Le colline della morte

Do you remember, as a kid, watching stories of bravery and heroism set on a backdrop of war, and being fascinated by a kind of warfare you'd never even imagined before? Marveling at crafty allies and enemies alike pitting their wits as much as their weapons against each other to find each others weakness and foil the other's strategy? Well Beneath Hill 60 is just like that- an old fashioned no-nonsense look at a fascinating angle of WW1 never before properly explored- TUNNEL warfare. There are moments that leave you stunned to think of what dangers and precautions these men had to be ready for, above -and- below ground.

Make no mistake though, unlike the coming of age tale Gallipoli or the military court drama Breaker Morant, this really is, at long last, an Australian WAR film. And quite possibly it is the best from this country so far (though I'm still yet to see The Odd Angry Shot so jury's still out) and I would say one of the top ten WW1 films I've ever seen (and I've seen a LOT).

And it's all the more incredible because it's a true story. There was one moment which even almost made me tear up (unbelievable, right?) which I won't mention, suffice to say it involved a briefly shown, but dialogue-less revealing of just how much an experience had left a man broken and hollow.

If I absolutely HAD to find fault with the film, it would NOT be the flashbacks (you can't go round saying the characters were one dimensional and then say the background story was unimportant!) but perhaps the soundtrack. It knows what it's doing on the battlefield, but in the flashbacks is unsure of itself, sometimes getting all melodramatic like an excited child.

Really, that's it. The music seems slightly odd in one or two places. Everything else just WORKS. It's visually stunning, realistic, has great characters, action, suspense (and how!) and even humour. That's right, even in WW1 soldiers found time to crack the odd joke don't y'know.

So do check this out pronto- you won't be disappointed. And remember- keep one eye closed when the flares go up- you'll see better once it goes out again. ;)

It's 1916 on the western front. The battle has stalemated by trench warfare. Australian miner Oliver Woodward is the new commander of an Australian tunnel platoon. He was courting 16 year old Marjorie Waddell, 10 years his junior, when he joined the new mine wars. The underground world is a rarely seen battlefield of intense paranoia and constant death.

In many ways, this world reminds me of a wartime submarine. There is also plenty trench warfare and above-ground fighting. It would be great to have more delineated characters. A lot of time is spent on Woodward with his flashbacks. Brendan Cowell plays it with stoic heroism. The others tend to blend together. This is a compelling world of combat and takes the fighting to different places.

This film should be seen by all Australians. It is authentic and extremely well acted; no overacting and no gilding the lily. Take a box of tissues. As an indication of how special this movie was, at the end while the credits were playing, everyone except two people remained in their seats for the entire running time of the credits and the upper part of the theatre was full. I would like to encourage younger people to see it; young people like those who visit Gallipoli would appreciate its significance. It depicts the true nature of the first world war and also depicts the essence of the Australian character; free-spirited, somewhat disrespectful of officer ranks until said officers earn respect. WWI was not like other wars; though the very awfulness of the trenches is obvious, the movie dwells just enough but not too much on this aspect. I hope it is successful overseas though I cannot imagine the British going to see it in large numbers, nor the Americans. The British are gently lampooned once or twice and would not take kindly to this, and the Americans do not get a look in at all so they would not be likely to be motivated to see it. However, if they did, I think they would appreciate it.

I have to disagree with the comments comparing this movie with 'Hurt Locker' which is a superior movie in nearly every day and deserves its Oscar credits. This is however an excellent war drama telling a fairly unknown true story of Oliver Woodward during World War One. I for one had never heard of Oliver Woodward until watching this movie. Yes, to some degree, I would compare it to 'My Boy Jack" and even 'Passchendale' and actually 'Tunnel Rats' the Vietnam war drama springs more to mind.

There is also a love story thrown in for good measure and overall this is a very sensitive film with an unacceptable but seemingly necessary ending. The acting is superb throughout and the story fascinating in how it was told from beginning until the end.

For those who like their dose of war dramas, this is clearly one not to be missed.

This is a movie that every Australian must watch. It's a story about the unforgotten heroes, who went and did their bit for the Great War. Amazingly it's based on a true story of miners who, went to the Western Front and dug a network of tunnels deep beneath the Germans. Implanted within the labyrinth of tunnels, is millions of explosives waiting to be set off.

What makes this film is the human side of emotion. There is mate ship and bonds which can never be set aside; experiences that only the men can relate to. There is the love story between Oliver Woodward (Brendan Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the youthful innocence of young men, in particular Frank Tiffin, played by Harrison Gilbertson and Walter Sneddon (Alex Thompson).

The contrast between the Queensland and the war is reflected in the use of colour and lighting. Queensland is bathed in sunlight, warm clean colours and in the costumes. While the Western Front is portrayed in constant bleak colours where bright colours don't exist. It's cold, wet and rain(for some reason, it's not a war movie until is has the element of rain and coldness).

The English accent of the British troops are not great, they sound more like upper crust Australians. But apart from that comment, this is a gem of a movie. It will have you hooked until the very last second.