Better Man

I wasn't sure what to expect from this movie but went with an open mind. I'm not a massive RW fan but like his music and was intrigued by the premise of Robbie Williams being portrayed as an ape in a film about his life story - er, excuse me?

As a result, you know this won't be a conventional biopic but you soon get used to Robbie the ape and the story moves along in fairly chronological order telling you key moments in his life. The movie is visually spectacular in places and the special effects are very good. The telling of the story gives added poignancy to some of his song lyrics and the music is used to good effect throughout (I left the cinema with some of the songs stuck in my head).

You don't have to be a big Robbie Williams fan to enjoy the film but if you don't like his music, or him as a person, this film is probably unlikely to win you over. The only criticisms I'd make is the amount of swearing in a movie that's rated 15 - it seemed a bit unnecessary and the story lags in a few places. Other than that, it's surprisingly good.

Better Man is how biopics should be told if their subject is still around as it tells Robbie Williams story from his perspective in every aspect, from his own narration infused with boat loads of northern charm to the biggest swing it takes in the form of the CGI ape taking centre stage as a perfect metaphor for the way he sees himself. It's refreshingly honest and deeply personal with big Rocketman vibes and a high energy it sustains from the moment it arrives.

This is a story about the perils of being addicted to the spotlight and the emotion that comes attached to it is only enhanced by the performance capture and visual effects employed to bring this less evolved Robbie Williams to life. It's not like most other lead performances in biopics since Williams himself is present in the narration and songs, so it becomes a case of his work and Jonno Davies' seamless performance moving as one.

Michael Gracey's direction confirms that he's got a gift for directing musicals by making them as visually dynamic as possible. The musical numbers are so inventive and do some truly insane things that work beautifully because of how they help to tell the story and communicate everything Robbie is struggling with as it goes along. There's a lot of speedy transitions contained in them as well which really helps to maintain the energy.

There's something about the use of the monkey to characterise Robbie Williams that makes this quite a visceral watch at times. The film tells the story of the fairly turbulent rise of this "Take That" singer from boyhood exponent of Gilbert and Sullivan to a man on the right end of an £80 millions record deal. His dad (Steve Pemberton) went off to a football match whilst he was a child and never came back, and that left him with his mum "Janet" (Kate Mulvany) and adoring nan (Alison Steadman) living a pretty much hand to mouth existence and leaving him with a pretty solid foundation for his later emotional and trust issues. Unless you've lived on the moon these last twenty years, then you'll know much of what happens next. What does make this stand out a little more is the fact that Williams himself is behind the project and is in no way afraid to portray himself as a complete ass. His drink, drugs, tantrums and generally spoilt brattishness are laid bare with little, if any, attempt to sanitise. In some ways it reminded me of the recent "Amy" biopic and came hot on the heels of a recent viewing of "Easter Parade" (1948) with both serving, for completely different reasons, to augment the thrust of this story of a person who attained great stardom, success and wealth - and ultimately ended up with addictions galore and few, real, friends amidst a sea of hangers-on and parasites all too eager to selfishly cash in on the fame of a lad who started aged just fifteen. Of course it's not exactly balanced, and I'm sure the gospel according to Robbie might not be quite how others see their own behaviour (or his) but there is an honesty to this that brings home just how ruthless the music business is and at just how fickle fame can be when those we idolise lose their lustre. It doesn't do it any harm that many of his solo songs work well through big screen audio with some classy string arrangements and powerful vocals to remind us that, unlike many of the largely forgotten "Take That" singles, his music - especially the stuff he made with Guy Chambers - is the stuff we will really long remember. It's not for the faint hearted, but still well worth a watch.

This year, I've watched some pretty intense movies, but one that really hit me hard emotionally is about an ape? Well, it's actually about Robbie Williams, who's humorously called himself a "performing monkey" in interviews, saying he feels "a little less evolved" than others. The film dives into his rise to fame as the youngest and most audacious member of Take That, showcasing his wild antics and well-known struggles with drugs and partying.

"Better Man" explores the huge gap between how the public views the pop star and how he sees himself, highlighting how his inner battles often overshadow the success he fought so hard to achieve.

Directed by Michael Gracey, who also brought us "The Greatest Showman," this film features one of my all-time favorite songs: I DID IT MY WAY! You won't find another music biopic like "Better Man," no matter how much you know about Robbie. It's incredibly personal!

After experiencing this incredible film, Robbie Williams has truly earned the title of THE LEGEND, whether as an ape or as a human!

I think how you view this film might depend on whether you have a bit of empathy or familiarity towards Robbie Williams, or at least like his music. If you don't have that empathy, or familiarity with his tunes/background, then this is more a saga about what the music scene, some years ago (and maybe now?) can do to an individual.

On the other hand, you could also view this as one "oh dear, look at me and how hard I found fame, given my tough background" self indulgent mea culpa.

I have to say, though, I enjoyed it. I think I must be on the empathetic, like the music side of things.

The idea of having a CGI monkey is excellent, if Robbie, or a look alike (maybe it is one) had starred, it would have felt far more self indulgent. As it was, it was watchable, well written and directed.

The film was, however too long (by about 15-20 mins), the middle too repetitive, and the ending too schmalzy. Still, the music is good and, generally not overdone (I hate musicals).

Worth a watch.