VALUTAZIONE IMDb
4,8/10
6549
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA group of friends travel into the Australian wilds to view ancient cave paintings but soon find a horrible sickness gripping one of their own, which leaves them with nothing in their mind b... Leggi tuttoA group of friends travel into the Australian wilds to view ancient cave paintings but soon find a horrible sickness gripping one of their own, which leaves them with nothing in their mind but a primal blood lust.A group of friends travel into the Australian wilds to view ancient cave paintings but soon find a horrible sickness gripping one of their own, which leaves them with nothing in their mind but a primal blood lust.
Zoë Gameau
- Anja
- (as Zoe Tuckwell-Smith)
Mark Saunders
- Painter
- (as Alfred Coolwell)
Walangari Karntawarra Jakamarra
- Monster
- (as Walangari Karntawarra)
Recensioni in evidenza
This is a classic 'take your friends to the woods and kill them' first-time horror movie, but it's so much better than other similar movies that it deserves a watch.
First, I want to commend the outstanding lighting. I can't remember a better lighted movie. Every scene is just as dark or as bright as it needs to be, you're never confused about who is where or what is what. If you're a student of lighting or cinematography, especially if you want to make horror, this is a mandatory watch.
The cinematography is also very good throughout, never betraying a budget, as are the effects. The director holds his cast through what must have been a fairly frustrating shoot for some of the actors (you get to wear blood makeup for 3/4's of the movie! We're nowhere near a shower!). This is a professional movie, and I couldn't tell if it was made for 1 million or 10.
The writing is well above par for this type of movie. There is a character who makes decisions that are very frustrating for the viewer and freezes more than you want him to, but that is good writing, not bad as some reviewers have complained. You get a feeling from the script that these people know each other and have relationships deeper than what you see. The plot moves along at a nice clip, and the comedy comes at the right moments to relieve tension and is genuinely funny. The last line works in a special kind of way where it's predictable, you want it said, and yet it brings a smile to your lips when it is said.
One more thing, the gore is pretty normal for the whole movie, but the ending turns to a couple of concepts that definitely pushed me past my comfort zone and made me feel very squeamish. While most of the movie is horror of the jump-scare sort or the tension sort, the last few minutes get to some psychological horror that is genuinely disturbing. It felt scary and squidgy at the time, but it was appropriate and elevated the movie past a basic type of horror movie.
Hokay, so I'm giving this a 10 because it seems horribly low-rated to me. I think the movie did everything it set out to do, is scary, funny, and fun in parts, and feels like a complete piece. It gets a lot of average ratings but it doesn't feel like an average film. I see that a lot of people dislike the ending, but I'm not sure what they wanted/expected. The script went where it wanted to go. The ending ramps up the gore and is all but certain to shock you. Definitely worth a watch for yourself to see if you agree with them or me.
First, I want to commend the outstanding lighting. I can't remember a better lighted movie. Every scene is just as dark or as bright as it needs to be, you're never confused about who is where or what is what. If you're a student of lighting or cinematography, especially if you want to make horror, this is a mandatory watch.
The cinematography is also very good throughout, never betraying a budget, as are the effects. The director holds his cast through what must have been a fairly frustrating shoot for some of the actors (you get to wear blood makeup for 3/4's of the movie! We're nowhere near a shower!). This is a professional movie, and I couldn't tell if it was made for 1 million or 10.
The writing is well above par for this type of movie. There is a character who makes decisions that are very frustrating for the viewer and freezes more than you want him to, but that is good writing, not bad as some reviewers have complained. You get a feeling from the script that these people know each other and have relationships deeper than what you see. The plot moves along at a nice clip, and the comedy comes at the right moments to relieve tension and is genuinely funny. The last line works in a special kind of way where it's predictable, you want it said, and yet it brings a smile to your lips when it is said.
One more thing, the gore is pretty normal for the whole movie, but the ending turns to a couple of concepts that definitely pushed me past my comfort zone and made me feel very squeamish. While most of the movie is horror of the jump-scare sort or the tension sort, the last few minutes get to some psychological horror that is genuinely disturbing. It felt scary and squidgy at the time, but it was appropriate and elevated the movie past a basic type of horror movie.
Hokay, so I'm giving this a 10 because it seems horribly low-rated to me. I think the movie did everything it set out to do, is scary, funny, and fun in parts, and feels like a complete piece. It gets a lot of average ratings but it doesn't feel like an average film. I see that a lot of people dislike the ending, but I'm not sure what they wanted/expected. The script went where it wanted to go. The ending ramps up the gore and is all but certain to shock you. Definitely worth a watch for yourself to see if you agree with them or me.
This had good written all over it and then the characters started to interact. Unfortunately these morons had to speak and ruin the movie. First there is the "Sensitive" guy. God, I hate Sensitive Guy. The "Group of Friends" movie genre is a hit or miss proposition. This one swung and missed, not because of the story or the horror effects and not even the acting itself, no, it lost its way simply because of dialogue and character. Take for instance the "Sensitive Guy". This moron was so far out of touch with reality that it made me think he was some Hollywood stereotype of a chick. Trust me, listen to this guy when the crap hits the fan and a decision has to be made. Sure, sensitive people will say that he was just heartbroken, therefor his decisions were off. Bullcrap! He goes from delusional to self righteous in zero point five seconds. I don't know which one was worse. Fightine, bickering, back stabbing and overly sensitive adults. The ultimate failure of a group movie. I've never understood the whole idea of packing five or six people in an SUV and then have them fight for the better part of an hour. It pisses me off. I understand human nature and people packed into an SUV for hours, yeah, someone is going to get cranky and some bickering will ensue. But petty squabbling the entire movie? Yuck. If it weren't for the characters I would have put this in the 7 range for horror and bloodshed.
Written, directed and produced by Josh Reed, Primal may seem like your typical violent monster / slasher flick, but in following formula the film did turn out to be rather enjoyable, if not cliché, but it worked. The opening scene some 12000 years ago gives us the premise where a caveman tries to communicate the presence of an unknown beast, only to be devoured very quickly before fast forwarding to today, with 6 travelling friends on a road trip to that exact same location for a camp and a hike.
The film takes the first 30 minutes to cue us in on the characters, given that with an ensemble, we expect certain molds to be adopted. For instance, there's always the ditzy, loud mouthed and slutty blonde (Krew Boylan) who's in the trip for some forest romp with studious looking boyfriend Chad (Lindsay Farris), who had enough when she starts to openly flirt with the alpha male of the group, Dace (Wil Traval), who's take away from the trip is the mysterious painting seen in the opening shot. Throw in the others like the group joker Warren (Damien Freeleagus), simple follower Kris (Rebekah Foord) and the one whom you know is more than meets the eye given the token phobia she must overcome at some point (Anja, played by Zoe Tuckwell-Smith), you have the requisite group for one heck of a monster attack.
I would liken the genre as an opportunity to study character dynamics and behaviours when placed under extremely stressful situations, such as the tendency for some to talk a lot without action, or to arrow others to perform various dirty-work What more, it gets interesting because the great unknown happens to be manifested into one of their own, so existential questions get called into the picture, especially when one gets transformed into a blood lusting beast with plenty of fang-like teeth replacing the human ones, extreme dexterity (an ability that varies its effectiveness from time to time) and a nasty violent temper, coupled with some nasty makeup to complete the revolting look set to strike fear.
There's the decision to play who lives and who dies, and as the audience you get roped in, based on past experience in similar genre films, to play guess who's next, as we listen in on all the bickering and disagreements, plus the warning signs that the characters themselves fail to heed. Of course these disagreements get chopped down to manageable size when the body count increases, and part of the guilty fun is to identify and apply genre clichés over the film and see if they still hold water. Most do.
For those into bloody gore, there are enough moments in Primal that are graphic enough to make you squirm, since the acts of violence are unflinching. The story gets built up quite nicely into the last hurrah, where unfortunately some really raw looking special effects set in a cave drew unnecessary attention to itself, and marred the experience of the crescendo carefully crafted.
The film takes the first 30 minutes to cue us in on the characters, given that with an ensemble, we expect certain molds to be adopted. For instance, there's always the ditzy, loud mouthed and slutty blonde (Krew Boylan) who's in the trip for some forest romp with studious looking boyfriend Chad (Lindsay Farris), who had enough when she starts to openly flirt with the alpha male of the group, Dace (Wil Traval), who's take away from the trip is the mysterious painting seen in the opening shot. Throw in the others like the group joker Warren (Damien Freeleagus), simple follower Kris (Rebekah Foord) and the one whom you know is more than meets the eye given the token phobia she must overcome at some point (Anja, played by Zoe Tuckwell-Smith), you have the requisite group for one heck of a monster attack.
I would liken the genre as an opportunity to study character dynamics and behaviours when placed under extremely stressful situations, such as the tendency for some to talk a lot without action, or to arrow others to perform various dirty-work What more, it gets interesting because the great unknown happens to be manifested into one of their own, so existential questions get called into the picture, especially when one gets transformed into a blood lusting beast with plenty of fang-like teeth replacing the human ones, extreme dexterity (an ability that varies its effectiveness from time to time) and a nasty violent temper, coupled with some nasty makeup to complete the revolting look set to strike fear.
There's the decision to play who lives and who dies, and as the audience you get roped in, based on past experience in similar genre films, to play guess who's next, as we listen in on all the bickering and disagreements, plus the warning signs that the characters themselves fail to heed. Of course these disagreements get chopped down to manageable size when the body count increases, and part of the guilty fun is to identify and apply genre clichés over the film and see if they still hold water. Most do.
For those into bloody gore, there are enough moments in Primal that are graphic enough to make you squirm, since the acts of violence are unflinching. The story gets built up quite nicely into the last hurrah, where unfortunately some really raw looking special effects set in a cave drew unnecessary attention to itself, and marred the experience of the crescendo carefully crafted.
I was quite entertained with this little horror flick and it doesn't disappoint in the gore department - it is unabashed and unflinching, and far more vivid than any of the usual fair. It rivals the Oz horrors such as Wolf Creek.
The tale is about six young people researching ancient cave paintings in the outback of Australia. A mysterious illness creeps upon one of the young women, stranding the entire party as they fight for survival against the nightmarish force.
Not bad special effects for a low budget film and it keeps up a steady pace of excitement. It's an entertaining 90 minutes despite the last quarter. The ending...well... is full of cheesy, over the top, blatant, symbolism.
The tale is about six young people researching ancient cave paintings in the outback of Australia. A mysterious illness creeps upon one of the young women, stranding the entire party as they fight for survival against the nightmarish force.
Not bad special effects for a low budget film and it keeps up a steady pace of excitement. It's an entertaining 90 minutes despite the last quarter. The ending...well... is full of cheesy, over the top, blatant, symbolism.
Formulaic B-movie horror flick about a group of 20-somethings that venture into the Australian wilderness with their anthropologist friend, Dace (played the very buff and very sexy Wil Traval), to study an ancient cave painting. It's paced well and it's not too long into the movie that Chad's free-spirited girlfriend, Mel, begins a horrific transformation into a frenzied predator that stalks them one by one.
For the gorehounds, there are rocks bashing heads in, teeth falling out, flesh ripping, cannibalism, and much more. Veteran horror fans, it's nothing you haven't witnessed before. The film borders on cheesy but, I have to be honest, I thoroughly enjoyed this movie until the last 20 minutes or so, when the special effects department decided to throw in some hokey CGI and a bizarre attempted impregnation scene between Anja and a seven foot cave-dwelling slug.
Primal isn't so much scary as it is intense. There are quite a few white knuckle moments, as well as a couple of holy sh*t, what the hell was that scenes that will stun and amuse you. It's almost devoid of gratuitous nudity since Mel's transformation from cute blond chick to ravenous killer with three inch fangs happens fairly quickly (sorry, men).
Definitely not recommended to the squeamish type or the casual viewer. If you liked movies like Cabin Fever and The Ruins, you may get a kick out of this return to Ozploitation from writer/director, Josh Reed.
For the gorehounds, there are rocks bashing heads in, teeth falling out, flesh ripping, cannibalism, and much more. Veteran horror fans, it's nothing you haven't witnessed before. The film borders on cheesy but, I have to be honest, I thoroughly enjoyed this movie until the last 20 minutes or so, when the special effects department decided to throw in some hokey CGI and a bizarre attempted impregnation scene between Anja and a seven foot cave-dwelling slug.
Primal isn't so much scary as it is intense. There are quite a few white knuckle moments, as well as a couple of holy sh*t, what the hell was that scenes that will stun and amuse you. It's almost devoid of gratuitous nudity since Mel's transformation from cute blond chick to ravenous killer with three inch fangs happens fairly quickly (sorry, men).
Definitely not recommended to the squeamish type or the casual viewer. If you liked movies like Cabin Fever and The Ruins, you may get a kick out of this return to Ozploitation from writer/director, Josh Reed.
Lo sapevi?
- QuizLux Interior, of The Cramps, died a month before Primal started shooting. Director Josh Reed and costume designer Emily Schulz made a "RIP LUX" tee shirt which Warren wears throughout the film in his honor.
- BlooperWhen Chad and Anja are talking at the campfire, a mic appears at the top edge of the picture.
- Curiosità sui creditiNo animals were harmed in the production of this motion picture (but many of the crew were attacked by leeches).
- Colonne sonoreShapeless
Music by Eliot Fish (as E.Fish), Rob Gibson (as R. Gibson), Nick Kennedy (as N.Kennedy) & David Trumpmanis (as D. Trumpmanis)
Lyrics by Eliot Fish (as E. Fish)
Performed by Todd Sparrow
From the album "Modern Western" (Nonlinear Records/Inertia)
©2008 Nonlinear Records & Todd Sparrow
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- How long is Primal?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 2.35 : 1
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