VALUTAZIONE IMDb
4,6/10
1599
LA TUA VALUTAZIONE
Quando una compositrice viene incaricata di terminare il concerto del suo defunto mentore, scopre presto che suonare la sua musica provoca conseguenze mortali e che le inquietanti origini de... Leggi tuttoQuando una compositrice viene incaricata di terminare il concerto del suo defunto mentore, scopre presto che suonare la sua musica provoca conseguenze mortali e che le inquietanti origini della melodia risvegliano un male nascosto.Quando una compositrice viene incaricata di terminare il concerto del suo defunto mentore, scopre presto che suonare la sua musica provoca conseguenze mortali e che le inquietanti origini della melodia risvegliano un male nascosto.
- Premi
- 3 vittorie e 2 candidature totali
Recensioni in evidenza
This film promises an intriguing blend of horror and music but fails to strike the right chords to create a memorable melody. Directed by Erlingur Thoroddsen, this adaptation of the German legend of the Pied Piper of Hamelin gets lost in predictable passages and clichés, missing the opportunity to build true tension and emotional engagement. At the heart of the story is Melanie, a young composer played by Charlotte Hope, who strives to fulfil her dream in the orchestral world while worrying about her deaf daughter, Zoe. However, when Melanie stumbles upon a mysterious score from a deceased colleague, a chain of dark events unfolds, jeopardising not only her career but also her daughter's life. One of the main challenges of the film is its predictability. From the opening scenes, the direction in which the plot is heading becomes apparent, depriving audiences of the suspense and unexpected twists that characterise great horror works. The dynamics of the characters, though well-performed by actors like Julian Sands and Charlotte Hope, fail to lift the film from its conventional plotlines. Moreover, despite the title suggesting a strong connection between music and horror, this synergy is not fully utilised. While Christopher Young's soundtrack is well-executed and contributes to creating a tense atmosphere, the deep and sinister link between music and evil that could have elevated the film to new heights of terror is missing. Another critical point is the lack of development of the proposed themes. Although the concept of using music as a vehicle for forbidden ideas is intriguing, the film fails to fully explore this possibility, limiting itself to superficial hints that are never fully realised. However, not all is lost in "The Piper". Some visual sequences are well-crafted, with cinematography that creates a dark and unsettling atmosphere. In particular, the design of the Piper himself is fairly successful, although his on-screen moments are too limited to fully appreciate the impact. "The Piper" is a film that promises much but delivers little. While it has some positive elements, such as the performances of the actors and the visual atmosphere, it fails to overcome its fundamental flaws: a predictable plot, underdeveloped characters, and a superficial use of the proposed themes. For more discerning horror enthusiasts, it may be a disappointment.
I didn't think too much about watching this one especially after I saw the late great Julian Sands name on the poster. It is a classic horror story with a twist and a few Lovecraftian overtones that will please the fans of the king of cosmic horror. The movie starts at a steady pace by laying down the story and various players, quite atmospheric at times and tries to keep the mystery in check for as long as possible. After a while, the plot becomes apparent but this does not hurt the pace and there are a few surprises in store. The ending was a bit too "happy" and convenient for its own good, but overall this was a good movie that tries to honor older horror movies while keeping in touch with the present. Not a masterpiece but a solid effort that makes up an entertaining watch for horror fans.
Julian sands did okay as the deranged composer but Charlotte Hope dropped the ball as a main actress... she was terrible. Her facial expressions and reactions were amateur at best. However her dialogue and improve was good... it's weird a potentially good actress who cannot act... maybe it's just the way it's written but they should've had a coach to walk her through her expressions. Even if they had to be as tedious as rehearsing each reaction immediately prior to filming the scene. So much potential and what's more is I just finished watching strangers chapter 1 which was picked up by lionsgate... that movie was actually worse than "The Piper" so with the right production this movie could've actually been a really good movie... I gave them a B for effort and potential but an F on execution and acting... concept was great but the casting was horrific and not in the great horror movie way.
While the film scores points with its music details, The Piper isn't more than just a generic horror film.
I've always appreciated a film that has a specific focus on something that's supposed to be a crucial part of the story. In this case, Piper does so with its music. The particular haunting composition at the center of it has an especially haunting and unnerving air to it. Unfortunately the rest of the soundtrack doesn't have that same quality to it. We're given a film where the main focus is actually its only strong point..... Those who know the story of the Pied Piper of Hamelin will at least appreciate that there's a mild nod to it, but it's such a mild part of the movie, replaced instead by a clunky subplot involving a big orchestral performance and some family struggle moments. There was potential for growth, but it was ultimately squandered by the generic and safe approach taken with telling the main story. Plus, a lack of actual character personality makes most of the movie proceed at a sluggish pace.
There's a heavy reliance on jumpscares that just doesn't translate well to the finished product, especially where there were opportunities for visual flair or a stylish means of incorporating the music more heavily into it. Those familiar with the usual tired techniques of cursed things films will find plenty of that here, as well as other bits of yawn-worthy cliche and gimmickry. While there were a few bits of intriguing cinematography, it isn't often enough to warrant proper recommendation..... Acting was also subpar, with Julian Sands being criminally underutilized in his role as conductor Gustafson. There isn't enough visible skill in the performances for anything noteworthy.
The Piper is yet another forgettable film. It's not worth watching, especially with how little it makes use of the music at the center of it.
I've always appreciated a film that has a specific focus on something that's supposed to be a crucial part of the story. In this case, Piper does so with its music. The particular haunting composition at the center of it has an especially haunting and unnerving air to it. Unfortunately the rest of the soundtrack doesn't have that same quality to it. We're given a film where the main focus is actually its only strong point..... Those who know the story of the Pied Piper of Hamelin will at least appreciate that there's a mild nod to it, but it's such a mild part of the movie, replaced instead by a clunky subplot involving a big orchestral performance and some family struggle moments. There was potential for growth, but it was ultimately squandered by the generic and safe approach taken with telling the main story. Plus, a lack of actual character personality makes most of the movie proceed at a sluggish pace.
There's a heavy reliance on jumpscares that just doesn't translate well to the finished product, especially where there were opportunities for visual flair or a stylish means of incorporating the music more heavily into it. Those familiar with the usual tired techniques of cursed things films will find plenty of that here, as well as other bits of yawn-worthy cliche and gimmickry. While there were a few bits of intriguing cinematography, it isn't often enough to warrant proper recommendation..... Acting was also subpar, with Julian Sands being criminally underutilized in his role as conductor Gustafson. There isn't enough visible skill in the performances for anything noteworthy.
The Piper is yet another forgettable film. It's not worth watching, especially with how little it makes use of the music at the center of it.
Now, I sat down to watch the 2023 horror movie "The Piper" solely because it was a horror movie that I hadn't already seen, much less actually being familiar with.
But what a surprise I was in for here, I didn't know that the movie was starring Julian Sands. So when he showed up on the screen, imagine my surprise to see my favorite actor popping up on the screen unbeknownst to me. And with "The Piper" being one of the last movies that he worked on before his disappearance and death, that just makes sitting through this 2023 movie from writer and director Erlingur Thoroddsen all the more special.
The narrative in the movie was okay. I mean, it wasn't a particularly overly scary storyline. But writer Erlingur Thoroddsen put together a fairly entertaining script for the movie, based on the classic tale "The Flautist of Hamelin", but of course in an updated and modern setting. The ending of the movie was, somewhat anti-climatic and felt rather rushed, and that sort of took away from the overall impression of "The Piper".
I wasn't familiar with the cast ensemble, aside from Julian Sands, but I will say that they had an interesting and talented cast ensemble for the various roles and characters in the movie. I had not stumbled upon Charlotte Hope before this movie, but she certainly carried the movie quite nicely with her performance.
Visually then "The Piper" was okay. It was not a movie that relied heavily on an abundance of special effects, which in itself was a good thing. But the special effects that were utilized in the movie worked out well enough, and certainly brought flavor to the overall impression of the movie. However, personally I wished that the Piper creature would have been given more on-screen time, because it was just a shame that it was hardly in the movie. But of course that is a matter of preference, whether or not you want an abundance of screen time for a creature in a movie or not; needless to say that I do enjoy that.
The music throughout the course of the movie was good. And the concerto music that the movie revolved around certainly was haunting and memorable.
I found that "The Piper" was a good attempt at recreating a take on the classic tale, however, the movie ended up being somewhat bland and rather forgettable.
My rating of "The Piper" lands on a five out of ten stars.
But what a surprise I was in for here, I didn't know that the movie was starring Julian Sands. So when he showed up on the screen, imagine my surprise to see my favorite actor popping up on the screen unbeknownst to me. And with "The Piper" being one of the last movies that he worked on before his disappearance and death, that just makes sitting through this 2023 movie from writer and director Erlingur Thoroddsen all the more special.
The narrative in the movie was okay. I mean, it wasn't a particularly overly scary storyline. But writer Erlingur Thoroddsen put together a fairly entertaining script for the movie, based on the classic tale "The Flautist of Hamelin", but of course in an updated and modern setting. The ending of the movie was, somewhat anti-climatic and felt rather rushed, and that sort of took away from the overall impression of "The Piper".
I wasn't familiar with the cast ensemble, aside from Julian Sands, but I will say that they had an interesting and talented cast ensemble for the various roles and characters in the movie. I had not stumbled upon Charlotte Hope before this movie, but she certainly carried the movie quite nicely with her performance.
Visually then "The Piper" was okay. It was not a movie that relied heavily on an abundance of special effects, which in itself was a good thing. But the special effects that were utilized in the movie worked out well enough, and certainly brought flavor to the overall impression of the movie. However, personally I wished that the Piper creature would have been given more on-screen time, because it was just a shame that it was hardly in the movie. But of course that is a matter of preference, whether or not you want an abundance of screen time for a creature in a movie or not; needless to say that I do enjoy that.
The music throughout the course of the movie was good. And the concerto music that the movie revolved around certainly was haunting and memorable.
I found that "The Piper" was a good attempt at recreating a take on the classic tale, however, the movie ended up being somewhat bland and rather forgettable.
My rating of "The Piper" lands on a five out of ten stars.
Lo sapevi?
- QuizOne of the last movies of Julian Sands prior to his disappearance on January 13, 2023, when he was hiking close to the Mount Baldy area of California's San Bernardino Mountains. A search and rescue expedition was unsuccessfully launched to find him, his corpse being found by chance five months later at Mount Baldy. The movie is dedicated to him with the line "To our master, Julian" before the end credits.
- Colonne sonoreBlue
written by Bjorn Thoroddsen
performed by Gammar
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Прокляття щуролова
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
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- Lordo in tutto il mondo
- 495.525 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Proporzioni
- 2.39 : 1
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