Dopo un affare di droga andato male, un detective ferito deve farsi strada attraverso un mondo criminale per salvare il figlio di un politico.Dopo un affare di droga andato male, un detective ferito deve farsi strada attraverso un mondo criminale per salvare il figlio di un politico.Dopo un affare di droga andato male, un detective ferito deve farsi strada attraverso un mondo criminale per salvare il figlio di un politico.
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I really like Tom Hardy and Timothy Olyphant - both are incredible actors. But man, what a waste.
The cinematography was a complete disaster. Who at Netflix actually approved this? The camera work was all over the place, and that weird Sin City knockoff CGI style made it even worse. It was distracting, not stylish.
At times, it almost gave me Die Hard vibes - just a little. But without the sharp wit or the comedic relief that made Die Hard a classic, it ended up feeling hollow.
Seriously, with this kind of budget and cast, they had all the ingredients for something great. Instead, they threw it away on cheap visual gimmicks and chaotic direction.
What a waste of production. They really need to stop burning money and start making films that actually make people go, "Wahhh!" - not "What the hell was that?"
The cinematography was a complete disaster. Who at Netflix actually approved this? The camera work was all over the place, and that weird Sin City knockoff CGI style made it even worse. It was distracting, not stylish.
At times, it almost gave me Die Hard vibes - just a little. But without the sharp wit or the comedic relief that made Die Hard a classic, it ended up feeling hollow.
Seriously, with this kind of budget and cast, they had all the ingredients for something great. Instead, they threw it away on cheap visual gimmicks and chaotic direction.
What a waste of production. They really need to stop burning money and start making films that actually make people go, "Wahhh!" - not "What the hell was that?"
I went into Havoc with some hope, but honestly, it was a huge disappointment. Right from the opening chase scene, I could barely keep watching. The camera work was absolutely terrible, with constant, aggressive shaking that made it nearly impossible to tell what was happening. It felt like they thought shaking the camera = intensity, but it just made everything look messy and annoying.
The lighting was awful too, CGI was shockingly bad. Most of the city night sequences looked like cheap video game cutscenes rather than a real movie. At times I honestly forgot I was watching a film and not some low budget game from a decade ago.
After the opening chase, I seriously considered turning it off. It felt like a bad video game come to life - unpolished, incoherent, and completely lacking any real atmosphere or tension even the car physics looked so bad and video game likish
Disappointing is an understatement.
The lighting was awful too, CGI was shockingly bad. Most of the city night sequences looked like cheap video game cutscenes rather than a real movie. At times I honestly forgot I was watching a film and not some low budget game from a decade ago.
After the opening chase, I seriously considered turning it off. It felt like a bad video game come to life - unpolished, incoherent, and completely lacking any real atmosphere or tension even the car physics looked so bad and video game likish
Disappointing is an understatement.
Shooting is cartoony, characters miss a whole lot but fire a lot of bullets with almost no precision, combat is visceral, satisfying and gory and in style of the director, very similar in the way it was shot to the legendary The Raid, camera follows the action closely but as the action itself is hectic so is the camera so a lot of the scenes move really fast and have quick cuts in between action pieces.
Story is predictable and you start to understand the whole narrative in the first 30 mins and characters are too one dimensional to even slightly care about them.
Tom Hardy gives a slightly better performance here than he did in Venom, his character is gruff, gritty and jaded and he manages to somewhat sell it, but he shines in his fight choreography which is simply put glorious and over the top.
Gun violence on the other hand seems too gratuitous, characters suffer multiple injuries yet somehow are still left standing and are able to one shot someone else. Precision is completely thrown out the window in some segments of the movie, in one scene a character is shot through a car window with a shotgun blast that barely scratches him and in the next a character riding a train is shot down multiples times from a big distance with a pistol.
The entirety of the traffic in the movie is for some reason almost completely computer generated, cars move unrealistically and really look out of place, ruining the immersion and making the whole viewing experience seem really cheap. Pistols sound epic but not in a realistic way as every pistol fired sounds like a cannon being shot and a lot of pistols in the movie seem to have rapid fire capabilities in one scene then suddenly becoming single shot in the next. Submachine guns firing sounds like miniguns.
You really have to suspend your disbelief when watching this movie as it's so hilariously unrealistic.
Story is predictable and you start to understand the whole narrative in the first 30 mins and characters are too one dimensional to even slightly care about them.
Tom Hardy gives a slightly better performance here than he did in Venom, his character is gruff, gritty and jaded and he manages to somewhat sell it, but he shines in his fight choreography which is simply put glorious and over the top.
Gun violence on the other hand seems too gratuitous, characters suffer multiple injuries yet somehow are still left standing and are able to one shot someone else. Precision is completely thrown out the window in some segments of the movie, in one scene a character is shot through a car window with a shotgun blast that barely scratches him and in the next a character riding a train is shot down multiples times from a big distance with a pistol.
The entirety of the traffic in the movie is for some reason almost completely computer generated, cars move unrealistically and really look out of place, ruining the immersion and making the whole viewing experience seem really cheap. Pistols sound epic but not in a realistic way as every pistol fired sounds like a cannon being shot and a lot of pistols in the movie seem to have rapid fire capabilities in one scene then suddenly becoming single shot in the next. Submachine guns firing sounds like miniguns.
You really have to suspend your disbelief when watching this movie as it's so hilariously unrealistic.
I was waiting for this movie to be released for as long as it has been announced, and now that the wait is finally over - it's definitely disappointing.
Clearly something must have happened to the original execution of this movie. It was quietly delayed for years and was released on streaming just as quietly. It's certainly no "Raid", it's more like a tired Jason Statham type movie. Some of the things in it are plain bizzare, such as the setting. This feels like Gotham or some alternative version of RoboCop's Detroit. The CGI is awful, it's so weird it us even present here in such copious amounts considering what the director is known for. The story is simple, yet indescribably odd. The lighting is also a weak point of this movie. The casting is superb and some of the fights are fine, but again, coming from Gareth Evans it's a bare minimum of what you'd expect. This isn't a terrible movie by any stretch and you can enjoy it for what it turned out to be, but you have to keep your expectations surprisingly low.
The highlight of the movie is probably the club fight with Gesaffelstein blasting, but that's as good as it gets. Overall, pretty passable.
Clearly something must have happened to the original execution of this movie. It was quietly delayed for years and was released on streaming just as quietly. It's certainly no "Raid", it's more like a tired Jason Statham type movie. Some of the things in it are plain bizzare, such as the setting. This feels like Gotham or some alternative version of RoboCop's Detroit. The CGI is awful, it's so weird it us even present here in such copious amounts considering what the director is known for. The story is simple, yet indescribably odd. The lighting is also a weak point of this movie. The casting is superb and some of the fights are fine, but again, coming from Gareth Evans it's a bare minimum of what you'd expect. This isn't a terrible movie by any stretch and you can enjoy it for what it turned out to be, but you have to keep your expectations surprisingly low.
The highlight of the movie is probably the club fight with Gesaffelstein blasting, but that's as good as it gets. Overall, pretty passable.
Do you like non-stop gunfire for two hours with no plot or interesting characters? Then you'll love Havoc!
The camera angles are strange, either shaking or swerving violently, or moving to unusual angles such as from underneath, for no apparent reason.
There's more gore than a horror film such as metal hooks ripping open flesh on a face, for absolutely no reason as it's a gunfight.
Every line in the movie has swearing. I don't care about contextual language but it was like they told the AI writer to include it just for the sake of it, even when it doesn't sound natural or make sense!
The nightclub scene was the only part worth watching due to the martial arts set to thumping music, but avoid the rest.
The camera angles are strange, either shaking or swerving violently, or moving to unusual angles such as from underneath, for no apparent reason.
There's more gore than a horror film such as metal hooks ripping open flesh on a face, for absolutely no reason as it's a gunfight.
Every line in the movie has swearing. I don't care about contextual language but it was like they told the AI writer to include it just for the sake of it, even when it doesn't sound natural or make sense!
The nightclub scene was the only part worth watching due to the martial arts set to thumping music, but avoid the rest.
Tom Hardy Through the Years
Tom Hardy Through the Years
From his early appearances in "Band of Brothers" and memorable roles in Inception and The Dark Knight Rises to his latest work in "MobLand," look back at Tom Hardy's impressive career.
Lo sapevi?
- QuizCardiff Bay streets were transformed to resemble snowy American cityscapes for the production.
- BlooperThe characters use firearms that seemingly have unlimited ammunition, firing hundreds of rounds, even from handguns, without ever reloading.
- Citazioni
Lawrence Beaumont: Get him back.
Walker: And I never see your fuckin' face again?
Lawrence Beaumont: You heard me.
- ConnessioniReferenced in Film Junk Podcast: Episode 990: Sinners (2025)
- Colonne sonoreThe Mysterious Hiace
Written by The Low Mays & Bakerie
Performed by The Low Mays & Bakerie
Courtesy of CWA Records Limited
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Dettagli
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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