I, Frankenstein

"I, Frankenstein" is set in 1793, after Victor Frankenstein dies while going after the very monster of his creation who killed Mrs. Frankenstein in a fit of passionate rage.

The Frankenstein monster's (Adam Eckhart) unique state of being an invincible being without a soul makes him target for the Demons and their leader Naberius, who plans to conquer the world with more reanimated demonic humans.

On the other hand, the demons' nemeses, the Gargoyles, under their Queen Leonore (Miranda Otto), aim to foil this diabolical plan of world domination by protecting Frankenstein's monster, whom she has baptized with the name Adam, and Frankenstein's journal where he wrote the reanimation process in great detail.

200 years later, in the present time, Naberius, in his human form Charles Wessex (Bill Nighy), employs renowned human electro-physiologist Dr. Terra Ward (Yvonne Strahovski), to assist him in carrying out his nefarious scheme.

So this graphic novel turned film is another one of those fantasies where good creatures battle with evil creatures who are out to control the world. This novel's author Kevin Grevioux also writes the script of this one. You can expect similarities with "Underworld" which was also by Grevioux. Grevioux himself appears as the burly head of security in the film.

The Demons are obviously evil the way they looked. The Gargoyles may look good in their usual form, but when they are in their winged form, they turn into stone-faced flying, well, gargoyles. It is just strange and atypical that supposedly good beings will take on an ugly look.

Aaron Eckhart and his characteristic strong cleft chin makes a good stoic Adam. He did not have to express a whole lot of emotion except angst and rage. He does not really look like the grotesque monster as how Robert de Niro was made up to look in Kenneth Branagh's "Frankenstein" film based on Mary Shelley's book. Eckhart's "monster" is just a very buff guy with long scars over his face and body.

Bill Nighy does not do anything spectacular as Wessex, just the typical British bad guy. His Demon form is not really as grandly demonic as you would expect. His minions had stronger demon forms than him.

Miranda Otto plays the regal Leonore as well as she could, though her role does not really demand too much of her. The young, beautiful and svelte Yvonne Strahovski would not really be the way you'd imagine "an eminent electro-physiologist" to look like. But hey, this is a graphic novel, so fan boys need a pretty face to make them happy.

Overall, this is just one shallow, popcorn flick. It may be entertaining for those who do not expect too much. I did enjoy the "arnis"-inspired fight between Adam and a demon. That was the best fight sequence in the whole film.

Its messages of sacred duty, higher purpose and good vs. evil, with common-looking CGI effects, may have already been seen too many times in various dark fantasy films in recent years. The way they ended this film, it seems to be hoping for a sequel. I am not sure it will get one.

It was fair to say that 'I Frankenstein' took more than its fair share of criticism when it first hit the big screen (or should I say when it was FINALLY release, as it was pushed back a couple of times prior to release). It could be considered a 'sequel' the classic Mary Shelley tale of a monster, created by science, who can't find his place in the human world. We're told (right at the beginning) through a particularly succinct voice-over, that Frankenstein's monster, here played by Aaron Eckhart, found his place in society by helping a secret order of Gargoyles to fight demons (please don't laugh). So, he spends a couple of hundred years whacking Satan's minions, which brings us right up to the present day.

So the bulk of the story takes place in an unknown modern-day city – once which doesn't appear to be occupied by more than a handful of humans. Or at least I assume that's the case, seeing as no one ever notices flocks of giant, stone gargoyles soaring through the sky, chasing down and murdering hordes of demons in blazing fire trails.

And that's about the size of it. Having watching the film (1 hour and 18 minutes worth – felt more like 1 hour and 40 minutes), I can only really see one major drawback – the dialogue. It's pretty awful. The film is dark and sombre and therefore requires some heavy dialogue to match. However, the writer just didn't seem to be able to make it sound anything other than totally forced and cheesy.

And that's about its only real flaw. I'm guessing that the main reason it bombed at the Box Office is because it's absolutely nothing that we haven't seen before. If you've watched some or all of the following: Blade, Mortal Instruments: City of Bones, Underworld, Van Helsing, Ghost Rider, or Soloman Kane then you've basically seen I Frankenstein. It offers nothing that you haven't already seen before. The Matrix was released over fifteen years ago. It contained 'slow-motion' fight scenes and everyone was in awe of them. Now, we know what it looks like when our hero pivots through the air, slaughtering baddies mid-flight. It's not as amazing as it was. I Frankenstein contains many moments like this – ones that, once upon a time, would have seemed amazing. Yet, it's all been done before (and with better dialogue).

Bill Nighy plays the baddie, but he's basically playing the same character he does in all his films (in fact... he could almost be 'Viktor' from the Underworld franchise).

Ultimately, I Frankenstein isn't terrible, it just isn't anything that you'll actually be bothered about seeing again, nor is it anything you'll probably remember by this time next week.

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Anything is Possible in Comic Books and Thanks to CGI, Now Anything is Possible on the Big Screen. Visually Speaking. This is an Entertaining Good Looking Goth with Gargoyles Standing (or crouching) in for Vampires and Demons Replacing Werewolves.

But, if You are a Fan of this Type of Thing it can be Entertaining in a Pop Art kind of way. The SFX that are at the Heart (one could say heartless) of these Monsterfests have a Certain Clichéd Look. These Computer Artists Love Their Blues and Greens and for some Unfathomable Reason also Love to Wash Out Color.

That may be a way to be Cynical, you know, Dark. But here it is with this Frankenstein's Monster as Superhero Movie. It is Mildly Entertaining and its Short Running Time Thankfully does not Wear Out its Welcome. Sometimes the Dialog can be Unintentionally Humorous, "You are the first, I'll call you Adam." Sheesh.

When in the Last Scene the Monster Stands Atop a Building (Gotham/Metropolis) and Strikes the Pose, a Staff in Each Hand, and a Voice Over Proclaims (paraphrasing cliché) "I, Frankenstein am here, bring on the bad guys" with Swelling Exit Music, it is just Priceless. Are there Any Openings in the Avengers or the Justice League of America?

I definitely saw another movie than the one seen by those who have given this two stars or less, or who complain that they have not seen anything worst than this. Well, they have seen very little or perhaps they have not realized how often they are fed with very bad movie junk, under the disguise of art or top entertainment... As I enjoyed the films animated by Ray Harryhausen, with their cyclops, harpies, Medusas, fighting skeletons, or giants as the unforgettable Thalos (from Jason and the Argonauts), what I saw I enjoyed very much -except for the score, which has become a plague in almost all American cinema of today, a mixture of pastiche sounds inherited from Jerry Goldsmith and all the others, plus the obnoxious little rock number for the end credits. The tension falters a bit in the very last moment, when the thousands of corpses are about to be reanimated, but for the rest it was fine airhead entertainment. If you are looking to have a good time with another fable of the struggle of agents of Good against the Evil, with no romance out of place (between the monster and a scientist?), efficient special effects and the fast rhythm of American (or Australian, for the case) adventure film, watch it, and leave Malick, Weerasethakul or Sorrentino for another time. (P.S. I did not see Mary Shelley's name in big letters in the end credits, so if it is there somewhere, I guess one has to look for it with a magnifying glass, among the endless list of line, executive, associate and whatever producers).

The Frankenstein origin story a bit tweaked. I'm guessing you're familiar with it, not only because of countless movies being made about it, but because of the original story too. Or maybe you just heard about it. This takes a more fantastical turn for it and tries to make it as entertaining as possible.

It's not a classic or anything that will be remembered as a great movie. It can be an entertaining watch though, if you let it. The lead character is interesting enough and the origin story or the story in general is told decently enough. It's a family movie so don't expect it to be too violent or too extreme in some regards. Just take it for what it is and try to enjoy it