Shadow

I was compelled to write a review after seeing some negative reviews. A lot of the other reviewers were expecting some kind of Italian horror like argento etc. When they didn't get what they expected they wrote a bad review.

I cant stand those geeky Italian horrors from film makers like argento so my views are not tainted by it! just because the directer is Italian doesn't mean its going to be similar to those films dur.

This film was nicely filmed in beautiful locations with some smooth editing and quality camera work. I was interested from start to finish in what was happening. For those reviewers who said the film was mixed up obviously didn't get what it was all about. I wont ruin it by telling you.

There was some gruesome imaginative torture porn for those of that are into that sort of thing but what kept me interested was the creepy atmosphere and how invested i was in the characters struggle from the start of the film right through to the end.

In summary really not bad for a lower budget film, a directer who knows how to capture the moment and not give us enough time to question what just happened before the next drama ensues! This is something Hollywood fails with again and again with every genre so i gave it an 8 / 10

I certainly don't intend to say that "Shadow" is a bad film, and I don't even want to discourage anyone from watching it; the only thing that is simply undeniable is that it contributes almost nothing to the horror genre. The story, written by director Frederico Zampaglione , shamelessly cashes in on the biggest and most profitable horror trends of the new millennium, namely vicious torture porn situations (eerie devices in dark and sinister cellars) and silent & nameless creeps that mercilessly ambush ignorant tourists to feast their perverted torture fetishes upon. During "Shadow", I spotted elements and ideas that were previously used in films such as "Saw", "Hostel", "Frontière(s)", "Blood Trails", "Timber Falls" and possibly a few other titles I already forgot about. Relieved that he's finally back from serving in the Iraq war, avid bike rider David goes on an adventurous trip that was recommended to him by a friend. The area, known as "The Shadow", is breath-taking and David even meets the girl of his dream. She's a French beauty called Angelique and she's also obsessed with bike riding; what are the odds on that? Their freshly found happiness rudely gets interrupted when they run into a couple of redneck hunters and are forced to abandon their bikes to hide into the thick woods. Little does David know that this only the beginning of the nightmare, as the Shadow also homes a cruel and psychopathic creep who likes to torture people. The thing that surprised (or is it annoyed?) me the most is the severe lack of sick and nasty violence depicted on screen. All the shocking stuff, as well as most of the killings, occurs off-screen, which is quite unusual for a torture porn flick. The movie does manage to be reasonably suspenseful, especially because David and Angelique are nice and amiable persons, whereas the hunters are loathsome bastards, so during the cat-and- mouse games you automatically cheer for the biker couple. Experienced horror fans can also entertain themselves by spotting all the clichés, for example the soldier flashbacks or the "decorations" inside the maniac's lair. The whole ending is sort of like a mixed bag. I certainly admire Zampaglione's courage and ambition to try something completely different, but the result is principally unsatisfying and leaves quite a lot of questions unanswered. At least you cannot claim that the climax is obvious or even remotely predictable, so that's already an accomplishment on itself. Still, considering we're already in familiar terrain, I personally would have preferred more gore and bloodshed rather than a surreal twist- ending.

When a young soldier leaves for a mountain biking excursion he meets the girl of his dreams as well a group of violent locals who want to see them dead at any cost.

What really attracted me to this film was seeing Fabrizio Bava as assistant director. Bava, as you may guess, is the son of Lamberto Bava and the grandson of Mario Bava. To see a third generation of horror films directed by the Bava clan is quite a treat. Not saying this is a great film (it really is just so-so), but I am still happy to see the tradition continue.

The best part of this film is the villain, a toad-licking Lord Voldemort. He looks as if Doug Jones played Buffalo Bill playing Ingmar Bergman's Death. Throw some Nazi symbolism in there for good measure. A great villain, both creepy and mysterious, not to mention senselessly vicious.

The sad thing is that while the film is alright once it gets going, it just cannot keep the momentum. As always, I cannot talk about spoilers, but I will say the twist and I did not get along. Maybe you will be thrilled. I was let down.

If you liked Wolf Creek, then this funny little movie (and it is short for a movie) will probably please. It manages to remain serious enough throughout to genuinely scare, although at the beginning, to my mind, there is a slight caricature issue. I may be wrong about that, as this is an American movie made by Italians, so I'm not sure what was the intended audience. There is some beautiful forest to be ridden through, though the cameras used could have had better colour, and there was no artistic cinematography which would have been nice, although the shots of the deer were OK. Is it scary though? The first half is action, light on the dread, the second half is dripping with dread, and light on the action. It is frightening, absolutely, but I feel, in my humble opinion, that there was much more scope to develop more creepiness and tension, and I certainly wouldn't have minded the movie going a bit longer so as to enjoy that. It's like a painting that's only 80% and needs some art direction in any case. Shadow has great ideas that are slightly undernourished. Similarly the soundtrack was really original and modern, until the final frantic stages leading to the credits, when it devolved into something off-kilter and slightly distracting. Again, an unfinished painting. The flashbacks needed work, I thought, and to be more convincing. OK, I'm being really picky. Basically, Shadow is a good horror movie with plenty of skin to crawl and seat to edge onto, with excellent acting, good looking leads, and a profoundly devilish evil that's worthy of a minor award. Yea!

I was sort of iffy about watching this due to the rating and such and I try not to watch trailers or read reviews so I don't get my hopes up but decided to watch the trailer and was surprised. The beginning of the movie is slow but is done excellently. The story line was a great idea and was also done great. The kill scenes were not gory or gruesome but I let it slide. I for once didn't expect the ending or the killer in a foreign horror movie and was glad I didn't. To cut it short this was a great way to spend some time and I would love to watch it again. I give "Shadow" an 8 out of 10.

~Joe