Legacy

I was shocked when I looked this movie up to see that its rating. For a film with a smaller budget it is excellent. Fans of The Wire will be pleased to see Idris Elba in a challenging role. Fans of Batman Begins/The Dark Knight, will recognize Joe Chill and Detective Ramirez. Eamonn Walker plays a sympathetic antagonist and brother to Idris Elba.

The film itself takes place after a failed mission and Malcom Gray (Idris Elba) holds up in a dingy apartment alone. As the film proceeds it becomes clear that not everything is what it seems. For a low budget psychological thriller, there is quite a lot of action.

Sadly, I think this movie is destined to be under-rated and under- appreciated. Give it a chance, you won't be disappointed.

Legacy is an interesting film, to say the least. 90% of it is spent in a small hotel room, and follows the mental deterioration of a Black Ops soldier, recently returned from a botched mission in Eastern Europe, as he attempts a mission of self-retribution and revenge. It's a psychological thriller with stylistic hallmarks of greats from a bygone era ('Manchurian Candidate' and Hitchcock's 'Rear Window' spring to mind), where suspense and tension were paramount, instead of fast-paced action and explosive thrills.

A claustrophobic, slow-burning film like this lives or dies on it's performances, and Legacy really shines in that area, with Idris Elba playing the lead role with haunting intensity. The rest of the cast do great jobs as well.

The editing and cinematography are tight, and fit the dark, brooding mood of the film effectively.

The main story itself is gripping in all the right places, and is well paced, but there were one or two confusing moments where I felt a bit lost, and found myself wondering if I'd missed something important.

You owe it to yourself to check this out if you're a fan of strong acting, and clever, suspenseful thrillers.

I was lucky enough to have seen Legacy at its world premiere closing the 2010 Glasgow Film Festival, where it was introduced by the producers and the writer/director Thomas Ikimi. The audience was informed of an intriguing production history – Ikimi had to source funding from personal contacts in Nigeria, the film was entirely shot in Scotland but mainly set in New York, and Idris Elba, who was also the Executive Producer, took advantage of his connections in the US to acquire much of the cast. Despite a seemingly infeasible gap between the ambitious aspirations and the miniscule budget, it largely succeeds in sustaining a credible and engaging dramatic narrative centred around a 'Black Ops' soldier dealing with the consequences of a failed mission and his earlier actions.

Elba plays Michael Gray, and his compelling central performance (he is in almost every scene) begins with an armed encounter in which his unit's attempt to tackle a Ukranian-born arms dealer ends catastrophically. Following ten months in a military hospital to overcome the torture that he is subsequently subjected to, he returns to Brooklyn and moves in to a run-down apartment for a period of reflection and contemplation. The impressive, elaborate plot that unfolds comfortably melds action sequences and art-house elements, and moves in a range of directions that simultaneously focus on psychological deterioration, the nature of political success (Gray's older brother is a senator on the verge of announcing a presidential campaign) and the responsibilities of the media.

Elba's robust performance aside, the film also features strong supporting acts (including his Wire co-star Clarke Peters) and some outstanding technical flourishes. I particularly liked the vibrant sound effects, from the deafening explosive gunfire to the subtle resonances that perfectly complemented the claustrophobic apartment setting, and the minimal but effective score. My one minor criticism is common to this sub-genre – an unreliable narrator who blurs the lines between the imagined and the real can lead to occasional frustration/confusion for the audience. It is, however, highly recommended, and a very welcome development for film-making in Scotland.

Legacy is the second film from up and coming director/writer Thomas Ikimi and serves as further evidence that this young man is sure to be a source of great films in the near future.

This time he is armed with a stellar cast (Idris Elba is excellent and gives a most harrowing and unique performance), a dedicated crew and far less of the creative restrictions he experienced while making his micro budget first film, Limbo.

This is a dark and tense psychological thriller with a strong focus on the psychology so that the viewer must constantly question themselves throughout the complex plot. We are left often doubting our own conclusions just as quickly as we became certain of them.

I had a few gripes with the casting and thought that Clarke Peters was slightly out of place portraying a covert and deadly Black ops soldier. Also Monique Gabriela Curnen (who nevertheless gives a good performance) didn't quite feel the right choice for her role as Idris' past love interest. It's not all bad though as Eamonn Walker, Joe Holt and Lara Pulver were all excellently cast resulting in some particularly gripping scenes whenever they shared the screen with Idris Elba.

All in all this is a thinking person's film, don't let Idris Elba's all action persona falsely paint your expectations of what this film is about. If you like The Jacket, Jacob's Ladder or Open Your Eyes (Abre los ojos) then you should appreciate and enjoy this film. This Legacy will leave you with questions, but are you sharp enough to decipher the answers?

It seems like for most people this movie is anything but "Legacy" building. But taking the performance by Idris Elba alone this should merit and have been scored higher. Add to that an unusual story that has more to deliver than the obvious and you actually should have a winner. Maybe people felt this was marketed like an action movie (when it's more a thriller with some guts and especially something worth to think about too), I can't tell.

What I can say, is that the movie delivers on its thriller element and on being not only claustrophobic but getting you into the mind of Idris character. Not an easy feat, but achieved almost seamlessly by the movie. So while you might have issues with some of the directors choices in the story department, you might want to give this movie a chance! It deserves one