Stalker

The 1976 film 'Trauma,' also known as 'Exposé,' was "nasty" in legal terms and certainly in terms of its violent content, but well made and enjoyable such as it was. Modern remakes of older genre flicks are always dicey in one way or another (most often by needlessly being bloodier, or simply More), but to revisit a concept doesn't mean new renditions can't be worthwhile on their own merits. I think there are some promising aspects of 2010's 'Stalker' - but on the other hand, it also begins to form an impression rather quickly, and I can't say it's a good one. I had mixed expectations in the first place, and regrettably I think those were pretty spot on.

There's little need for comparison, except perhaps to note that for however harsh 'Trauma' got at any point, the plot progressed with natural fluidity. That is absolutely not the case here. There's nothing inherently wrong with starting out with the same root premise (an author with writer's block, a tumultuous relationship with a personal assistant), then taking the story in other directions; there's nothing inherently wrong with fashioning additional narrative elements beyond the core. There are some good ideas in the screenplay. But as the director overseeing the production, Martin Kemp approaches the material with astonishingly blunt, heavy-handed, club-footed indelicacy, and this is reflected in most every element. The plot development here is curt, blocky, and unconvincing - so bare-faced that we can easily predict the outcome before there's any sort of reveal. There's not a trace of nuance in any of the performances, and as a result chief stars Anna Brecon and Jane March become sad points of aggravation. We're treated to a few would-be "gotcha!" moments or jump scares in early scenes for no reason, a tack which is subsequently dropped.

I actually quite like the notions that are put into 'Stalker,' flavors that lightly recall yet certainly diverge from antecedent 'Trauma.' I love psychological horror; it's one of my favorite genres. It is also, however, a genre that emphatically requires finesse, and without it the resulting picture all but falls apart and becomes boring. Even more to the point, any story that culminates with a "twist" needs to keep the truth hidden away until a singular precise moment, or at least dole out only miniscule kernels for the attentive spectator to pick up on. Here the lack of subtlety is so prominent and glaring that there effectively is no twist, and what we're left with comes off as merely a hollow trope.

It didn't need to be like this; 'Stalker' could have been a good movie. It's not just Kemp's direction, though, because even the screenplay as written would have needed significant rewrites to paint over the neon lights that inform the predictability. I hoped to enjoy this, but I really can't say that I did. Whether you're a fan of someone involved, of the 1976 film with Udo Kier and Linda Hayden, or just a cinephile generally, there's no real need to check this out. I wish all on hand the best of success, and hope lessons have been learned from the mistakes, but as it stands 2010's 'Stalker' is just a big lump of coal.

Not to be confused with the 1970s Soviet film where three men wander off in to the Russian wilderness and do absolutely nothing for four hours STALKER is no less unentertaining . Based upon a British horror movie from 35 years earlier whose only claim to fame it was banned by the BBFC . It features a plot about a female writer working on her second novel but instead of getting on with the task of writing a book she sits in the garden , sips a glass of wine , has a bath , lies in bed and does a hundred other mundane things , none of which involve typing stuff up on a lap top . There might be something about to happen because creepy music plays out on the soundtrack . Ms Writer sits down in a chair , creepy music . Ms Writer stares at a computer , creepy music . Ms Writer brushes her teeth , creepy music . In fact no matter what happens creepy music is the star of the movie . Considering the director of STALKER is Martin Kemp the talented pretty boy from Spandau Ballet this might be the reason for it

STALKER is the Martin Kemp-directed remake of the notorious video nasty THE HOUSE ON STRAW HILL, a sordid tale of depravity and murder that came out in the mid-'70s. Thankfully enough has been changed in this story to make it an effective shocker in its own right, one that even fans of the original film will find has surprises in store.

Truth be told, I quite liked this movie. It's no classic but it is a solid little thriller and, given it's a low budget British B-movie, the quality is a lot better than you'd expect. The dull Anna Brecon stars as a mousy writer who goes off to live in a remote country cottage to work on her new novel, only to fall foul of a psychopath.

STALKER benefits from effective direction, some shocking moments of violence, and decent performances from the supporting cast. Best of all is Jane March (COLOUR OF NIGHT) playing the secretary and having a ball with the role. Dependable character actors like Billy Murray and Colin Salmon turn up and are most welcome, and there's even a minor part for Linda Hayden, who of course starred in the original film. STALKER is a film that kept me interested throughout, and that's a rare enough thing for a low budget film these days.

One reviewer claims this isn't a horror film then seeks to justify that comment by saying there's very little gore. Dear me, when did good horror require gore? If done with a bit of style, atmosphere, decent acting and a proper understanding of and respect for the genre, then it's not needed at all. The interesting thing is that the writer and director is none other than Martin Kemp. The man has gone from child actor to pop start to cinematic gangster to soap star to music revivalist to screenwriter and director...and like everything else he's done, he's been successful! Interesting too that he would know much about the infamous Hose on Straw Hill/Expose film of the mid-70s. Perhaps other reviewers would question that films horror veracity too? Here Kemp remakes with a considerable twist (albeit a somewhat clichéd one) and even brings back Linda Hayden who played a younger, saucier character back in the day. From the original film to Hammer Dracula to the awesome 'Blood On Satan's Claw', Linda is always a welcome contributor. Convincing performances from Jane March and Billy 'The Bill' Murray also help and it's mice to see the excellent Colin Salmon, though he seems less comfortable. In short, a psycho thriller type horror film that isn't particularly original but successfully evokes the feel of mid-70s independent British horror. I hope that Kemp makes more of these.

First of all everyone should know this is not anything even close to what you would expect from a film named "Stalker". It involves a writer under pressure for her second book, her first was a #1 Bestseller so people were eager to see what's next. The author, rumored to have had a recent breakdown, has also had a very tragic childhood. We are given flashbacks from what appears to be her childhood but it all doesn't make full sense until near end. It is a short film at around 70 minutes and I was getting kind of bored around mid point, but then the unveiling of the classic twist which we have seen many times before. So all in all it was a decent effort but was nothing to run out & try to track down or pay to view for that matter. It was an average movie & I had no problem spending some time watching it. I'm not really sure how to rate it mainly due to it's lack of originality. I'll say 5-6/10. However this is not a horror movie at all it has been MISLABELED there is very little gore & very very little tension till the final minutes. So if you're looking for that as I was, you will be sadly disappointed.