Sesso sfortunato o follie porno

There are two distinct categories of people who reviewed this film: those who awarded it high marks and those who didn't- at all. The director, Radu Jude- impressed me with his "Aferim!" - a film which gives food for thought by dealing with a very little known and uncomfortable subject in Romanian history: the slavery of gypsies from past centuries.

"Bad Luck Banging or Loony Porn" is just as uncomfortable, but it is set in contemporary Romania. As contemporary as it gets: the pandemic year of 2020. The title itself is misleading; this film is not about sex, though it is the starting point of the plot. For that, one can search Pornhub. This is a film about how sick and ailing the Romanian society is in its entirety; the first chapter of the film takes us on a ride along with the protagonist through the Bucharest of our days: noisy, dirty, unkempt, unruly, impolite, careless, unappealing, selfish, vulgar. If some don't like it, well, why break the mirror if it shows you what you look like? A lot of the filming in this section reminded me of La Nouvelle Vague.

The second chapter has apparently no connection whatsoever with the first. Or has it? An ad libitum dictionary of contemporary notions translated into the Romanian realities of the moment; what can be more hilarious and heart wrenching at the same time?! Considering the way it is put together, Monty Python comes to mind.

As for the third chapter, well, this is Romanian society at its best. First of all, it is not for the parents to decide whether a teacher can be fired or not; it is a state school, hence free for the pupils, so the parents shouldn't have a say in who stays and who goes. This chapter of the film is so full of harsh satire directed at how the Romanians think they have a say in everything, thus displaying a wide range of all kinds of preconceptions, stereotypes and fake news distribution- racial, political, social, sexual- that one doesn't know whether to laugh or to cry.

Yes, this is us, whether we like it or not.

And the grand finale, well... you have to watch it in order to choose which one suits you best. I go for the third, full throttle.

Great job, Radu Jude and his team! A fully deserved Golden Bear!

This NSFW satire can be hilarious (and insightful) sometimes. But, aside from being a commentary about the collective hypocrisy or the decay of humanity, its unconventional style in the story-telling tends to hinder the film to be more than just a didactic and somewhat preachy (if not pretentious) rhetoric.

I watched this movie knowing only the title, and I believe the element of surprise elevated the experience. Without spoiling the story, I can say that this movie is perfectly described as a roller coaster ride.

In the beginning of the ride, you have a steady climb ahead of you, which takes its time to get to a high altitude. You keep going upvery slowly, and all you can see is the track going up. The main character is introduced, and we follow her for a good while.

Then, the roller coaster slows down and halts at the top. There's a change of chapter and you're not sure about what's coming next. A dictionary of different words is displayed through text and visuals, words that aren't necessarily interconnected. Then, when you least expected it, the roller coaster gains a lot of speed and goes all over the place super fast. You don't even have time to process everything that you're seeing and you can't see where this is going to take you. You even get a bit confused and scared about how long this part is going to last, yet you can't escape the ride yet.

Then, when you're shaken up for the rollercoaster, the ride suddenly starts going slower as you get to a more steady track, and you realise that the end of the ride may arrive soon. The story returns to the teacher and we find out her fate. Here, the conservative nature of the Romanian culture is displayed, with moments of humour, frustration and seriousness, with many stereotypes of people showing their true colours and values.

But then... the roller coaster reveals a loop out of nowhere, that leaves you upside down and then the ride ends really abruptly. You don't know what just happened, you don't know how to react and as you're unbuckling your seatbelt and leaving the premises, you're still confused as hell.

This review may be relatable to the people who have seen this movie, yet may leave people who haven't seen it yet really confused. And I'm still confused about this movie myself, and this is the best way I can describe this.

I recommend people to watch this movie. As confused about how to feel about this movie, I think this is an excellent thought-provoking experience which could start a debate about real-life cultural problems.

Awesome movie, but I don't think a person not familiar with Romanian culture and history will understand it properly. I generally don't like artsy films, but this was an example of one done right. It has kept me interested throughout, with minor exceptions. Sometimes you laugh, sometimes you get sad, ashamed, bored, confused. It cycles you through these emotions in a dynamic way.

I also liked the fact that they've advertised some of the sponsors straight on, without trying to hide it in any way.

'Bad Luck Banging or Loony Porn' is an unorthodox, provocative, scathing piece of moviemaking that due to its low crowd-pleasing coefficient will likely not be for everyone. Since I have no problem with significant amounts of in-your-face-attitude on the director's side, I quite liked it.

Architecturally, the movies borrows from some examples of French Nouvelle Vague Cinema - if I had a better memory, I could tell you exactly which ones - in that the camera frequently and in its center piece completely deviates from the dealings of its protagonists. In this way, a film that starts off with a story about an instance of accidental pornography widens its scope dramatically to become nothing less than a satirical portrait of a pornographic (Romanian, but just Romanian?) society. Using 'pornography' as an abstract (anti-)moral topos reminded me of Samuel Maoz' 'Foxtrot'.

While I think that the dramaturgic fundamentals of the movie are well thought through, I also think the movie could have been even better. Especially in the third part, the discussion of the matter at hand meanders quite a bit, can be tedious, and will probably not escape all charges of weisenheimery.

Bottom line is, that most viewers will probably switch it off at one point in complacent disgust. If you make it to the end, though, you will not see its explosive, weapons-grade finale coming, which is again well in line with its subversive intentions.