Aggiungi una trama nella tua linguaFiancés Georgie and David head to Spain to get a wedding blessing from David's father, who has lived a criminal life. On a debauched night out, the couple are separated for only a few second... Leggi tuttoFiancés Georgie and David head to Spain to get a wedding blessing from David's father, who has lived a criminal life. On a debauched night out, the couple are separated for only a few seconds, but in that time the course of their lives is changed forever, and the truth behind Dav... Leggi tuttoFiancés Georgie and David head to Spain to get a wedding blessing from David's father, who has lived a criminal life. On a debauched night out, the couple are separated for only a few seconds, but in that time the course of their lives is changed forever, and the truth behind David's family comes to light.
- Regia
- Sceneggiatura
- Star
Foto
- David's Boss
- (as Solace Mitchell)
Recensioni in evidenza
That said, it does a couple of things nicely. We do care about the lead female character and we do feel fear and concern when she is "taken." (Did "Taken" copy the phrase from this movie which was two years earlier?) Also, we do feel a sense of despair for the plight of the lead male character, who is helpless, but not really stupid (until near the end). There is some originally in the plotting, For example, the villain is a psychopathic Russian Muslim convert who doesn't kill people during the Ramadam fasting month. Tell me where you have seen that before? The cinematography and editing are commercially slick. It is nicely done for an ultra-low budget movie like this.
One can't blame the filmmakers for disguising the film as an exploitation flick. A more honest description would be "an Albert Camus inspired existentialist meditation on the difficulty of holding onto love in the postmodern capitalist world." Probably, nobody would have seen it if they had advertised the film this way.
This film manages this. The idea of casting howard marks, is effective as exploitation cinema in the best possible way, it adds an authenticity to any criminal elements that many develop later in the film.
I can see a connection with this film and 'taken' but the dialogue is very poor. Saying that the pacing is good, the plot unfolds at exciting pace. it is not bad as a horror/thriller.
If viewers saw "Taken" which was released 1 year before "Slave" then people don't really need to see this, since it's another one of those movies about human trafficking, except that this one is not an action picture. It centers on adult son, David (Sam Page) bringing his fiancé Georgie (Natassia Malthe) to visit his dad, Robert (Michael Maxwell) while on a vacation, who happens to own a mansion somewhere in Spain. And upon both of them going into a club after using the bathroom, his fiancé then goes missing. Then the movie stereotypes the police as they would only investigate by means of a bribe And of course, if you haven't figured it out by now, his dad has something to do with his missing fiancé. Okay, drama like thriller, but very boring with a convoluted ending.
Lo sapevi?
- ConnessioniRemake of Un'estate per morire (2005)
- Colonne sonoreNarration Sequence and Club Music
Written by Paul Mogg
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Dettagli
- Tempo di esecuzione1 ora 21 minuti
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