Lady in the Lake

A drama about two women fighting two different battles to achieve a common goal. A drama about freedom told with magnificent visuals supported with great music. Dynamic set of characters that enables a wide exploration into the western society that's undergoing rapid change. Sincere performances by the cast full of expression. There are no heroines even the central characters are criticized for their selfish desperations. It's different not the typical thriller most of us come looking for yet succeeds in keeping any viewer engaged till the very end. Absence of a one central theme makes this watch even more worthwhile.

Drama and story-telling for grown-ups.

I can see why some people don't like this. It's not conventional and simple story-telling. The two main characters, Cleo Johnson and Maddie Schwartz are deeply flawed people. Schwartz especially so, as she is quite unsympathetic and unlikeable. Johnson's story is that of a smart person who can't stop making bad choices. I find all this refreshing and relatable. It's so much more like real life. If you're bored with it, good for you - go back to your Marvel movies or 'Emily in Paris'.

I also get to play one of my favorite TV and movie games - spot the twist in advance. I know there's one or two big ones here, but by episode three they aren't revealed, so it's fun to try and guess. Maddie Schwartz was suspiciously quick in finding a murder victim in a very remote location; something tells me that will have a bearing on things.

Kudos also to Jennifer Mogbock in episode 1. Her character is forced to sing on stage while severely intoxicated and manages to turn it into something strange and beautiful. Actually 'strange and beautiful' sums up the best about this show when it's hitting its high notes.

Natalie Portman could have used the coustumes from "Mrs. Mazel" just as easily followed by the old Baltimore sets from "The Wire"--and it would have looked just as good.

I've added an extra star for Slappy, the comedian, due to his Richard Pryor/ Redd Foxx stand-up routines. The rest of the club entertainment was below par.

The whole show was heavy with cliché-after-cliché; the cops on the take, the Jewish jeweler and slumlord, the drugged-up star performer, the evilclub owner...

Maybe this all looked good on paper and sounded like a solid series until somebody added in a committee with final input, thenthe story deviated into a bad dream.

The characters are strong, deep and the acting is superb. The story is good, as is the adaptation to the format. The main characters are not necessarily to be liked, but rather understood.

I'm only through the fourth episode and would binge the rest if they were available, but now I'll wait for the rest each week. The parallel storylines melt together and double the intrigue. I truly do not understand why anyone could hate on this series. I'm really enjoying it.

Too early to say for sure, but I suspect a couple of additional episodes might have helped. Some of the backstories could have used more development and depth. Overall, I'm glad that we gave it a watch and recommend it.

Natalie Portman investigates several mysterious murders in Lady In The Lake, an ambitious, gorgeously staged, often magnificent yet sometimes frustratingly cluttered miniseries based on a novel by Laura Lippman. In 1960's Baltimore the murder of an aight year old girl prompts Maddie Schwartz (Portman) to gravitate away from her marriage to a persnickety Jewish businessman (Brett Gelman) and take it upon herself to not only solve that one but the apparent suspicious drowning of one Cleo Johnson (Moses Ingram), an African American woman dredged up from the bottom of a lake. From there it launches into a horde of subplots that get so complicated and fill the narrative so full to the brim that at times it feels like each and every episode has enough content to be its own series. That's the issue here is that by the time all is said and done it's tough to discern or remember exactly what *was* said and was done, and there are several plot points that still feel muddy to me. Nevertheless, the performances are all excellent, Portman is fiercely committed as ever, Ingram is a revelation as Cleo as they're supported by all sorts of recognizable faces including the always terrific Pruitt Taylor Vince, Noah Jupe, Mikey Madison, Dylan Arnold, Byron Powers, Josiah Cross and The Wire's resident despicable crime kingpin Wood Harris here playing, you guessed it, another despicable crime kingpin. The attention to 60's period detail in terms of both production design and sociopolitical issues is admirable and it all feels very well mounted. But yeah.. the story is like accidentally opening a shaken up beer can and having everything inside erupt all at once over the course of seven very hectic, often disorienting episodes that should have been more measured, more paced... and far more succinctly explained at the end of the day.