Recensioni degli utenti

This movie actually turned out better than I had expected it to be. But then again, of course I didn't really have much of any expectations for a movie such as this to begin with.

"Why Did I Get Married Too?" starts out with the appearance of just another romantic comedy. But then the movie suddenly started to become so much more, as it came to be revealed all the problems and life situations that each and everyone in the different marriages were dealing with and struggling with.

The cast was rather good, and people were well cast for their individual roles. The actors and actresses performed quite well.

There are some pretty good laughs throughout the movie, just as there are moments of thick drama and emotion. So there is a bit of everything to be had in "Why Did I Get Married Too?".

I can warmly recommend that you take the time to watch this movie if you enjoy romantic comedies that have more than the usual superficial layer to them that permeates the romantic comedy genre.

The first installment in this series was decent enough to spark my interest in checking out the sequel. Unfortunately, Why Did I Get Married Too was a sub-par attempt to reprise Perry's previous venture in couples therapy. There were a few redeemable aspects of the movie, namely, some of the characters have been further developed. The new aspects of their relationship dynamics made it interesting to see how their lives have changed. Also appreciated are the moments of bare sincerity in the dialogue. There are a few scenes where a husband and wife could be seen having a believable, vulnerable discussion about the impact of individual choices on their relationship without the bravado of over-the-top displays.

Sadly, any redeemable parts of this film were heavily flanked in overwrought dramatic scenes in an effort to create meaningful turning points, and mostly uncomfortable attempts at humor. It's as if Perry thought that hearty laughter from the characters in the more comedic scenes would somehow make the scene funnier; the mission was not accomplished. Also, Perry decided to have the movie be more dependent on Janet Jackson's character as the center pin of the plot, which is an unfortunate shift because she simply doesn't have the skills to deliver. While she is more highly emotive throughout this film, she isn't believable. It just left you feeling uncomfortable watching it happen. To make matters worst, the scene transitions felt abrupt, like you were being yanked by the collar from one end of a room to another.

On a more pitiful note, there were several lines and scenes that were way too close to those from the movies Boomerang, Soul Food, and Unfaithful. It's one thing to have a trite storyline; it's a whole other issue when scenes are taken from other movies and executed so similarly to the original that the forerunner immediately comes to the viewer's mind. This kind of poorly-done mimicry leaves you feeling duped by and embarrassed for the person attempting it. The worst part was the ending, which felt rushed and forced. Perry is certainly invested in happy endings, but this was insulting to the characters and the viewers.

Overall, the only reason I continued to watch the movie was not because it was in any way worth it, but because I have a sometimes silly desire to finish what I've started. I hope that Perry soon decides to employ screenwriters to broaden the scope of what seems to be a one-man show and production because movie scriptwriting requires a level of skill that he has not yet polished.

I don't think I have ever laughed harder at a movie I watched out of boredom. I found this gem as I was perusing Netflix instant-watch, and I'm glad I decided to watch it.

Comedy is prevalent within the first couple scenes. Unlike many of the films made today, it was refreshing to watch a movie that could make me laugh while exploring serious subject matter. The film covers all realms of marriage difficulties, many of which are real problems facing today's couples.

As I was new to Perry's films, I looked up some of his other movies on IMDb. To my disdain, almost all of his films received bad reviews. Why? Perry took the "black stereotype" and made a farce out of it. The movie is completely satirical, and should be perceived as such. Also - Tasha Smith made me laugh the entire movie.

The Mrs (her choice of movies) & I walked out after 20 minutes or so & was allowed into another movie. I am not an actor but my gosh that was some really shallow acting. The setting was nice but very little action, elementary dialogue was rampant & too many close up's of actors faces. I thought the actors had recently memorized their lines & repeated them without any emotion or passion. The movies plot was weak & the photography and cameras set ups were below par. My suggestion #1, do not waste your money.Suggestion #2, Tyler Perry is living off the positive movies of the past & should get back to producing a more thoughtful & deeper movie content.

I was a bit too young to remember the last Tyler Perry movie I saw, and was never exposed to any of his actual plays. Thus, I held neutral expectations for "Why Did I Get Married Too," though I heard that its predecessor was quite good. I ALMOST left the theater taken aback at Perry's exceptional directing and understanding of human emotions. Unfortunately, that was all but squashed by one of the worst endings I've seen in a long time.

The plot is quite straightforward. Terry (Tyler Perry) and Diane (Sharon Leal) embark on their yearly couples retreat (sounds familiar?) with their friends, all of whom are also married. Marcus (Michael Jai White) and Angela (Tasha Smith) are constantly at odds with each other for any reason they (as in mostly Angela) can fathom, Troy (Lamman Rucker) and Sheila (Jill Scott) are battling the all-too-real consequences of unemployment, while Patricia (Janet Jackson) and Gavin (Mailk Yoba) serve as the model relationship for the group. The retreat is brought back to a harsh reality when Sheila's former husband, Mike (Richard Jones), unknowingly books time with the group's beach house for the weekend. His interruption, unbeknownst to the couples, tests their relationships as their own flaws slowly unravel and manifest themselves.

Perry's playwriting influences are made apparent right from the beginning, as each character behaves and builds in a play-like manner. This works strongly in his favor, as each character is developed well enough to bring significant amounts of powerful tension and drama later into the film. Perry also fiddles with the emotions of his audience like a puppet master, tossing them from angst to anger to happiness with incredible ease and lightning-fast timing. Every actor was stretched to their emotional limits in this film; I found Jackson's performance shockingly spectacular here and her conflict with Yoba to be one of the most intense partnerships I've seen in a while. In short, I felt like I was yanked from my seat and strapped onto the front of an emotional roller-coaster right from the beginning.

Unfortunately, that trains flew off the tracks into a horrible crash landing in the film's final ten minutes. While the ending was somewhat unexpected, it was certainly not the ending I *wanted* to expect. It was as if Perry waited an hour and 50 minutes to cram all of the clichéd, fantasy, happy-ending-feel-goodness Hollywood delivers in spades. The last two minutes were especially insulting. It was so appalling for me, in fact, that it made me spend the two hour train ride home realizing many of the other plot holes and unanswered questions Perry made irrelevant for me beforehand. I'm just going to assume that Perry didn't write the ending; it makes more sense.

All in all, the film is exceptionally well-made, incredibly moving and does not rely on its previous installment for the audience to wholly appreciate. Even despite its questionably poor ending, I highly recommend it.

Why Did I Get Married Too? (2010) is a movie that I recently watched on Tubi. The storyline follows our four couples from the first film getting together for their annual couples trip. This time there will be one new couple and all new problems. Can the group work together to overcome their drama or will the drama overcome them?

This movie is written, stars and is directed by Tyler Perry (Diary of a Mad Black Woman) and also stars Janet Jackson (Poetic Justice), Jill Scott (Baggage Claim), Sharon Leal (Dreamgirls), Malik Yoba (Cool Runnings), Richard T. Jones (Event Horizon) and Tasha Smith (The Whole Ten Yards).

Perry did a great job of bringing back the original cast for this picture. It was great seeing them again and picking up where the first film left off. The cameos were also awesome and I loved seeing Louis Gossett Jr. (Iron Eagle), Cicely Tyson (The Help) and Dwayne Johnson (Black Adam). The storyline was very uneven. The ex husband coming on the trip seemed awkward and forced. It's too bad because the divorce was so well written and executed. The drunk night coming home was super sad and the "move out day" was perfectly depicted. Janet Jackson delivers a tremendous performance. There's a car crash scene that is awesome and the twist ending was great.

Overall, this is a very uneven movie that is definitely worth a watch but not as good as it should have been. I would score this a 5.5-6/10 and strongly recommend it.

I am usually not a fan of Tyler Perry. For one thing, if you've seen one of his movies, you've pretty much seen them all. They often revolve around an aging plot of over the top dysfunctional relationships that somehow work themselves out by the end of the movie. Most of his movies also includes the Madea subplot, which usually is out of synchronization with the rest of the movie.

Why Did I Get Married Too shows Perry's potential as a legitimate screenplay writer when he let's go of his overrated Madea act. Married Too feels like it belongs on the big screen, whereas other films produced and directed by Perry feel like plays adapted for the movies. It could be that the whole Madea act, while I must admit is often very funny, is just too over the top and unbelievable for some of the serious material he tries to mix it with. Stevie Wonder could see Madea is just a man in a fat suit! It could also be the more colorful beach scenes that add flavor to this film, whereas most of his other films are set mostly in Atlanta or some other urban area. With those films, you only get mediocre set pieces with generic pictures of the city backdrop thrown in just to let you know where the story takes place. It's rather boring, and the whole thing with Atlanta as the main setting for his films is getting rather old. Just like M. Night Shyamalan and his affinity to write his story lines in and around Philadelphia, it shows a laziness to screenplay writing and providing the viewer with a different experience. We know that you lived in Atlanta at the time of your big break, Tyler. And trust me, I understand if you don't know one thing about other urban areas. However, let me point out that the great screenplay writers go out and do their research on other locations and other details of a storyline in order to be more diverse in what they offer the viewer. Perry will never get past the black community as his base viewership or his core fans if he doesn't change things up. John Singleton, F. Gary Gary and even Spike Lee understand this.

Anyway, once again, Perry relies on star power to camouflage his lack of depth as a screenplay writer and director. Married Too has a nice cast that includes Janet Jackson, Jill Scott, Malik Yoba, Tasha Smith, Michael Jai White, Cicely Tyson, Lou Gossette Jr., Dwayne Johnson and Tyler Perry minus Madea.

The reason I give it such a high rating is because unlike most of Perry's films most of the performances and scenarios weren't over the top and the problems the couples faced here seem reasonable. It's hard to mix comedy and drama in the same film. Perry has tried it in the past, but he's not at all good at it. However, he does a good job in this film. Comedy is kept in check here, while drama takes the front seat. With his other films, the drama elements are often overshadowed by the Madea routine and her shenanigans.

This film also stood out because unlike most movies, it doesn't have a sappy, "all bad things turn out good" ending. I love the two main plot twists in the movie. They were totally unexpected.

Could this movie have been better? Yes. Do I still recommend it? Yes. Now, if we will get more effort out of Perry in his future movies remains to be seen. Let's hope so. Tyler Perry has an excellent opportunity that other people of color in the film industry don't. Please be more responsible and creative with this opportunity.

The original "Married" was not Oscar material, but it was at least a solid 5 or 6 on a 10-point scale. It had some freshness and some unpredictability to it that at least made for some fun entertainment.

The sequel is none of these things.

Quite possibly one of the worst movies I've ever seen. Clichéd to the hilt. Weak, repetitive, IQ-lowering humor bordering on sloppy slapstick. From the slow beginning to the disappointing end, this movie is starved. The plot is begging for more development, the actors are aching for better utilization of their characters, and the script is pleading to be burnt to ashes.

Like Perry's "I Can Do Bad," this movie seems rushed as if very little thought was put into making it. I have no idea how the mess I saw on that screen made it pass the editing booth. There's just no way...unless someone was trying to beat some kind of deadline and concluded that since this movie is guaranteed to win the box office, "who cares about quality? We make it and 'they' will come. Release it." And release this stink bomb of a film they did. What a waste.

I hate to be all negative, so I will try to offer one positive. Like in the first movie, Janet stretches her acting and almost comes off as a decent actor. Kudos to Perry for helping get that out of her I guess.

And with that, I'll turn in as I'm sleepy after watching that sleep-inducing tripe of a film. Maybe in the morning I'll feel less angry about giving away two hours of my time that I will never get back. And don't say you weren't warned...even if you're a Tyler Perry fan, you will find my critique to be true.

Toodles