VALUTAZIONE IMDb
5,8/10
2703
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAkane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.
- Regia
- Sceneggiatura
- Star
Chikako Isomura
- Old Lady in White
- (non citato nei titoli originali)
Recensioni in evidenza
This film is about a series of interconnected events, that tie a number of people- and the tragedies that surround them- together.
As we follow a curse, as it passes from one person to another, leaving death and destruction in it's wake.
It's a bit hard to follow, at first...due to the fact that it jumps back and forth from person to person, on various different timelines.
But it all comes around in the end.
And, man...is it ever twisted.
It all begins when things go awry for a young man, who is sent to deliver a Christmas cake to a house, that seems empty at first...but turns out to be very, very haunted.
As a number of brutal killings had very recently taken place there.
Leaving him to walk in on the aftermath of a massacre.
And, thus, inherit "the curse".
That is, however, only the beginning of how the plague of this curse will spread across the town.
Because it is also transferred to a taxi driver...who gives the killer a ride to the place where he will commit suicide, after the fact.
He goes missing shortly after dropping his young daughter off at school.
Though...not before she puts her hand in some ectoplasm like goo, left behind by a bag carrying the decapitated head of the niece of the demonically stricken killer- a girl he had been molesting, prior to his murderous outburst- who happens to be her best friend.
Fast forward to her teenage years...when some of her friends ask her to participate in a ouija-like game...because she has "special abilities" (that allow her to see and hear the dead).
It is through this "game", that she taps into the supernatural realm, which enables her to connect with the ghost of her deceased friend...who shows her how the curse was, inevitably, passed down to her father.
Thus providing us, as viewers, with the backstory we need to put the previous pieces of the puzzle together.
While watching how the curse has affected the others who have also come in contact with it.
And the aftermath that ensues, from thereon out.
It's all rather creepy, and convoluted.
Both of which play into the air of mystery the film exudes.
This could make things confusing for less attentive viewers.
But it does make sense, in the end, if you are able to reflect upon it.
You've got to commend writer/director Ryûta Miyake for constructing a rather complex storyline and plot structure...that works so well...in a film that is, quite literally, only an hour long.
It doesn't give you a whole lot of time to mess about.
And he makes every second count.
Tying up a majority of the loose ends.
While strategically leaving one part of the storyline open-ended, so as to leave room for a continuation of the series.
I'm, personally, not super knowledgeable about the whole Ju-On universe...however...I imagine the house- in which the curse originates here- ties back to one of the other Ju-On prequels or sequels.
This wouldn't surprise me at all.
And would make it an even more impressing endeavour than it already is.
I am aware that it ties in with it's counterpart Ju-On: Black Ghost...which, I'm hoping, will provide context for the only thing I didn't understand in this film...that being the shot of the ghost boy meowing at the dog toy.
That being said, White Ghost is a very solid- and extremely creepy- sequel, that greatly exceeded the expectations I had going into it.
And, thus, is an excellent addition to the Ju-On series (which I should definitely go back and watch more of, after this).
7.5 out of 10.
As we follow a curse, as it passes from one person to another, leaving death and destruction in it's wake.
It's a bit hard to follow, at first...due to the fact that it jumps back and forth from person to person, on various different timelines.
But it all comes around in the end.
And, man...is it ever twisted.
It all begins when things go awry for a young man, who is sent to deliver a Christmas cake to a house, that seems empty at first...but turns out to be very, very haunted.
As a number of brutal killings had very recently taken place there.
Leaving him to walk in on the aftermath of a massacre.
And, thus, inherit "the curse".
That is, however, only the beginning of how the plague of this curse will spread across the town.
Because it is also transferred to a taxi driver...who gives the killer a ride to the place where he will commit suicide, after the fact.
He goes missing shortly after dropping his young daughter off at school.
Though...not before she puts her hand in some ectoplasm like goo, left behind by a bag carrying the decapitated head of the niece of the demonically stricken killer- a girl he had been molesting, prior to his murderous outburst- who happens to be her best friend.
Fast forward to her teenage years...when some of her friends ask her to participate in a ouija-like game...because she has "special abilities" (that allow her to see and hear the dead).
It is through this "game", that she taps into the supernatural realm, which enables her to connect with the ghost of her deceased friend...who shows her how the curse was, inevitably, passed down to her father.
Thus providing us, as viewers, with the backstory we need to put the previous pieces of the puzzle together.
While watching how the curse has affected the others who have also come in contact with it.
And the aftermath that ensues, from thereon out.
It's all rather creepy, and convoluted.
Both of which play into the air of mystery the film exudes.
This could make things confusing for less attentive viewers.
But it does make sense, in the end, if you are able to reflect upon it.
You've got to commend writer/director Ryûta Miyake for constructing a rather complex storyline and plot structure...that works so well...in a film that is, quite literally, only an hour long.
It doesn't give you a whole lot of time to mess about.
And he makes every second count.
Tying up a majority of the loose ends.
While strategically leaving one part of the storyline open-ended, so as to leave room for a continuation of the series.
I'm, personally, not super knowledgeable about the whole Ju-On universe...however...I imagine the house- in which the curse originates here- ties back to one of the other Ju-On prequels or sequels.
This wouldn't surprise me at all.
And would make it an even more impressing endeavour than it already is.
I am aware that it ties in with it's counterpart Ju-On: Black Ghost...which, I'm hoping, will provide context for the only thing I didn't understand in this film...that being the shot of the ghost boy meowing at the dog toy.
That being said, White Ghost is a very solid- and extremely creepy- sequel, that greatly exceeded the expectations I had going into it.
And, thus, is an excellent addition to the Ju-On series (which I should definitely go back and watch more of, after this).
7.5 out of 10.
The only Ju-on movie I've watched so far, I think this one is okay. There are a lot of scary and brutal moments at the beginning, but one of the worst things about it is that the final 20 minutes aren't really that scary. I hope to give Black Ghost a try soon.
Format: Amazon Prime - Language: Japanese (English Subtitled)
Released: 2009
Director: Ryut Miyake
Starring: Hiroki Suzuki, Ichirota Miyakawa, Naysuki Kasa
Where to start? Well it's short, which is a blessing!
To be strictly fair to the film it does start out well enough, with the initial building up of tension that I have come to expect from Japanese horror films; then sadly, rather then building on the initial success, the whole thing falls apart.
Ju-On: White Ghost is the story of a house that was the location of a brutal mass murder. The film consists of a series of short segments, each one showcasing the history of a different character and setting out why they eventually come to their various unfortunate ends, as well as giving the background to the murders.
As a direct to DVD film it is very low budget and it shows, badly. Yet for all the appallingly bad and cringe-worthy acting there are occasional moments of great, outstanding performance; for all the unbelievably poor stories there are some strong, genuinely creepy tales.
At an hour long it is worth sitting though the rubbish mainly because when this film gets it right, even with the cringe fest that some of the actors put us through, it delivers some genuine scares. It just unfortunate that director, Ryuta Miyake, comes across as not having the slightest clue about how to make/direct a film.
Like this film this is really all I can think of to say on the matter, short and pretty much lacking in any direction.
Released: 2009
Director: Ryut Miyake
Starring: Hiroki Suzuki, Ichirota Miyakawa, Naysuki Kasa
Where to start? Well it's short, which is a blessing!
To be strictly fair to the film it does start out well enough, with the initial building up of tension that I have come to expect from Japanese horror films; then sadly, rather then building on the initial success, the whole thing falls apart.
Ju-On: White Ghost is the story of a house that was the location of a brutal mass murder. The film consists of a series of short segments, each one showcasing the history of a different character and setting out why they eventually come to their various unfortunate ends, as well as giving the background to the murders.
As a direct to DVD film it is very low budget and it shows, badly. Yet for all the appallingly bad and cringe-worthy acting there are occasional moments of great, outstanding performance; for all the unbelievably poor stories there are some strong, genuinely creepy tales.
At an hour long it is worth sitting though the rubbish mainly because when this film gets it right, even with the cringe fest that some of the actors put us through, it delivers some genuine scares. It just unfortunate that director, Ryuta Miyake, comes across as not having the slightest clue about how to make/direct a film.
Like this film this is really all I can think of to say on the matter, short and pretty much lacking in any direction.
I suppose it makes logical sense for the distributors here to combine both Ju-on: White Ghost and Black Ghost stories in 1 screening. After all, each is only 1 hour long, and narratively are somehow intertwined together quite loosely, with their production marking 10 years since Ju-on's cinematic premiere. Helmed by two different directors, we're given two direct-to-video productions, each with its own flavour and separate storyline dealing with the Ju-On Grudge curse, and frankly, with its limited production budget and consistent elements,
For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.
Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.
Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.
For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.
For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.
Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.
Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.
For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.
Just saw this movie and the bad thing about this is that it only hour one long.
it not got anything to do with Ju-on-The Grudges movies! This is brand new Grudge story, it dose have the same feel to movie just like other but not great like the other two movies but still really really good, I really liked this movie it is creepy and it had some great creepy moment and one and two shocking moments too, I Can't believe it just less then hour, it was so good wanted to see again.
If you liked the other Ju-on movies, give this watch, it only 58min long 8/10
it not got anything to do with Ju-on-The Grudges movies! This is brand new Grudge story, it dose have the same feel to movie just like other but not great like the other two movies but still really really good, I really liked this movie it is creepy and it had some great creepy moment and one and two shocking moments too, I Can't believe it just less then hour, it was so good wanted to see again.
If you liked the other Ju-on movies, give this watch, it only 58min long 8/10
Lo sapevi?
- QuizChikako Isomura played Sachie in the original Ju-on: The Grudge (2002). She had passed away long before film production began, so her likeness was used In this film as a tribute to the original film.
- ConnessioniFollowed by Ju-on: Owari no hajimari (2014)
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