The Goldfinger

There's a Chinese saying called tiger head, snake tail, which perfectly describes the film. The Goldfinger starts with a bang with over the top scenes that harkens back to the heydays of HK cinema. But as the story progresses, you realize how thin of a plot the movie has. The film fails to develop further on what is a very interesting rivalry between Tony Leung and Andy Lau, even worse if you consider how much of a classic The Departed was. In the end, the film is too "business-oriented" and not driven by its story enough. To make matters worse, the ending feels like something to appease movie authorities.

I am very curious about what happened to this film.

It's like a chef preparing high-end ingredients to make a stunning dish for diners, but halfway through, he suddenly finds that the natural gas has run out, and there is no other heat source available, so he can only rely on the residual heat in the pot to cook the dish.

The first half of the film is undoubtedly a good one. Seeing Tony Leung and Andy Lau opposite each other will make people wonder whether it can reach the height of "Infernal Affairs". As a result, it completely collapsed in the second half. The narrative advancement relied entirely on voiceover dictation, and every scene that could have been polished turned into a few seconds scenes.

Giving this an 8/10 rating

New crime thriller from the filmmakers of 'Infernal Affairs' which had Andy Lau in, and he's in this too, along with Tony Leung.

Tony Leung, plays an poor engineer who comes to Hong Kong seeking work and gets involved in wrong doing that escalates in him running a criminal empire of billions, Andy Lau, plays the police investigator who goes after him. It's all very complex and very tense.

It looks and feels of the era it's set in the 1980's and corruption is all over the place. Even the slow parts still engage and you see just how greedy people can really be. It's a lovely production and the acting is full on brilliant, which does make up for action, which there is some, it's not done with any glamour, it's done to shock. But it's really the two main leads who pull off the show, again. Another true story that I did not know about.

I watched Infernal Affairs when it first hit these shores, and really was engrossed in what was an incredible tour de force of a movie. This film reunites the two leads from that classic film in an attempt to reignite that spark, and personally I found it generally worked.

We have a reversal of roles, with Tony Leung playing the villain as againt Andy Lau playing the dedicated policeman. The storyline centres around the rise & fall of the a crooked developer during the growth & rise of Hong Kong through much of the 1970s onwards, all with the background of the story of Hong Kong behind it.

This film really does get so much correct, and matches Infernal Affairs in terms of acting, direction and pacing. I was engrossed in this film, and thoroughly enjoyed the storyline as we saw the ebbs & flows of the Tony Leung's crooked developer rise to the top, and all his amorality in everything he does. He plays everyone, not always winning, but comes out on top at the end. Andy Lau plays the cop dedicated over the decades and failing to bring down the crooks, with the case taking its total personally as much as professionally.

Despite the positive aspects, the problem is though that I think for what should be a more serious film, there were moments of ridiculous nonsense which were unnecessary and took away from the film, in its humour and at time comic representations of various people (especially of the foreigners in Hong Kong). Tony Leung is excellent, but at times it was hard to see how his character really was a genius or was he just lucky. It just seemed to not add up. That kind of took away from the film.

Regardless of that, I thoroughly enjoyed the film and look forward to watching it again. I was surprised by the negative reponse by some to this film which is a shame. Maybe this film is a throwback to an old era of Asian gangster movies, which I admit is one I truly love. In this day, this film seems like a relic, but I don't care, I still find there's a place for films like this.

Personally, it's the best new film I've watched for a long time, and much better than any new film I watched over the past year in particular. I just hope that this film will help to introduce a new audience to Asian gangster movies, which rely on character and storyline as against CGI & comic book heroes.

I really recommend this film, it's been wonderful to watch these two great actors again a film that matches their status.

Bond-adjacent title aside, The Goldfinger throws everything at the screen, including different film styles, stocks and interstitial musical montages, in the vain hope that kinetic energy might be mistaken for dramatic power. It's far from the reunion between Lau and Leung that fans of Hong Kong cinema have been waiting for, instead coming across as more of a hollow wet fart in this by-the-numbers, overcomplicated Wolf of Wall Street clone without any of the filmmaking confidence to pull it off successfully. It all feels like it's been run through a mainland China viewing board to become a curiously uninvolving work that takes what sounds like a potentially fascinating story and somehow manages to render it mostly inert due to a disappointingly shallow treatment. Lau and Leung are more than capable actors but with a standardised narrative that doesn't challenge them in any way, they ultimately sleepwalk their way through the film. Ultimately, The Goldfinger is a hard one to recommend, there's no fun to be had here, it's all brutally shallow and lacking in dexterity, only really worth something to those well-versed or interested in stock market manipulation. I'm sure there will be an inevitable sequel, presumably titled The Thunderball or The Goldeneye...