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Faust

  • 2011
  • T
  • 2h 20min
VALUTAZIONE IMDb
6,5/10
5924
LA TUA VALUTAZIONE
Faust (2011)
Faust is a man in search of the ideals of the Enlightenment, but becomes obsessed with the lovely Margarete and eventually sells his soul to the Devil also known as the Moneylender, so that he may possess her.
Riproduci trailer1: 44
1 video
72 foto
DrammaFantasiaMistero

Uno studioso disperato vende la sua anima a Satana in cambio di una notte con una bellissima giovane donna.Uno studioso disperato vende la sua anima a Satana in cambio di una notte con una bellissima giovane donna.Uno studioso disperato vende la sua anima a Satana in cambio di una notte con una bellissima giovane donna.

  • Regia
    • Aleksandr Sokurov
  • Sceneggiatura
    • Yuriy Arabov
    • Aleksandr Sokurov
    • Marina Koreneva
  • Star
    • Johannes Zeiler
    • Anton Adasinsky
    • Isolda Dychauk
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    5924
    LA TUA VALUTAZIONE
    • Regia
      • Aleksandr Sokurov
    • Sceneggiatura
      • Yuriy Arabov
      • Aleksandr Sokurov
      • Marina Koreneva
    • Star
      • Johannes Zeiler
      • Anton Adasinsky
      • Isolda Dychauk
    • 29Recensioni degli utenti
    • 111Recensioni della critica
    • 65Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 15 vittorie e 27 candidature totali

    Video1

    International Trailer
    Trailer 1:44
    International Trailer

    Foto72

    Visualizza poster
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    + 66
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    Interpreti principali49

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    Johannes Zeiler
    Johannes Zeiler
    • Heinrich Faust
    Anton Adasinsky
    Anton Adasinsky
    • Moneylender
    Isolda Dychauk
    Isolda Dychauk
    • Margarete
    Georg Friedrich
    Georg Friedrich
    • Wagner
    Hanna Schygulla
    Hanna Schygulla
    • Moneylender's 'Wife'
    Antje Lewald
    • Margarete's Mother
    Florian Brückner
    • Valentin
    Maxim Mehmet
    Maxim Mehmet
    • Valentin's Friend
    Sigurður Skúlason
    • Faust's Father
    Andreas Schmidt
    Andreas Schmidt
    • Valentin's Friend
    Oliver Bootz
    • Valentin's Friend
    Jonas Jägermeyr
    • Valentin's Friend
    Igor Orozovic
    Igor Orozovic
    • Valentin's Friend
    Jirí Hampl
    • Valentin's Friend
    Joel Kirby
    Joel Kirby
    • Pater Philippe
    Eva-Maria Kurz
    • Faust's Cook
    • (as Eva Kurz)
    Katrin Filzen
    Katrin Filzen
    • Margarete's Maidservant
    Prodromos Antoniadis
    • Notarius
    • Regia
      • Aleksandr Sokurov
    • Sceneggiatura
      • Yuriy Arabov
      • Aleksandr Sokurov
      • Marina Koreneva
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    6,55.9K
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    Recensioni in evidenza

    Baceseras

    Down in the dumps

    It begins with the evisceration of a corpse, and that could be a metaphor for the way this alleged adaptation proceeds - except that Goethe's "Faust" is not dead, only given the dead-letter treatment here. The film's emphasis is on gross, clumsy physicality: you never saw so many actors stumble as they walk, bumping into things and one another; too artless and unfunny for slapstick, the universal jostling is prevented from being laughable by funereal pacing and the array of hangdog faces. Since the Faust figure (Johannes Zeiler) conveys very little in the way of intellect, all that elevates him is that most of the other characters have been made open-mouthed gapers, presumable halfwits. Wit is barred out anyway by the color-palette, all various hues of mud - the surest sign of high-serious intentions in movies nowadays. In exterior shots the sky is overexposed so it shows as a gleamless white blur; the earth is dun-colored, greens are gray-tinged, and reds are virtually absent, on their rare appearance tending to brown, like bloodstained linens oxidizing. The cut of the men's clothing updates the story to several decades after Goethe's time: trousers are worn, rather than breeches and hose. The fabrics are thick, heavy, coarse, and of course dark-dyed and fraying badly. No one could think of playing the dandy here. Strangely, there seems to be no Republic of Letters either. The few characters with intellectual interests neither write nor receive letters; they're isolated from enlightenment and worldly affairs: no one awaits the postman; no one looks at a journal of science or politics or the arts - this is a stupefying omission, as false to the historical period as it would be to Goethe's own. Sokurov's flight from historical particulars strands his Faust: the fable and the character become "timeless" in all the wrong ways. Faust doesn't represent his age's high hopes, or its seeds of self-destruction; but then he doesn't represent our age either. Sealed off in its remoteness, Sokurov's "Faust" is just another - all-too-familiar - sulking, glooming art-house reverie.
    4poe426

    The Devil a dullard...?

    FAUST tries a bit too hard at times to shock, or to impress with its technical aspect: the opening close-up of the rotting genitalia of a male cadaver being autopsied pretty much sets the tone; anything goes. Unfortunately, that includes some fairly simple but overused in-camera effects, like the use of distorting lenses (which add absolutely nothing to the meandering narrative and actually detract from the lavish production values). Death, himself, is a bore who waddles around in a rubber fat suit "weighing souls." "Is the world too cramped for you?" someone asks at one point. It's a question I pondered even as I watched this one unfold: having spent far too much of my time watching experimental films and video over the years, I can honestly say that- for ME- the world IS cramped with far too many such films.
    Kirpianuscus

    question

    a question more than a film. nothing surprising for Sokurov.because not the story is the axis but the atmosphere the air who seems be mud, the dialogues who are cold and bitter, the actors who becomes shadows. a film who propose the world in precise slices. and that is the source of controversies and the heart of a fascinating film about reality and choices. far to be comfortable, it is a challenge. because it propose the aesthetic of ugly things, because firs scene is an open corpse and the pact with devil has different nuances by the classic text of Goethe. but the idea is the same.same, the need of certitude. a film about the taste of knowledge. and the essence of self definition.
    6skepticskeptical

    Ugly and unpleasant--but isn´t that the point?

    Compared to an aesthetic depiction of something like The Portrait of Dorian Gray, by Oscar Wilde, also a story of corruption, this ugly, often grotestque film, loosely based on Goethe´s Faust, is disappointing. It was a slog to get through because it was so drab and disgusting. Dust and darkness everywhere. Gross, deformed characters. Filth, misery, poverty, disease. Rats. Altogether quite unpleasant to watch. Still, I have to say that the director succeeds in creating a film as depressing as its subject: the corruption of a human being and the selling of his soul.
    8wmnssn

    The fascination for knowledge, power and lust is brought home to us at our level of living and thinking.

    The way Sokurov treats this story makes it clear that his characters are all immersed in the day tot day doings, the earthly aspects of our lives, and it is hard or even impossible to escape. He brings it home to us, he gets us involved through his camera and sound, Faust becomes us. The first time I know of that this story was told in such a way that we can actually get inside Faust. Sokurov brings home some intriguing themes. Is Faust's soul maybe already missing from the start? What is our perception of Faust's hell and/or heaven, and how easy are we manipulated? We don't seem to need a lot of arguments and talking to win us over...

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    Trama

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    Lo sapevi?

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    • Quiz
      It won the Golden Lion award at the 2011 Venice Film Festival. It is the 3rd Russian film to be crowned best film in Venice, after Ivan's Childhood (1962) and The Return (2003).
    • Connessioni
      Featured in At the Movies: Venice Film Festival 2011 (2011)
    • Colonne sonore
      Salve Regina
      (uncredited)

      Gregorian chant

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    • How long is Faust?
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    Dettagli

    Modifica
    • Data di uscita
      • 26 ottobre 2011 (Italia)
    • Paese di origine
      • Russia
    • Siti ufficiali
      • arabuloku.com
      • Official site (Japan)
    • Lingua
      • Tedesco
    • Celebre anche come
      • Fausto
    • Luoghi delle riprese
      • Barrandov Studios, Praga, Repubblica Ceca(Studio)
    • Aziende produttrici
      • Mass Media Development and Support Foundation
      • Proline Film
      • Russian Cinema Fund
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 8.000.000 € (previsto)
    • Lordo Stati Uniti e Canada
      • 58.132 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 10.030 USD
      • 17 nov 2013
    • Lordo in tutto il mondo
      • 64.556 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 20 minuti
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.37 : 1

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