Francesca Cabrini

Ok, I randomly stumbled on this movie and the ticket. So I just decided to go and watch it one Thursday night. I should also start this by saying that I do not care for religious films but I'm always a fan of a good female hero. THIS STORY WAS SO GREAT. And the quality of actors and backgrounds ... thank god. I could not sit through 2 hours of cheesy Hallmark style movie. Thank you to who ever funded this! I walked away feeling so inspired and in love with Cabrini and I adored seeing NYC as it once was. I appreciated that God was silently in the film. I recommend! It was an era & hero film that anyone would wnjoy.

This movie is SO good!! It follows the life of Saint Frances Xavier Cabrini, an immigrant from Italy who came to America to do missions work. It's such a compelling story, you watch as she gets horrible racist and sexist remarks made against her, and she still overcomes. She is a strong woman who people should look up to. She opened an orphanage and faced so much adversity all along the way. We need young woman to have someone like this woman to look up to, she was able to take all the ridicule and hate she got and become greater than she ever had the right to become. That's amazing! But what's even more amazing to me is that it's a true story.

Angel Studios is doing something interesting here: they're making non-preachy value based films that are palatable by your average non-religious movie goer & yet they are using a "pay it forward" system of good doers to passionately promote it and literally pay for others to see it. What's more is this film, as well as Sound of Freedom, are extremely well made for the low budget independent movies they are. They're attracting top talent not because of religious guilt (like a Kirk Cameron Left Behind film might or religious dogma stuff God's Still Not Dead), no these actors are doing these roles because I think they see how strong of writing they have. David Morse, a vet actor, plays one of the best roles he's played in years & even a cameo style featured role of John Lithgow (the mayor) lets him seethe and breath slimy life into yet another wonderful villain role. Cristina Dell Anna in the title role is consistently strong & although it probably won't be treated with the same consideration for Oscar awards due to critics predisposition about the studio (supposedly run by Q'anon supporters I think the stories have said), her role and many roles in the film are no worse than Oscar bait roles are in similar movies like Little Women. The filmmaking, the same as Sound of Freedom Director & also the Cinematographer, is once again very beautiful and visually stunning. Even if a few critics are (I think unfairly) rallying against it, like it or not, it's well made inexpensive and efficient cinema... the exact mid-budget made-for-adult serious cinema that used to be the bread & butter of Hollywood. If the studios are unwilling to make it, I'm glad somebody is keeping up the tradition.

The film doesn't have a meta-self aware bone in its structure & that's refreshing. In creators race to reinvent the wheel of film theory, we forget these feel good tales until one comes along and reminds us how much we need a nice uplifting, not challenging society, story. The last film that had this kind of a feel, without religious guilt, was The Upside. I predict this might also do pretty well with the feel good crowd & their praise and money matters too!

I read one critic call it bland, but I disagree. I think it's the kind of film that unabashedly appeals to your emotions over intellect, which some today call manipulative, but if done for a non-dogma cause is just called filmmaking. If religious people used films like this more, uplifting & non preachy, non-cliched and about more reality than biblical theory, I think more from outside the flock would see their perspective. It's only when you're sitting in a movie (like I've seen a thousand times) where a cruel and uncaring god seems to be behind every misery in a very present way, when idiots like Kirk Cameron are acting "holier than thou" and spouting off hateful things supposedly in an effort to convert you that the average person rejects it. So often films have no pretense of entertainment and are really stupidly written only for those who are used to religious cliche & redundancy.

Here, by contrast, we have some intelligent writing, a worthwhile true story about somebody extremely interesting and good who led an inspiring life... that's how to bring 'em in. Maybe some might be inspired to go to church more or like me, while I won't be becoming any more religious, still enjoyed seeing a woman who had faith fight for something good and decent... without strings... just like both Angel Studio movies I've seen. Smart play. Well done. Like Sound if Freedom we have a movie about faithful people, but I would go so far as to say this isn't a "faith movie". Just like a movie may have a serial killer in it and not be a horror movie. I think they've found a good middle ground & i'd see a third movie.

Although I avoid religious films that have a holy message to relay, I have become a cheerleader for Angel Studios because of the two films I have seen, the box-office-wonder Sound of Freedom and now the beautiful and engaging biopic, Cabrini. They have a production richness not only exemplified in the realistic and lush cinematography (shout out to Cabrini lenser Gorka Gomez Andreu), but also believable heroes such as the human trafficker hounds in the former and the canonized Mother Cabrini (Cristiana Dell'Anna) in the latter. Both films have the same director, Alejandro Monteverde.

The realism and the goodness of the characters helps make the two films memorable for putting us directly in the action (in Cabrini 1899 New York City) and only subtly sanctifying the heroes. The elements of first-rate filming are in Cabrini: original music by Gene Back that captures spirituality while exalting humanity, Alisha Silverstein's spot-on period costumes, and an equally-impressive Carlos-Lagunas production design. Over them all is a lean and effective story by Monteverde and Rod Barr aided immensely by the creative editing of Brian Scofield.

As always, the acting makes the difference: Besides Dell'Anna's award-worthy interpretation of the diminutive "entrepreneur," David Morse's archbishop is imperious and difficult, matched growl for growl by John Lithgow's intractable mayor. Senior to them is the impressive Giancarlo Giannini as Pope Leo XIII, who assigns the NYC slums to Cabrini's future as the eventual patron saint of immigrants.

Mother Cabrini, despite her failing health and being a woman in a paternalistic society, is a superlative example of the feminist Gloria Steinem could imagine: kind and ambitious, tough and savvy, in love with children who need her love. It would be next to impossible not to shed a tear watching her build an orphanage and then hospitals in the spirit of her selfless mission to help the disadvantaged.

But then that is what this film does as it portrays the uncomfortable world of early 20th-century poverty while encouraging us to clap for the heroism of Cabrini and her soldiers, including a Mary-Magdalene-type prostitute, Vittoria ( Romana Maggiora Vergano). The comparison to Christ's journey is never emphasized, all the better to realize the everyday heroism of our fellow humans.

I am impressed once again by the ability of director Monteverde and the Angel Studios to craft a biopic that reeks of reality while it spiritually transports to the worlds of authentic heroes. Cabrini is, like the current Oppenheimer, a true, albeit "inspired by," biopic with heart and grit.

Unaware of the story of Mother Cabrini until watching in the theatre last night. Greatly enjoyed the story and production merits as well as solid acting from the cast. Angel Studios seem to thus far invest in worthwhile features that appeal to mass crowds, while avoiding being too preachy or overly sentimental regarding faith. The theatre was only a little full but the front section clapped at the end and folks stuck around to the end, including me, as I greatly enjoyed the end title song featured as well. I watched this as part of my AMC A-List membership but felt compelled to do at least one ticket on the pay it forward solicitation. Great film, well worth the 2.5 hours spent watching.