Better Man

Better Man (2024) is a movie I first heard about from Fantastic Fest back in September and I thought that this was the most ridiculous thing I've heard about all year long. Then I watched the movie and it kicked a lot of ass.

Positives for Better Man (2024): Now on paper, this is a movie that shouldn't have worked for me and somehow the filmmakers actually got me to care about the story of Robbie Williams as a CGI ape via Planet of the Apes. Yes, I know it sounds like I made that stuff up, but I swear that this is a real movie. There are moments where I cared about what was happening in the story. I also have to give props to the filmmakers for making this a fantasy musical because as wacky as the movie is, everything about it worked for me. And finally, this movie is a perfect example of how to take a ridiculous premise for any movie and actually get audiences to care about the story and the characters.

Overall, Better Man (2024) is one of the biggest surprise for in 2024 and I am so happy that I love this movie. This is one of the movies that I will be recommending to people the most.

"Better Man" is a surprising flick.

Not because of the monkey, the effect of that gimmick wears off pretty quickly. Although it is surprising how fast I became accustomed to the singing chimpanzee and how invested and heartened I got by the story.

But even though all of that is true, the main motive for my astoundment was how honest the movie was.

"Better Man" gives us a very raw look into Robbie Williams life, flaws and all. Actually, his flaws are what's under the spotlight. Even the choice of representing himself as an ape reflects that. At the beginning of the movie, Robbie's voice-over explains to us that we are about to see how he sees himself.

William's suffered from eating disorders, self-image problems and a multitude of mental health and drug related issues. "Better Man" doesn't shy away from the various factors that forged this hellish psychological landscape and offers us interesting insight into the life and mind of an artist that, on top of all that, also suffered from "fame".

Despite this, I found the movie to be an assault on the senses. It's too much all the time, with brief moments of rest inbetween. After the story picks momentum, it doesn't stop. Conversations mend with narration. Each event unravels into the next. An emotional moment turns into song and it never lets up. At 2 hours and 15 minutes runtime, it's a very tiring ordeal. Nonetheless, it's narratively cohesive and it makes sense to be like this. It even makes sense that the film offers us zero introspection. It's all a fitting portrayal of the person it aims to represent on-screen and consistent with its objective of entertaining audiences. It's just a shame it didn't reach one.

I've never felt moved enough by a film before to feel the need to write a review - I haven't laughed and cried so much in the cinema for a very long time I've never been a massive Robbie Williams/Take that fan - so this is not a super fan review This film was a first hand gut wrenching look at how awful fame can be in all its inglorious brutal reality.

In a year of lacklustre disappointing cinema this was a shining light of entertainment - with some excellent story telling, singing and dance routines (and an all too real glimpse into the lives of Robbie and his family).

Watching the main themes of abandonment, alcoholism, addiction, helplessness & forgiveness play out in this story was exceptionally moving and a biopic to be remembered and revered.

An absolutely unhinged, emotional, and impactful cinematic achievement. The visual creativity shines through with the hardcore drug-induced sequences having a touch of a fantasy element while unapologetically exploring the mental health of Williams.

It offers something new and refreshing, giving audiences a different perspective on this whole biopic formula. It becomes very bleak and explicit, not afraid from showing the reality of fame, parental abandonment, depression, addiction and self-harm.

You're probably thinking it's just another biopic, why even bother, they all have the same cliches-but everything depicted actually happened to Williams, so you can't compare it to other films that make stuff up to enhance the story dramatically. He went through EVERYTHING. He even described the whole viewing experience as the equivalent of "going to therapy."

Although there are familiar tropes, it dives deeper into the thematic material more than you'd expect and has the balls to do what other biopics can't.

The biggest controversy surrounding the film was the CGI monkey, but its presence feels so seamlessly integrated that you hardly give it a second thought.

This is the first and last time we will ever get something like this so enjoy it while it lasts. Extremely experimental yet so captivating with many moments which hit you hard in many ways.

People online who don't know who Robbie Williams is are saying "oh, he did the Finding Nemo and Cars 2 credits songs and made a 5 second TikTok song, why does this random British musician who hasn't been popular since the 2000's need some biopic?". Every single comment section for a promotional video for this film includes a comment similar to that where I just get furious. America isn't the only country in the world. Honestly, most of us didn't know what Hamilton was until it went on Disney+.

Robbie Williams' lyrics have mentally pushed me through the last few months. He knows what people are going through and isn't afraid to acknowledge the silence in our lives. Specifically Come Undone, Feel, and Something Beautiful, are the ones that define me. These songs have been out forever, and I'm so glad that younger audiences, like myself, who go out to see this, can discover such material.

This ain't no normal biopic. Go see it and give it a chance. You will not regret it, trust me. Maybe you weren't expecting to see it, but surprises like going out to watch it can have such an impact, more than you know-just like it did on me. I wasn't keen on seeing this. Not at all. Little did I know, it changed me to become a better man.

Never a big fan of Robbie Williams, but I am the right age to have seen most of the public events of the film unfold and I did really end up enjoying this film.

From an early age, Robbie Williams (Jonno Davies) is told two conflicting ideas. His father Peter (Steve Pemberton) is a small-time singer and comedian and tells him that you have to be a star, or you're nothing. And also, by guidance councillors and bullies, that he has no talent and won't amount to anything. He takes his desire to show off and auditions for a new boyband being put together in Manchester. Take That become a nationwide phenomenon, and whilst it's not professionally satisfying for Williams, it does give him money, booze, girls and drugs. When the excesses become unmanageable, he's asked to leave the band and decides to become a solo artist and though success arrives there too, his demons are never too far behind.

It's hard not to start by talking about the films U. S. P - that throughout the story, Williams is played by a CGI chimpanzee. I thought this ended up really working in the films favour, as it allows for versions of the character to be extra vulnerable, cheeky and, in particular, scary as the film goes on. The CGI work is really well done too, maybe because there's always a sheen of otherworldliness to it anyway. If you're concern was that the monkey might infantilise the rest of the film, he does not. There is copious amounts of sex and drugs and perhaps the most prolific usage of "the C word" I've enjoyed in a film for a while.

Away from that it's what is perhaps a fairly common musical biopic, success leads to temptations, leads to problems and ultimately a redemption. It's a fairly clear theme of the film that Williams was going to live this sort of life of excess regardless of what he did for a living, it's just that the musical success gave it to him earlier and to a scale he couldn't have possibly imagined.

There are some excellent performances from humans in the film too, particularly Alison Steadman, as his doting grandmother and Steve Pemberton, as the father whose career, and early departure from the family home have a massive effect on his life.

I enjoyed it. I thought it was funny and well made and the choreography on the dance numbers are excellent.