Le colline della morte

This is a great, sturdy film relying on good acting and story telling.

There is nothing to get too excited about in the way of action or affects but the story is engaging and the characters feel very real and it is easy to empathise with them.

The 'war is hell' motif is there but isn't forced down your throat.

Production is high and the battlefield scenes look very real and the director made a great decision not to shoot everything in pitch blackness.

I don't know how accurate the film is but the events are definitely plausible.

Not quite Friday night material but definitely worth a watch.

First of all, I'd like to address the large number of reviews that mention Americans haven't seen/wouldn't't be interested in this film. There seems to be an assumption that Americans aren't interested in war films that don't feature Americans. Not sure where this is coming from, but I've never found that to be the case. Americans who like war movies, like war movies. Almost everyone I know has seen 'Gallipoli', 'The Odd Angry Shot', 'Merry Christmas, Mr. Lawrence', 'Mad Max' (OK, not a real 'war' movie, but just sayin'), in addition to many of the great British and German-made films. The issue isn't with interest, it's with distribution. If studios and theater owners don't think they'll make a zillion dollars by showing a movie, we don't get to see it unless it turns up on cable or Netflix. OK, I'll step off my tree-stump now and review this fine movie.

WW1 certainly does not get the film-making attention it should, so to find one that's this excellent makes up for this a little bit. I was drawn in and kept there by the fine acting, attention to detail, and fluidity of story telling. In any war flick, I'm always waiting for that cheesy moment that breaks the rhythm and steals the credibility of the scene. Usually a 'why we fight' type of speech that you know never would have happened; soldiers fight to keep themselves and their buddies alive, and don't need any other reason. That type of dialog is obvious, useless, and clearly just there for the audience, and not for the benefit of the characters or story. None of that puffiness or foolishness here. Also, it wasn't one of those war films that was made just so someone could put it one their resume', or show off their special-effects prowess. It is first and foremost a great story about real characters and events. I got the feeling that everyone involved in making this film truly cared for what these men went through and brought their best effort as a way to honor that. As much as I like movies about the well-know people, places and events that took place in war, movies that give this much attention to the lesser-known stories can be a much more fulfilling experience. If done right, these types of movies can make the events much more personal and bring you uncomfortably close to the realities of war, which is what war movies should be doing. 'Beneath Hill 60' does this in spades, and this American appreciated every minute of it.

Do you remember, as a kid, watching stories of bravery and heroism set on a backdrop of war, and being fascinated by a kind of warfare you'd never even imagined before? Marveling at crafty allies and enemies alike pitting their wits as much as their weapons against each other to find each others weakness and foil the other's strategy? Well Beneath Hill 60 is just like that- an old fashioned no-nonsense look at a fascinating angle of WW1 never before properly explored- TUNNEL warfare. There are moments that leave you stunned to think of what dangers and precautions these men had to be ready for, above -and- below ground.

Make no mistake though, unlike the coming of age tale Gallipoli or the military court drama Breaker Morant, this really is, at long last, an Australian WAR film. And quite possibly it is the best from this country so far (though I'm still yet to see The Odd Angry Shot so jury's still out) and I would say one of the top ten WW1 films I've ever seen (and I've seen a LOT).

And it's all the more incredible because it's a true story. There was one moment which even almost made me tear up (unbelievable, right?) which I won't mention, suffice to say it involved a briefly shown, but dialogue-less revealing of just how much an experience had left a man broken and hollow.

If I absolutely HAD to find fault with the film, it would NOT be the flashbacks (you can't go round saying the characters were one dimensional and then say the background story was unimportant!) but perhaps the soundtrack. It knows what it's doing on the battlefield, but in the flashbacks is unsure of itself, sometimes getting all melodramatic like an excited child.

Really, that's it. The music seems slightly odd in one or two places. Everything else just WORKS. It's visually stunning, realistic, has great characters, action, suspense (and how!) and even humour. That's right, even in WW1 soldiers found time to crack the odd joke don't y'know.

So do check this out pronto- you won't be disappointed. And remember- keep one eye closed when the flares go up- you'll see better once it goes out again. ;)

I have to disagree with the comments comparing this movie with 'Hurt Locker' which is a superior movie in nearly every day and deserves its Oscar credits. This is however an excellent war drama telling a fairly unknown true story of Oliver Woodward during World War One. I for one had never heard of Oliver Woodward until watching this movie. Yes, to some degree, I would compare it to 'My Boy Jack" and even 'Passchendale' and actually 'Tunnel Rats' the Vietnam war drama springs more to mind.

There is also a love story thrown in for good measure and overall this is a very sensitive film with an unacceptable but seemingly necessary ending. The acting is superb throughout and the story fascinating in how it was told from beginning until the end.

For those who like their dose of war dramas, this is clearly one not to be missed.

This is a movie that every Australian must watch. It's a story about the unforgotten heroes, who went and did their bit for the Great War. Amazingly it's based on a true story of miners who, went to the Western Front and dug a network of tunnels deep beneath the Germans. Implanted within the labyrinth of tunnels, is millions of explosives waiting to be set off.

What makes this film is the human side of emotion. There is mate ship and bonds which can never be set aside; experiences that only the men can relate to. There is the love story between Oliver Woodward (Brendan Cowell) and young Marjorie Waddell (Bella Heathcote). And you see the youthful innocence of young men, in particular Frank Tiffin, played by Harrison Gilbertson and Walter Sneddon (Alex Thompson).

The contrast between the Queensland and the war is reflected in the use of colour and lighting. Queensland is bathed in sunlight, warm clean colours and in the costumes. While the Western Front is portrayed in constant bleak colours where bright colours don't exist. It's cold, wet and rain(for some reason, it's not a war movie until is has the element of rain and coldness).

The English accent of the British troops are not great, they sound more like upper crust Australians. But apart from that comment, this is a gem of a movie. It will have you hooked until the very last second.