Dream Home

"Dream Home" has been a title I've been waiting to watch since it's release. Most reviews I had read pinned it as a "darkly hilarious" satirical horror film with high levels of style and gore. The style and gore are there alright, but as far as humor is concerned, I was a little let down. The film does have it's quirks and witty lines, not to mention a few "so-bad-it's-good" effects, but it didn't quite live up to the reputation that I had known it for. That being said, the film is shot beautifully and uses a wide variety of creative shots and transitions. It plays with the time-line well and develops Cheng's character at a very nice pace. Many of the deaths are drawn out and disturbing, which would make this a difficult film to watch if the effects were done with more care. Some over-the-top gore may be humorous to some, but in using characters that the audience can relate to, it is more easily said to be horrific. All in all, though it fell a little short of the hype I've been hearing, "Dream Home" is a must for any Chinese or Asian horror fans!

This film is a fresh, entertaining, stylish and beautifully staged gore fest. The bloody mainframe of the film's structure is accompanied by an interesting side-story that serves to justify all the bloodshed and also to provide some social commentary, but all this is secondary to the rivers of blood. And God saw it was good.

Ho-Cheung Pang's "Dream Home" proves that well-made genre pictures satisfy a basic human need: they can focus our attention, for a while, to a sequence of events that entertains because we know, roughly speaking, what to expect, what kind of experiences are in store for us. Well, Dream House is an honest splatter. Victims are lined up to be slaughtered in the most inventive ways for our viewing pleasure. But the film also has elements of human drama, and these two aspects - gore and drama - play each other in and out very well. The overall result is an impeccably paced, brutal but surprisingly uplifting story, beautifully shot against the backdrop of Hong Kong's endless arrays of high-rises and apartment blocks.

The main character, played by an air of focused innocence by Josie Ho, has been saving up to buy an apartment with a nice seaside view, and she is working very hard to realize her dreams. Then things don't go exactly as planned. Lots of drama ensues. People die. Blood is spilled.

There is nothing much more to the plot than a general arch to justify the gore, but it all works out very well, and doesn't feel dragged out or phony or needlessly second-rate; in fact, the acting in this film is actually quite good for the most part, with the exception of the actress who plays the main heroine: she is VERY good. In addition to the action, there is some merit to the drama itself. It carries some weight, or, at any rate, enough to make the film seem interesting all the while. None of the social commentary is especially realistic or intelligent, but the splatter format can function as a kind of primal scream therapy, and thus bring some aspects of our repressed social anxieties to the bloody daylight.

Finally, one aspect of the film deserves special attention: the cinematography, editing and directing. The shots are beautiful, symmetrical, rich in detail. Whether inside or outside, the camera captures some beautiful scenes (and, let us not kid ourselves here, some beautiful people). Each frame could almost work as a photograph; each outdoors vignette of Hong Kong cityscape is hauntingly beautiful; each spewing of blood is swiftly and surgically captured on the screen.

The script is tight and the acting is sufficient. The editing is inventive and the staging rich in detail. Even the drama succeeds in never becoming boring and no single scene, or theme, overstays its welcome. The director-writer Pang has given us a good splatter film which is also a good film even outside its (criminally under-appreciated and depreciated) genre. I was pleasantly surprised by the craft involved. Did I mention it's also funny? Just wait for the moment when the... oh, never mind, just go see this bloody film already.

Snap judgment: Rivers of blood make for bloody good entertainment.

Cheng Lai-sheung(Josie Ho)is desperate to buy a flat in the famed Victoria Harbor in Hong Kong.He works two jobs and is already in debt.Not enough money for her dream home prompts her to spill the blood of the rich."Dream Home" is one hell of a gory slasher.The killings are extremely vicious and insanely bloody.The murderous rampage of the main character leaves nothing to imagination.The cinematography is stylish,the acting is fantastic and the score provide some chills."Dream Home" paints an ugly side of corrupted society with some of the bloodiest murders ever captured on screen.8 blood sprays out of 10.A must-see for horror fans with an iron stomach.

I sort of see Dream Home as a thinking man's slasher. What I mean by that is that it's a slasher film with a point, as it contains all the outlandishly kills from famous slashers like Friday the 13th (it probably goes further actually) but all the excessive blood and violence has a point, and a very valid point about the current house market in Hong Kong. Dream Home is also supposedly based on true events, I don't know how many of the events are true but I'm guessing not that many! Still, it illustrates the point of the film further as the age old issue of money has seriously taken its toll!

Dream Home has an interesting structure which I don't know if it entirely worked. You see it cross cuts from her current murder spree to her past, including early childhood, right up to the events that led her to do it. In its favour it did add a nice layer of mystery to the film, and also helped to balance out the drama-heavy scenes with the horror-heavy scenes, allowing us to take a break from the last gruesome massacre and look forward to how it's all going to pan out! However, I can't help but wonder if the film would've been stronger having the events be shown in chronological order. It may have built the suspense and the final killing spree would've been doubly intense! It certainly worked for May, although the characters were much stronger in that than they are here. It's an interesting thought, but I'm satisfied with the unusual cross-cuts.

Now horror fans are not going to be disappointed with the horror-heavy scenes! Dream Home showcases some of the most inventive kills I've seen on screen for a long time. Some of them are also quite heavy to watch, by that I mean distressing, which makes us feel less empathy for the character, making her well rounded. However, I think there could've been more evidence of her snappy psychological state in the past as she doesn't appear violent until she suddenly snaps. It does seem a bit over the top, but I suppose we can forgive it. There's plenty of blood and not only that, some scenes were actually quite suspenseful and thrilling rather than just a simple slash and dash.

The drama-heavy scenes are also not as boring as I've labelled them. I found it really interesting to find out how she got so fixated on that apartment she wanted, and her journey getting her. They really help to flesh out the character further so we can feel for her and her motives (occasionally). However, I also think that a little background on her victims could've been nice as well, so we get to see them as humans too rather than just prey to feed off! The film is also beautifully shot and directed which I didn't expect. There's some lovely cinematography of the high-rise buildings which could also be metaphorical as it seems so out of her reach!

Dream Home is a highly successful slasher and one that I'd be happy to revisit again. It doesn't hold back and also brings up various themes which have a place in today's society. I really enjoyed its entertaining violence and strong character build-up. You do care what happens to her in the end and it also makes a refreshing change to have a slasher film from the killer's point of view. I'd definitely go and check this one out as it doesn't seem that a lot have!

"Dream House" was somewhat of a great surprise. I love Hong Kong cinema and watch anything I can get my hands on. Though I wasn't familiar with "Dream House" prior to finding it by sheer random luck on Amazon, and decided to get it as it sounded interesting and was at an okay price.

And to make it all the more interesting, then the movie is based on true events that shook Hong Kong, and I got that confirmed from a friend living there, so it wasn't just something that was flaunted in the movie to make it more interesting - there was some truth behind it.

The story in "Dream House" is about Cheng Lai (played by Josie Ho) who has been saving money her entire life to buy her own dream apartment, a home of her own. She is living with her family, which is normal in Hong Kong, up until you get married, usually. Things seem to sort themselves out for her, except that the sellers raise the price, and other people are interested in the one and only specific apartment she wants. Cheng Lai sanity flickers and she is driven to inhuman actions.

"Dream House" was driven by a great story that sweeps you up and takes you along for a great ride. Plus it was really well acted, and it was mostly Josie Ho who pulled the weight. I, personally, do not care much for Eason Chan (playing Siu To) and his acting skills (or lack thereof).

The movie is filmed in a great way that makes it come off as right in your face, almost as if you were right there with the actors. Plus the camera work really helped the movie along as well, especially when Cheng Lai was having a breakdown on the street. That scene was just so amazingly nice.

And as a major plus, for all gorehounds out there, then there is a rather good amount of gore and really good effects in the movie, which makes it well worth checking out for the mayhem alone. I was impressed with some of the scenes. And I will say this, without giving away anything here; the scene with the pregnant tenant and her maid was one of the most brutal and graphically disturbing scenes I have seen in a long, long time. That really got my attention, as I had never expected that kind of graphic violence in this movie.

If you enjoy Hong Kong cinema, then you definitely should treat yourself to this movie, as it is a rather unique addition to the collection of Hong Kong cinema.