Kimi

Provocative, incredibly entertaining and stupidly efficient, Soderbergh does the best with a very simple story and concept. I love his experimental vein and, here again, the director shows that he doesn't have any problem in innovating, using different techniques.

One of the biggest pros of Kimi is that it's not afraid to feels small. It IS a small thriller. The main concept is familiar and it can be really predictable at times. It's also not afraid to feels like a TV movie sometimes, using some filming techniques that we are not used to see in cinema big productions. But Kimi is also a film with a big heart, with a very good interpretation from Zoë Kravitz and also with time for a cool, exciting and funny third act.

It doesn't develop a lot of things, but man...I even loved all the chaotic shaky camera illustrating what Angela was feeling but also what every one of us felt during COVID times. A big yes from me.

A less than 90 minute taut, exciting thriller from Steven Soderbergh. A perfect example of a film being effective with less is more.

No idea why this film isn't getting more credit. It's rare to find films with a small cast and single location done so well. More exciting than most films that cost millions of dollars more.

This was an entertaining hour and a half but its was missing something. There are some interesting characters, a nice enough plot line, a decent character reveal and an entertaining conclusion. Unfortunately, it felt a touch glossed over, simplified. A touch more complexity, a bit more depth would have made this something special. As it was, it's still worth a watch, but it won't wow you.

Kimi is a computer assistant similar to Alexa. Angela Childs (Zoë Kravitz) works for the company to monitor individual Kimi recordings. With her agoraphobia, she is unable to go out like going to the dentist for needed dental work. She thinks that she has discovered a crime in one of the recordings.

Director Steven Soderbergh delivers a well-made film. For the first half, I thought this was Soderbergh doing COVID filming with Kravitz doing mostly solo scenes. I wouldn't mind that. I appreciate somebody making it work and it fits the character. That's why I don't like the office section. It doesn't fit the character. She should try to go out and fail. It heightens her vulnerability if she can't leave. This could have been Soderbergh's Rear Window. As it stands, the start is a bit slow but it's a fine thriller.

There was a lot more filler than there was substance, and although slow paced, thankfully, the 89 min runtime flew by. Sadly though, this predictable thriller was pretty much thrill-less. Zoe Kravitz's performance was spot on, but that's pretty much it. Even the gangster types were pretty lame and boring. Nevertheless, a decent one time watch. It's a generous 6/10 from me. Kimi, post this review.