VALUTAZIONE IMDb
7,3/10
9190
LA TUA VALUTAZIONE
L'ascesa di una donna povera ma audace che con forza di volontà, coraggio e abilità negli affari divenne una delle grandi imprenditrici del 19° secolo. Vinse il sessismo e il violento bigott... Leggi tuttoL'ascesa di una donna povera ma audace che con forza di volontà, coraggio e abilità negli affari divenne una delle grandi imprenditrici del 19° secolo. Vinse il sessismo e il violento bigottismo anti-italiano nella New York dell' epoca.L'ascesa di una donna povera ma audace che con forza di volontà, coraggio e abilità negli affari divenne una delle grandi imprenditrici del 19° secolo. Vinse il sessismo e il violento bigottismo anti-italiano nella New York dell' epoca.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 11 candidature totali
Patch Darragh
- Dr. Murphy
- (as a different name)
Riepilogo
Reviewers say 'Cabrini' is acclaimed for its inspiring narrative, strong performances, and exceptional cinematography. The film is praised for historical accuracy, detailed set designs, and authentic costumes. Cristiana Dell'Anna's portrayal of Mother Cabrini is highlighted for its depth. Themes of resilience, faith, and social justice resonate deeply. High-quality production values, including the musical score and direction, are noted. However, some critics mention pacing issues and an overemphasis on certain messages. Overall, 'Cabrini' is celebrated for its emotional impact and powerful legacy.
Recensioni in evidenza
I love true stories of people accomplishing great things, especially when they must overcome the odds against them. This was the case in the movie "Cabrini," an inspiring, motivating, suspenseful movie about a real woman and the good she accomplished through determination, persistence, and faith. It made me feel like I should be doing more with my life, but in a good way, not a way that made me feel small. We need to focus more on people who have overcome much in order to improve the lives of others and find happiness and satisfaction doing so. We need more movies like this, and fewer movies like the ones often produced.
Mother Cabrini is a legend and I'm shocked that I had never heard her story before! This movie tells of her struggles and triumphs in such a beautiful, inspiring, and compelling way!
After watching I not only wanted to research more about what she did in her life, but also the area of Five Points in New York City. Historically I felt enriched, but also I felt an overwhelming empathy for my fellow man and the struggles people are going through. Cabrini helped orphans and immigrants with nothing more than faith, believing the resources would come. I felt so uplifted and inspired to do more, no matter how much I can offer, it is enough!
Total girl power with faith in God. Perfect pairing!
After watching I not only wanted to research more about what she did in her life, but also the area of Five Points in New York City. Historically I felt enriched, but also I felt an overwhelming empathy for my fellow man and the struggles people are going through. Cabrini helped orphans and immigrants with nothing more than faith, believing the resources would come. I felt so uplifted and inspired to do more, no matter how much I can offer, it is enough!
Total girl power with faith in God. Perfect pairing!
Although I avoid religious films that have a holy message to relay, I have become a cheerleader for Angel Studios because of the two films I have seen, the box-office-wonder Sound of Freedom and now the beautiful and engaging biopic, Cabrini. They have a production richness not only exemplified in the realistic and lush cinematography (shout out to Cabrini lenser Gorka Gomez Andreu), but also believable heroes such as the human trafficker hounds in the former and the canonized Mother Cabrini (Cristiana Dell'Anna) in the latter. Both films have the same director, Alejandro Monteverde.
The realism and the goodness of the characters helps make the two films memorable for putting us directly in the action (in Cabrini 1899 New York City) and only subtly sanctifying the heroes. The elements of first-rate filming are in Cabrini: original music by Gene Back that captures spirituality while exalting humanity, Alisha Silverstein's spot-on period costumes, and an equally-impressive Carlos-Lagunas production design. Over them all is a lean and effective story by Monteverde and Rod Barr aided immensely by the creative editing of Brian Scofield.
As always, the acting makes the difference: Besides Dell'Anna's award-worthy interpretation of the diminutive "entrepreneur," David Morse's archbishop is imperious and difficult, matched growl for growl by John Lithgow's intractable mayor. Senior to them is the impressive Giancarlo Giannini as Pope Leo XIII, who assigns the NYC slums to Cabrini's future as the eventual patron saint of immigrants.
Mother Cabrini, despite her failing health and being a woman in a paternalistic society, is a superlative example of the feminist Gloria Steinem could imagine: kind and ambitious, tough and savvy, in love with children who need her love. It would be next to impossible not to shed a tear watching her build an orphanage and then hospitals in the spirit of her selfless mission to help the disadvantaged.
But then that is what this film does as it portrays the uncomfortable world of early 20th-century poverty while encouraging us to clap for the heroism of Cabrini and her soldiers, including a Mary-Magdalene-type prostitute, Vittoria ( Romana Maggiora Vergano). The comparison to Christ's journey is never emphasized, all the better to realize the everyday heroism of our fellow humans.
I am impressed once again by the ability of director Monteverde and the Angel Studios to craft a biopic that reeks of reality while it spiritually transports to the worlds of authentic heroes. Cabrini is, like the current Oppenheimer, a true, albeit "inspired by," biopic with heart and grit.
The realism and the goodness of the characters helps make the two films memorable for putting us directly in the action (in Cabrini 1899 New York City) and only subtly sanctifying the heroes. The elements of first-rate filming are in Cabrini: original music by Gene Back that captures spirituality while exalting humanity, Alisha Silverstein's spot-on period costumes, and an equally-impressive Carlos-Lagunas production design. Over them all is a lean and effective story by Monteverde and Rod Barr aided immensely by the creative editing of Brian Scofield.
As always, the acting makes the difference: Besides Dell'Anna's award-worthy interpretation of the diminutive "entrepreneur," David Morse's archbishop is imperious and difficult, matched growl for growl by John Lithgow's intractable mayor. Senior to them is the impressive Giancarlo Giannini as Pope Leo XIII, who assigns the NYC slums to Cabrini's future as the eventual patron saint of immigrants.
Mother Cabrini, despite her failing health and being a woman in a paternalistic society, is a superlative example of the feminist Gloria Steinem could imagine: kind and ambitious, tough and savvy, in love with children who need her love. It would be next to impossible not to shed a tear watching her build an orphanage and then hospitals in the spirit of her selfless mission to help the disadvantaged.
But then that is what this film does as it portrays the uncomfortable world of early 20th-century poverty while encouraging us to clap for the heroism of Cabrini and her soldiers, including a Mary-Magdalene-type prostitute, Vittoria ( Romana Maggiora Vergano). The comparison to Christ's journey is never emphasized, all the better to realize the everyday heroism of our fellow humans.
I am impressed once again by the ability of director Monteverde and the Angel Studios to craft a biopic that reeks of reality while it spiritually transports to the worlds of authentic heroes. Cabrini is, like the current Oppenheimer, a true, albeit "inspired by," biopic with heart and grit.
Unaware of the story of Mother Cabrini until watching in the theatre last night. Greatly enjoyed the story and production merits as well as solid acting from the cast. Angel Studios seem to thus far invest in worthwhile features that appeal to mass crowds, while avoiding being too preachy or overly sentimental regarding faith. The theatre was only a little full but the front section clapped at the end and folks stuck around to the end, including me, as I greatly enjoyed the end title song featured as well. I watched this as part of my AMC A-List membership but felt compelled to do at least one ticket on the pay it forward solicitation. Great film, well worth the 2.5 hours spent watching.
An incredible and inspirational true story of a truly amazing woman! This movie will impact lives. If you're looking for some inspiration on how to make a positive difference in this world, go see this movie.
Cabrini is very well done with superb acting and every detail attended to to put you right there with Cabrini on her journey. You feel the struggle and you rejoice in her triumphs.
I don't know how much the world knew about Cabrini before this movie, but I believe that the more that see it, the more will be inspired to do a little more and try a little harder to lift the burdens of our fellow men, women and children. She had a heart that was too great to be stopped!
Cabrini is very well done with superb acting and every detail attended to to put you right there with Cabrini on her journey. You feel the struggle and you rejoice in her triumphs.
I don't know how much the world knew about Cabrini before this movie, but I believe that the more that see it, the more will be inspired to do a little more and try a little harder to lift the burdens of our fellow men, women and children. She had a heart that was too great to be stopped!
Lo sapevi?
- QuizThe film was screened by the nuns of Mother Cabrini's order, some of whom were in their nineties. By the end of the film, many of them were reported to be crying with several of them exclaiming, "THAT'S Cabrini!"
- BlooperArchbishop Corrigan was not the son of poor working class Irish immigrants in New York City. Corrigan was born in New Jersey to Irish immigrant parents who owned a retail grocery and liquor business in Newark and were well-to-do.
- Colonne sonoreDare To Be
Performed by Andrea Bocelli and Virginia Bocelli
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Dettagli
Botteghino
- Budget
- 34.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.512.134 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.168.520 USD
- 10 mar 2024
- Lordo in tutto il mondo
- 20.590.202 USD
- Tempo di esecuzione2 ore 22 minuti
- Colore
- Proporzioni
- 2.35 : 1
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