Segue i grandi magazzini Kaufhaus des Westens e la discoteca Eldorado negli anni '20 a Berlino.Segue i grandi magazzini Kaufhaus des Westens e la discoteca Eldorado negli anni '20 a Berlino.Segue i grandi magazzini Kaufhaus des Westens e la discoteca Eldorado negli anni '20 a Berlino.
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I had to come on here to see if I was alone in my thoughts
Into the second episode, and the location/action switches from the end of WW1 to an outside scene ablaze with modern day street I thought there was a timeline crossover which I'd missed, so by reading others on here it appears I have'nt, but it does show that its a cheap production if this massive error wasn't picked up in post production editing.
I will probably stick with it to see the outcome, as its only six episodes long, but if there is another series planned then I doubt it will hold my interest, and hope it shapes up before the end.
Into the second episode, and the location/action switches from the end of WW1 to an outside scene ablaze with modern day street I thought there was a timeline crossover which I'd missed, so by reading others on here it appears I have'nt, but it does show that its a cheap production if this massive error wasn't picked up in post production editing.
I will probably stick with it to see the outcome, as its only six episodes long, but if there is another series planned then I doubt it will hold my interest, and hope it shapes up before the end.
I have seen the first two episodes, and I am compelled to keep watching.
The story it's interesting and capitalises on the fascination with the historical period: what with an old world and old customs being swept away by a tragic war, and new freedoms emerging and clashing with the old ways.
One problem is that other movies and series have talked about this historical period in Berlin and done an excellent job, so this series was always going to be diminished by these comparisons and makes it harder to judge it on its own. As some others have pointed out, some issues like post-traumatic stress disorder and drug use to deal with it (certainly a big issue in post-war Germany), has been the subject of other sub-plots, e.g. In Babylon Berlin.
And yet, it's a charming series and you are drawn towards some of the characters. The two female leads have so far produced a strong performance.
Some here have harshly criticised the series for showing some street scenes where the actors, dressed in 1920s costumes, were clearly in modern day Berlin (with modern cars etc.). This was so evident that I argue it was intentional. And I think this was a very poignant reminder that these people lived in the same places we pass by, their stories unfolded across the same streets we walk on. Placing the characters in modern day Berlin highlighted how these stories are still relevant today.
So, I will keep watching this series, hoping the whole thing is as good as the first two episodes.
The story it's interesting and capitalises on the fascination with the historical period: what with an old world and old customs being swept away by a tragic war, and new freedoms emerging and clashing with the old ways.
One problem is that other movies and series have talked about this historical period in Berlin and done an excellent job, so this series was always going to be diminished by these comparisons and makes it harder to judge it on its own. As some others have pointed out, some issues like post-traumatic stress disorder and drug use to deal with it (certainly a big issue in post-war Germany), has been the subject of other sub-plots, e.g. In Babylon Berlin.
And yet, it's a charming series and you are drawn towards some of the characters. The two female leads have so far produced a strong performance.
Some here have harshly criticised the series for showing some street scenes where the actors, dressed in 1920s costumes, were clearly in modern day Berlin (with modern cars etc.). This was so evident that I argue it was intentional. And I think this was a very poignant reminder that these people lived in the same places we pass by, their stories unfolded across the same streets we walk on. Placing the characters in modern day Berlin highlighted how these stories are still relevant today.
So, I will keep watching this series, hoping the whole thing is as good as the first two episodes.
I am a huge fan of 1920s Berlin, I have many books & i've watched tons of documentaries. I have seen every film there possibly is about 1920s Berlin.
This joke of the series not only copies stories from a different series, but you can openly see other modern cars lights & busses in todays Berlin. There is a Toyota car at the start, its just laughable.
The other laughable scenes that we see is today's zooBahnhof with modern cars driving around and we are expect to believe that it's 1920s Berlin.
Skip this altogether & wait for another production company to make something a million times better.
This joke of the series not only copies stories from a different series, but you can openly see other modern cars lights & busses in todays Berlin. There is a Toyota car at the start, its just laughable.
The other laughable scenes that we see is today's zooBahnhof with modern cars driving around and we are expect to believe that it's 1920s Berlin.
Skip this altogether & wait for another production company to make something a million times better.
It's embarrasing how they copied storylines from the much superior "Babylon Berlin" series. Also how they covered up a low budget by saying it's an artistic statement when you see modern cars and streetlife in the background. Well, if you're going to do that evetything has to consequently be mixed eras. Not just backgrounds on the streets.
As a lover of Berlin and its history I was looking forward to seeing this series but what a disappointment it proved to be. Street scenes with cast members dressed in the clothes of the 1920s but filmed with modern traffic and graffitied buildings undermined the whole production for me and destroyed any historical credibility. To say it was a deliberate artistic decision is disingenuous and takes the viewer for a fool - I suspect it was either a case of insufficient funding or just not being prepared to make the effort. I switched off after half-an-hour. If you value any shred of authenticity in an historical drama avoid this shoddy production at all costs.
Lo sapevi?
- QuizThe animated opening credits are in the style of German painter Otto Dix, who fought in WWI and depicted Berlin in the 1920s with its rampant inflation and decadence much like the show.
- ConnessioniReferenced in Die schlechtesten Filme aller Zeiten: Grizzly 2 (2022)
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