans of the character. Now the character has a chance to redeem himself with this year's the Wolverine and for the most part he does. This film has really tried to please the fans as it was loosely based on the beloved Japan story line from the comics and it is clear that the film has tried to fix the problems that were complained about in the previous solo Wolverine film. Despite taking place after the events of X-men: The Last Stand this film attempts to distance itself from the rest of the X-men characters and story and focuses solely on the Wolverine character and as a result this film feels very different to all previous X-men films. This allows for the best portrayal of Wolverine's character that we have seen so far and Hugh Jackman also delivers his best performance of the character to date. I really enjoyed the pacing of the film as well because although it was a face paced action film it wasn't afraid to slow things down and develop the characters and the relationships between them. However it never slows down for too long before it picks up the pace with another action scene. The action in this film is also very well done because every sequence is creative and has a purpose so it never feels like the mindless action we've come to expect in big budget summer films. Humour is also used effectively in this film as the writers take advantage of Wolverine's IDGAF attitude. However the film isn't perfect as there is one other mutant character that occasionally seems slightly out of place and some people might find her character a bit too over the top. Also from time to time it does feel like they are playing it too safe to insure that they don't make any of the same mistakes as the last Wolverine film. Overall The Wolverine, although not perfect, is a fun superhero film that gets a lot of things right about what makes the Wolverine character so popular.
I didn't much care for X-Men Origins: Wolverine. Hugh Jackman still was, and always will be, a brilliant Wolverine, but the other characters felt lackluster, the villain was weak and the storyline didn't fit well with the other X-Men movies. It didn't have the same feel.
For some time it seemed that the poor critical performances of both that and X-Men 3 would mean there would be no more movies with Wolverine in them, at least in a leading role. Luckily, the film makers decided to do one more and if this particular movie is going to be the last one, I for one can move on happy with what I got.
The Wolverine is a movie that works both as a continuation of the X-Men storyline, as well as a standalone movie. The focus is kept heavily on Hugh Jackman, which works for the movie's advantage. There are some callbacks to the events of the trilogy, but as a whole I think this film could have worked just as well without them, if not better, as they are a bit distracting from time to time. But most of the time the focus is on where it should be. In this movie Logan travels to Japan in order to meet an old acquaintance, who wants to settle old scores before his demise. In Japan we get some gorgeous scenery, nice atmosphere, intriguing settings, believable characters, all that good stuff.
I especially liked Tao Okamoto's character Mariko, the granddaughter of Wolverine's old friend. Jackman and Okamoto have brilliant chemistry together and when the movie slows down during the second act to give them time to simply interact with one another, it feels justified. Usually that kind of slowing down in an action movie feels boring and unneeded, even sappy, but here it works because the actors have the skills to pull it off. Which is a great thing, because it gives the movie more depth and we get a chance to know Wolverine in a new way that the Origins movie tried to reach, but never could because of its lack of emotional maturity.
Unfortunately this film has one major flaw and that is the unbelievably weak villain, known as Viper. Her actress, Svetlana Khodchenkova, just doesn't have the screen presence or acting skills to give the character any memorable attributes. She merely stands there, struts around in her skintight suit and spouts the dialogue. That's it. Sure part of that is poor writing, but it's still rather jarring because the two main protagonists are so damn good. If only the villain had been as good, this could easily have been one of the best Marvel movies yet made.
As it is, it's still fine. The two main characters are very good, most of the side characters do a good job as well, the action works wonderfully, the Japanese setting gives the film a nice coating of majesty and even the story, while nothing that extraordinary, functions well enough for us to enjoy it. The villain is weak, very weak in fact, which keeps the film from being great, but you can overlook it and focus on the good stuff.
For some time it seemed that the poor critical performances of both that and X-Men 3 would mean there would be no more movies with Wolverine in them, at least in a leading role. Luckily, the film makers decided to do one more and if this particular movie is going to be the last one, I for one can move on happy with what I got.
The Wolverine is a movie that works both as a continuation of the X-Men storyline, as well as a standalone movie. The focus is kept heavily on Hugh Jackman, which works for the movie's advantage. There are some callbacks to the events of the trilogy, but as a whole I think this film could have worked just as well without them, if not better, as they are a bit distracting from time to time. But most of the time the focus is on where it should be. In this movie Logan travels to Japan in order to meet an old acquaintance, who wants to settle old scores before his demise. In Japan we get some gorgeous scenery, nice atmosphere, intriguing settings, believable characters, all that good stuff.
I especially liked Tao Okamoto's character Mariko, the granddaughter of Wolverine's old friend. Jackman and Okamoto have brilliant chemistry together and when the movie slows down during the second act to give them time to simply interact with one another, it feels justified. Usually that kind of slowing down in an action movie feels boring and unneeded, even sappy, but here it works because the actors have the skills to pull it off. Which is a great thing, because it gives the movie more depth and we get a chance to know Wolverine in a new way that the Origins movie tried to reach, but never could because of its lack of emotional maturity.
Unfortunately this film has one major flaw and that is the unbelievably weak villain, known as Viper. Her actress, Svetlana Khodchenkova, just doesn't have the screen presence or acting skills to give the character any memorable attributes. She merely stands there, struts around in her skintight suit and spouts the dialogue. That's it. Sure part of that is poor writing, but it's still rather jarring because the two main protagonists are so damn good. If only the villain had been as good, this could easily have been one of the best Marvel movies yet made.
As it is, it's still fine. The two main characters are very good, most of the side characters do a good job as well, the action works wonderfully, the Japanese setting gives the film a nice coating of majesty and even the story, while nothing that extraordinary, functions well enough for us to enjoy it. The villain is weak, very weak in fact, which keeps the film from being great, but you can overlook it and focus on the good stuff.
This film is like a prototype of Logan (2017), trying to achieve a weary, violent film revolving around Wolverine, but not quite hitting the same mark. Compared to its predecessor X-Men Origins: Wolverine (2009), it's better in some ways but actually is worse in others. On the plus side, the plot is far more comprehensible and the action is not very silly until the end. The small scale of the film was quite a departure for the X-Men franchise and only the fleeting inclusion of another mutant makes it relevant. While some might appreciate this realistic setting, I didn't find the Japanese corporate conspiracy plot very engaging. The film slowed down too much at times as the action scenes got repetitive (other than an interesting sequence on top of a train). While the film is not as silly as its predecessor, it's unfortunately not as interesting either.
Wolverine plus Samurai makes a pretty good combination for me. A great film that is based on the X-Men comic books and movie series.
Lo sapevi?
- QuizHugh Jackman said that for his shirtless scenes in this movie, he wanted to look "as ripped and cut as possible." So he adopted a dehydration diet (used in bodybuilding) where he did not consume any liquid for thirty-six hours before filming his shirtless shots. He said it made him feel "headachy" and faint, but he was pleased with the results, as dehydrating tightened everything up, and gave him the exaggerated muscle definition and vascularity that he wanted to show in his shirtless scenes.
- Blooper(at around 1h 24 mins) When Logan is pulling the X-ray machine up his body, an X-ray of his legs is shown. In this X-ray, he has no knee caps.
- Curiosità sui creditiSPOILER: There is a scene in the closing credits: as Wolverine enters an airport security check, he comes face to face with Magneto and Professor X, who request his assistance for a new threat to mutants. This leads into X-Men - Giorni di un futuro passato (2014).
- Versioni alternativeThe Blu-ray release includes an extended version which contains the following changes in addition to more graphic violence:
- While Yukio sleeps during the jet flight, there's an additional flashback of Logan with Yashida in the bunker calling the former kuzuri and asking how old is he.
- In the limo on the way to see Yashida, Yukio describes a little more about Yashida with Logan's cynical remark: "Wow, did they give you a little card to memorize?"
- Before the servants bathe Logan, he remarks that the other shoes are smaller than his.
- There's an additional exchange between Yashida and Logan as Yukio was to give Logan his surgical mask.
- The servant informs Shingen that Yashida wants to seem him. He gets up and dresses up before Mariko comes in demanding to see him. Shingen brushes her aside and in the next new sequence, there's a father and son exchange where they talk about assuming control of the company, confirming who is the successor and Shingen complaining about bringing in the stranger. Logan watches them from his room.
- An additional set-piece taking place in the hotel where Logan and Mariko hide. Logan sees two men on the street and decides to confront them. Before a thug fires at him, he has a hallucination of Jean but gets pushed off from the balcony. The other thug fires the taser at him and we see the both thugs having fun at him. As the gunman is about to shoot Logan one more time, the other thug crashes onto the car, with a knife on the back. Mariko throws another knife at the other thug, before Logan uses the taser at him.
- In the countryside retreat, Mariko gives Logan a dry set of clothes before heading to the bedroom.
- When Yukio and Logan return back to Yashida family house to find Shingen, they found three corpses on the floor
- There's an exchange between Viper and Harada, on Mariko's safety. She instructs him to dip the arrows in the poison that she has prepared to slow Logan down.
- The second additional set-piece in the film with Logan battling ninjas on bikes. Yukio comes into assisting him with the snow blower. He blows the vehicle up before running into the tower. Meanwhile, Harada is also seen following Viper's instruction, dipping his arrows with her poison.
- There's a scene also explaining why Yukio saves Logan again during the fight with Viper: she regains her consciousness and follows the trail to the tower.
- ConnessioniEdited into X-Men: Apocalisse (2016)
- Colonne sonoreRequiem KV 626 - Sequentia Rex Tremendae
Written by Wolfgang Amadeus Mozart
Courtesy of Crucial Music Corporation
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Wolverine: Inmortal
- Luoghi delle riprese
- Omishima Island, Imabari, Ehime Prefecture, Giappone(Logan chops up a tree)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 120.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 132.556.852 USD
- Fine settimana di apertura Stati Uniti e Canada
- 53.113.752 USD
- 28 lug 2013
- Lordo in tutto il mondo
- 414.828.246 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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