2038: El futuro de ellas

The short is not bad. Despite having some confusing scenes (how escapes one of the stars?) And some dialogue somewhat pedantic, it is certain that the staging is good (for classical, something that gives almost a tone of "black film"). The grading of image and photography is extreme (in a good way) and the soundtrack is spectacular (Juan Fourcade). Too bad the cast is not as good as we would like (although they do not say bad, I guess it just could have gotten more of them), because the story suffers from an excess of "cold in the set, and the sound not too good, but eventually a correct letter of the director, which we hope (with curiosity, at least) new jobs.

A short film completely curious. Not really for their initial approach (science fiction, action and thriller psychopaths) if not for his staging classic. Strange how a story, futuristic fantasy, martial arts "type Matrix", with police action and a script in three acts features the famous "hero's journey, with beginning, middle and end of real movie is filmed so as "relaxed" slow and glamor more like the classic film "noir" than the typical movie of the early twenty-first century. Unfortunately, the director seems so excited with the visual style and his plans, which do not pay much attention to the script (written by Oscar Cavaller and rewritten by himself Arnaiz) or the actresses who are very poor on many occasions. Have a visual effect really right and best of all is the music composed by John Fourcade, who will be talking about the "future", pun intended. Merit who have made a short film like this, but it is a pity, that has left them quite right.