Hesher è stato qui!

OK , first of all i must admit i am not the type that likes deep drama arty farty movies so i expected not much from this but you never know when you get to watch another Dancer in the Dark or Trainspotting and the music looked tempting so i gave it a shot.

If you want to know what the movie is about read the other reviews , they cover it way better than i ever could but i simply had to write something here to let the world know this is worth the effort.

Funny , gritty , painful with a storyline that reminded me of Charles Bukowski. As a metalhead i of course liked the movie and Hesher reminds me of some of my mates. Bit rough on the edges but real and good people . Finally a writer who looks past the clichés of metal morons. Of course the brilliant acting helps a lot . I admit you have to work at the movie but it sure is worth it in the end . Go watch this movie , i assure you it will make you laugh and it will make you think and don't we wish we had more of those flicks to see

A raucous take on your typical indie coming-of-age film, "Hesher" paints a portrait of grief and coping with adversity using a diverse palette of humor, sadness, rage, depression and raunch. Certain types will find a good degree of truth to writer/director Spencer Susser's tonal chaos, while others will raise eyebrows, but a part of "Hesher" will resonate with everyone.

Devin Brochu stars as T.J., who from the opening scene makes it clear he's trying to get himself killed at some point during the film. He's a bit reckless, and as it turns out he and his father (Rainn Wilson) are grieving for his mother, who died just a couple months before.

T.J's troubles lead him to an unfortunate encounter with a probably homeless chain-smoking metal rocker later to be introduced as Hesher (Joseph Gordon-Levitt, who needless to say plays delightfully against type here.) Turns out that Hesher is about 10 times as reckless as T.J. and in a more brutal and calculating way. He follows T.J. to school, which scares the crap out of him, yet we can only assume it is Hesher who draws indecent images in permanent marker on the car of an older student bullying T.J.

Eventually, Hesher comes over uninvited and unannounced to T.J's grandmother's house, where T.J and his father are staying. He inserts himself aggressively yet peacefully into their home and becomes their guest over time, developing a friendship with the grandmother and taking a sort of tough-love mentorship of T.J.

We are to presume that the senility of the grandmother and the lifeless apathy of the pill- popping father lead to a casual acceptance of Hesher's newfound presence in their home. It's a significant leap, but Susser and his co-writers are much more preoccupied with creating this unlikely relationship between T.J. and Hesher that logistics take a back seat. Fortunately, the blunt humor spouted off by Hesher, who communicates almost exclusively in sexual metaphors, helps mask the plot's illogical backbone.

Although never explicitly stated, it becomes obvious that Hesher wishes to teach T.J. how to stick up for himself, and more importantly how not to fear the consequences. This, of course, is not the world view of an kid in his early teens, and it leads to several emotional whirlwinds for T.J. as he starts to come of age.

The script treats T.J. like an adult despite not being one: he curses regularly (which gets worse with Hesher around), he makes friends with people twice his age such as the grocery clerk at the local store (Natalie Portman) and in general he deals with things kids his age would rather not deal with. It's a bit ridiculous, but it does make for an interesting dynamic between him and Hesher.

At its core, "Hesher" is about dealing with "the ____ that happens to you," which begins to explain why in some scenes it's just Hesher breaking stuff, or T.J. breaking stuff, or conversely a slow and quiet dramatic and emotional scene such as when T.J. and his dad go to a grief support group. Each character handles it differently, and Hesher's purpose in the story is to shake up the way T.J and his father have handled with it so far with regards to the death of the mother.

Susser definitely punches home this message, but it comes through the thick clouds of X- rated humor and with scenes strung together without any cohesive tone. The heavy metal indie image that the film wants to give off doesn't necessarily gel with everything it wants to say. Certain moments are laugh-out-loud hysterical, while others are moving. Then some just feel weird. It's definitely a film that will connect with its audience, but its wired in an awkward way that will likely turn off some viewers.

~Steven C

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For a film like this you've really got to ask what you want. A lot of people I know might not like it or really get it. I was looking for something a bit different to watch by myself, to engorge myself in. It's properly crude (in US terms) but that's kind of the point I think. I watch a lot of films and this one made me register to IMDb as I think it's probably under-rated. The acting is GOOD throughout. The cast is good (especially the kid...if the kids in Harry Potter were half that good we'd see them a lot in movies in the future...we won't) and the vibe is excellent. It's original without trying too hard and it didn't make me feel like I'd seen this film before. The other reviews seem to sum up the premise pretty much so I won't bother. I think this film could've gone bad many times over but the quality of it holds it together. It's a bit odd, a bit wrong, a bit sad, funny, witty, intelligent, brave and charming. I may be over egging this pudding but this film very nearly slipped under my radar and I'm very glad it didn't. When I'm hunting I reckon this is the kind of review I'd like to read to fire me up a bit. Eternal Sunshine meets No country for old men......or something :-)

I admit, it is a taboo for crewmen on a film to make a comment about it... sometimes you can be sued and can often breed bad mojo. However, I extend my neck on the chopping block for this film because not only because a few months of my life were spent on 14+ hours days with this cast/ crew/ and director but it was a... unique... project.

This was an unusual film to work on. Start with a Writer/Director who's fervently passionate about his work (...okay, I've seen that before) but with a twist. Add an almost impossible idealism in a man of school boy enthusiasm whose facial expression varied between, "I won the girl of my dreams," "Yeah, that's it... but do it again(and again)" to watching that hopeful idealism melt away as though you just told the persevering child that ha-ha you won't be an astronaut but rather a feeble emasculated yes man to a control freak wife. To say the Director was passionate about making his story real, real meaning matching that fully developed story that had vividly existed in the inner invaginations of his brain for years, doesn't begin to convey the sheer depth of it.

Firstly, the cast was phenomenal. Mr. Wilson especially was an amazing actor to watch perform. It is a subtle character of nominal lines but without a word he was able to convey an impressive character. The production could not have hoped for a better casting in this part.

Mr. Levitt was, as I believe most already know, a pro. His professionalism and seemingly innate ability to portray his character, to bring his character to life, was amazing to watch and a pleasure to work with.

Now we come to Devin as T.J. The lengths this gentleman was put to was intense. Yet never a complaint. Brushed himself off, caught his breath, and did it again. My compliments to Devin for his amazing dedication to his character and this film. I've never seen a new actor his age work so hard, diligently, and without complaint.

Now to the film. The script is not easy to read, painful in fact as the dialog slaps you in the face at least every other line. I confess I had my apprehensions at first... it seemed just too much.

However, these apprehensions faded as the type of the script was performed to the mind's eye of the Director and Cast. This film is very much about the not said, but the movements/ actions/ expressions. The subtle, and the beneath the surface story that is so much closer to truth and reality and than the superficial first glance.

Look at the typeface only, and the superficial facade of the characters will be all you see and doing so will fall nicely in line with the design of the characters' protective layers. Scratch deeper, or simply pay attention to what the characters are really portraying... The moorings and underpinnings in these characterizations, and how they combine into the plot, gives a profound yet simplistic look at human behavior and how people cope with identity, loss, and the need to be loved.

My hat off to this amazing cast, it's crew, and Mr. Susser.

It's hard to really describe a movie like Hesher. At first it comes off as this bizarre comedy, but as the film goes along it becomes more and more this character study of a chaotic force coming into the life of a family that needs it more than they think. Joseph Gordon-Levitt's titular character is a psychopath, a heavy metal loving maniac who uses foul language at the most inappropriate times, flies off the handle with violence and pyromania and generally frightens anyone who sees him. He invites himself into the home of the Forneys without a word and no one tells him to leave or, more realistically, calls the police.

This concept is a little off-putting at first and gave me some slight trouble getting into the story, but once the film started to develop it became more and more...honest, in a strange way. They didn't tell him to leave because subconsciously they knew that they needed him. At first it seems like he's there for a home and a place to do laundry (the character is introduced living in a construction site) but later on we realize that he doesn't need them at all. He's a drifter in the wind, somehow helping these people that he comes into contact with despite initially seeming like the worst person you would ever want around. The concept is still a little too bizarre and the final act gets way too melodramatic and schmaltzy, but the film hit me a lot more honestly and emotionally than I was expecting it too.

I've always admired Levitt as one of the finest actors of his generation, but even I didn't think he could pull off a role like this. Boy, I was wrong to doubt him, because he is on fire the whole way through. Hilarious, terrifying and somehow heartfelt, he makes this character incredibly real, which is probably the biggest surprise of all. Natalie Portman also manages to impress in a supporting role as a shopgirl that Hesher and our young protagonist T.J. (a mature child performance from Devin Brochu) come into contact with. She grounds the film in some ways, being the most honest and human character, and she has a breakdown in her car with T.J. that is pretty wrenching.

I'm always kind of off-put by films where people in their late twenties somehow befriend ten year-olds and no one calls the police or anything, but this is one of the rare ones that allowed me to get past that initial gripe and eventually respect it for the solid character study that it is.