A Última Floresta

Fantastic, perfect! Yanomami indigenous people tell their own tale about the arrival of gold diggers invading their territory.

No narration, just Yanomami indigenous people vibing in the forest telling us how they lived peacefully before the gold prospectors came along and put their entire existence at risk.

Powerful, devastating, beautifully shot, important, and yet another sad reminder that capitalism & colonialism destroys everything.

There are several indigenous peoples in Brazil, each with its own peculiarities and characteristics. This documentary shows as the Yanomami see the issue of ore and "garimpeiros".

Deforestation starts with the gold prospector (garimpeiro), flowed to the wood seller and finally the big farmer, all on the same idea but at different scales of exploration of the Amazon.

Genocide against indigenous peoples has to stop!

Honestly, I couldn't finish it.

I watched the first few minutes of footage of the men and a family and then the tribesmen running off 3 white men gold prospectors.

I expected to see their clothing to be minimal, as their customs have bead works and body paint.

It just bothered me immensely that this dramatized documentary seemingly had probably altered their dress to give them a voice. Seeing these tribesmen in modern day basketball shorts. And yet, the women wore only beads and bands of cloth..... Did the filmmakers change their customary clothing (or lack there or) for our view on modesty? It just immediately & jarringly made me feel 'this feels wrong'.

After finding Under the Concrete (2020-also reviewed) to be an intriguing feature film debut by Roy Arida,I was excited to enter the forest and catch the third,and final title in the 2021 WOW Film Festival features line-up.

View on the film:

Going deep into the heart of the Yanomami community in the Amazon rainforest on the border between Venezuela and Brazil, director Luiz Bolognesi & cinematographer Pedro J. Marquez wise decision to not have an English language narration, allows for a rich, immerse atmosphere to grow, via Bolognesi's delicate, spectacular tracking shots and striking close-ups in natural light, capturing the untouched by industrialization balance of the practical daily routines, and the deep spiritualism that the Yanomami's hold dear.

Treating the beliefs of the Yanomami's with respect, Bolognesi inter-cuts the daily lives documentary footage with shimmering re-enactments, as the tribes-people play themselves in excellent sequences which dramatizes the mythology that they live their lives by.

Detailing during the end credits the horrific mistreatment and murder that have been committed by prospectors in recent years, Bolognesi fills the screen with the passionate voices of the Yanomami's , who detail the distraction which the brutal outsiders have brought with them,as the Yanomami fight to save the last forest.