Somewhere

A 30something year old actor spends his days (and nights) driving his Ferrari as fast as it can go, getting private shows from women,getting massages and participating in events which are part of his career. When at a press conference a journalist asks him "Who's Johnny Marko" he is unable to respond. Johnny is someone (or is he?) but he doesn't really know who. The relationships he has with people are far from personal.

From what we see at the beginning of the movie we would probably think Johnny is the usual single good looking but empty inside actor and that he pretty much has been all his life. But when his daughter shows up the picture is different: a failed marriage behind him... could this have made him what he is? maybe. As he welcomes Cleo back in his life she somehow seems to fill the emptiness of the environment around him. Nothing particularly overwhelming, just the little things that make the difference.

Does this movie display emotion in an explicit and clearly visible way? No. The dialog between characters is not what makes the difference. It's the feelings that make us think we're going somewhere or instead that we are so disconnected we can't care less where we are going. The feelings you can't really put into words (as properly emphasized in "Lost in Translation").

Just like the latter, "Somewhere" shows life as it is, no astonishing happenings, not many life changing experiences and maybe this is what will make a lot of people walk out of the theater unsatisfied or bored. We usually go to the cinema to evade from reality, see relationships develop clearly as they drastically change the lives of those involved in them. But this is not the case: just like in our lives things slowly develop and maybe over time change the way we see the world or feel the world. Maybe as the film suggests at one point, we need to slow down and take a look at where we are going instead of just passing through.

"Somewhere" is a particular movie from a particular director/writer. I can't go ahead and say watch this movie, you will love it, because it isn't for everyone but this is not a good enough reason to not give it a try altogether.

"Somewhere" is a polarizing film, which makes it all the stranger that I find myself precisely in the middle of debate. Some hail it as a minimalistic masterwork, while others leave the theater rubbing sleep from their eyes. The latest film by Sofia Coppola isn't for everyone, and stands so structureless that it threatens to liquefy at any moment. With few cuts and most scenes playing out in even fewer angles, it's easy to grow impatient or frustrated with the director. What I admire about her film however is its commitment to capturing complete moments even at the expense of the audience.

"Lost in Translation" this isn't. "Somewhere" isn't anchored by as charismatic or immediately recognizable an on screen pair as Bill Murray and Scarlett Johansson. The world of the former film is also more vibrant and alive than the Hollywood Coppola depicts. She dials back everything until "Somewhere" is essentially an exercise in simplicity. Many have found that quality refreshing, but I was left somewhat cold by the purely surface-level examination of the tedium of stardom.

I absolutely admire Coppola's intentions. Probably my biggest gripe with "Somewhere" is that it employs plot-bombs out of necessity. After 45 minutes of casual observation of our protagonist, burnt-out actor Johnny Marco (Stephen Dorff), Coppola inelegantly drops 30 seconds of expository dialogue into a phone call that sets up the rest of movie. It rings immediately false and seems out of place in an otherwise drifting film.

And there are some beautiful sights along the way. Coppola manages to transcend her sedentary camera-work with occasionally brilliant choreography. A pair of pole dancers performing a hokey routine springs to mind, as does a gracefully executed figure skating sequence. The director has a knack for using characters rather than set-ups to color our experience, but my problem with "Somewhere" is that not every scene is equally fascinating. Some merely communicate an idea and a feeling, but drag on for far too long. Admittedly, to truncate her moments would be to rob them of their intended impact, but as a moviegoer it's hardly thrilling to watch characters lounge poolside for the better part of a minute.

Coppola is at her most successful when she's able to wring the irony out of a scenario. When Johnny arrives in Italy to accept an award, we get a clear sense of the dichotomy between the hoopla of the entertainment industry and a jaded entertainer. That everyone around him is speaking in a foreign language completes the metaphor and makes for one of film's best sequences. Watching the character play "Guitar Hero" is comparably flat. That scene serves only one purpose: to demystify celebrity. While I wouldn't go so far as to call it boring, it doesn't offer any additional insight into the character.

But then "Somewhere" isn't just a portrait of a movie star but a portrait of a father, and Dorff and Elle Fanning deserve recognition for the flawlessly naturalistic relationship their characters share. Considered opposite her countless melodramatic peers, Coppola is in a league of her own. The people who populate her films never fail to impress with their nuance, but in this case I'm not convinced the filmmaking does them justice.

"Somewhere" is a film I find equally hard to love or hate, though I sympathize better with its detractors. Nevertheless, it posits compelling characters, great performances, and enough smart and amusing scenes to make worth recommending. Whether you leave the theater rubbing sleep from your eyes or having witnessed a minimalistic masterpiece, you have my blessing. Much like Marco himself, I'm neither here nor there.

I am a big fan of underrated actor Stephen Dorff. I don't know what happen to him but his career is kind of dead. So, this movie "Somewhere" gets me interested the fact that he is the star of it. This movie also stars Elle Fanning, the younger sister of former child actress Dakota Fanning.

Some people might not like the direction given by Sofia Coppola. The movie is slow pace, too quite, there are scenes with long cuts, and sometimes there is nothing going on for 1 minute or more. This approach could be boring to some people but for me it is very effective in conveying the despair, loneliness and boredom of Hollywood actor Johnny Marco.

Stephen Dorff didn't do much dialog or doing actions in this. When he speaks, he spoke only few phrases. But, the emotion through his eyes, the tears or a simple smile kills it. Elle Fanning is remarkable as well.

The movie runs maybe slow but if you are patient enough, the emotional impact that struck on you throughout the film is worth it.

A successful actor in his 40's leads an estranged life from his daughter. He boozes his way through the various engagements his contract with the film company requires him to attend. At some point his 11 year daughter played by Dakota Fanning's younger sibling unexpectedly turns up at his hotel. And a sign that reads: "Let the bonding begin".

Cappola revisits with this movie her own legacy by making a Lost in Translation II, albeit with significantly less oomph than the successful predecessor starring Bill Murray and Scarlett Johansson. 'Somewhere' does inspire to the same level of narrative flow (or intentional lack thereof) and it does kind of grow on you as the film progresses. But it never makes the same impact.

This is however still a watchable film in between the lingering shots that is, with some convincing acting by both Fanning and Stephen Dorff who is casted perfectly for the role.

65/100

Sofia Coppola's personal cinema, in addition to being valuable and admirable, is also fascinating and endearing. I like his viewpoint on cinema. She is the daughter of the godfather of world cinema, Francis Ford Coppola, but she has not been under her father's shadow and stands in an area of cinema that her father was not in. Sofia's minimalist and personal cinema with its themes, concerns and worldview has made for her a special style in her films. The "somewhere", she made in 2010 has a specific form in structure and content. Relatively lengthful shots, fixed camera where the subject is moving in the frame and little dialogue are some of my favorite cinematographic features, which can be seen in abundance in Sofia Coppola's works. The beginning of the film in a fixed frame, where a black Ferrari car is constantly going back and forth, promises a different, fascinating and deep film, and in the final shot, which reminds me of a scene from my own short film (Saz and Khurshid). Johnny, played by Stephen Dorff, leaves the Ferrari on the side of the road and goes alone on the horizon. This is an amazing ending. The film only moves the camera when it is necessary and in line with the structure and content of the film, and this shows the awareness of the director. The film presents a paradox in the world of cinema. Johnny is a depressed, aimless, unmotivated and failed person from the inside and the reality of his life, while he is a prominent actor in the world of cinema and is glamorous.