Into Darkness - Star Trek

Boldly going where no man (or woman or gender fluid) has gone before, climb aboard the Enterprise and let it fly and soar, as old friends gather, reunite, off to battle and to fight, strange new worlds, civilisations to explore.

A renegade from the future rewrites his score, it's as if he wandered through another door, it's a better incarnation, riven through with lamentation, leaves Ricardo full of wrath just like before.

Embrace it or you'll lose it, change is good, just let your imagination take you away, it's only a story after all.

Abrams is merely an efficient technician, uninteresting as a man of vision. But we need guys like him, conservative and mechanical in their efficiency, who will hold down the paradigm as others more adventurous fight to shift it, who will remind us by the arbitrary limits they impose that there must be a broader space. It's always the routine and familiar that kindles dreaming.

And this is just so routine. Abrams takes the Spielberg-Lucas model of climax after climax, starting with an Indiana Jones prologue. A few simple moral dilemmas form the backbone, inherited with a wink from the Trek genealogy. The hamfisted 9/11 allegory, enforced by terrorist bombings and a final 'plane crash' in Starfleet hq, is that we may covet revenge but we are dehumanized in the process. Khan as a vengeful mujahedeen, 'trained' by the secret military which is headed by a cowboy admiral hellbent on preemptive war. (Interestingly, everything about Khan's handling here bears Nolan's influence.)

Soulless.

So it is fitting that this guy is spearheading the next generation of established cinematic imagination, taking over from Lucas who is now retired, and Spielberg who is 'respectable'. I'm sure that in 20 years time he will be making his own respectable war movies. That kids growing up on stuff like this will fondly elevate the memory. And that his idea of artistry, Welles' action camera dotted by twinkles of color, lasers and flares, will be elaborated on in essays about his aesthetics, maybe.

All of which is just a natural state of things, nothing to get up in arms about. It just means that the interesting stuff will be defined by contrast to him.

As much as I liked Abrams' 2009 re-boot of the Star Trek series, I liked this second installment better. I think that's because there was less of an obligation to fill up back-story, and more ability to go deeper both into plot, and into the emotions of these new, younger versions of the characters we now (re) know. Add to that Benedict Cumberbatch makes a complex and compelling villain, even if the character does borrow from other sources, including Rutger Hauer in "Blade Runner".

The humor is funny, the emotional scenes have a real impact, the battles are exciting, the acting is excellent, the plot twists are clever, and the more epic 'big' moments are really effective.

There are flaws; some plot twists can be seen coming a mile off, there are a few painful cheats or jumps in logic, and a handful of too-easy coincidences. But for a big summer blockbuster this has more smarts, style, punch and humanity than most.

The previous Star Trek movie is a tough one to beat. It was (in my eyes) close to perfection (lens flares and all). So this movie had a tough up-hill battle ahead of it. I am happy to report that the writing, direction, cinematography and acting were all terrific. But it's not quite flawless. There are a couple of minor plot holes that distract viewer attention to some degree.

Cumberbatch is brilliant. I won't divulge any spoilers, but I will say that the throw back to the earlier movies is very very clever and well executed. The added depth we see in the characters of Kirk and Spock are icing on an already delicious cake!

As someone who has grown up with the franchise, watched every show and every movie (I've watched the entire DS9 series at least twice!), suffered through characters/actors who I didn't care for (Tasha Yar, seriously?), I realize we all have opinions about what makes Gene Roddenberry's vision so lasting.

That being said? I LOVED this movie. I even capitalized it I loved it so much. The play between the characters, the more human version of Spock, the absolutely delightful "Scotty" (although his sidekick is one of those throwaway characters I dislike) as well as a much better crafted plot this time made for a completely enjoyable movie. The action is intense, the friendship deepened between the characters, the twists and turns are a bit predictable at times, but that is reminiscent of the franchise as a whole. I am already excited for the next movie. I tremendously respected and appreciated the ties in this movie to the elements that make Star Trek great - strong story line, deep connection to the characters and a philosophical element. In some of the older Star Trek episodes the moral/philosophical element can be oppressively heavy handed. No so in the new Trek movie. The ideas of friendship, family and humanity are woven through this movie with subtly and I will outright admit I more than teared up during the climactic scene in the engine room. EVEN though I had already figured out what was going to happen, I have already come to care about, respect and enjoy the new actors in their iconic roles.

So yes, ten out of ten. And let the haters, hate. Those who can not embrace change can go sit and watch old Star Trek reruns and bemoan the 'good old days' and spout off all the reasons why 'Star Trek ain't what it used to be'!!!!

I, on the other hand, will boldly go and embrace the new with a continued reverence for the old. This movie makes it possible to love both.