VALUTAZIONE IMDb
5,1/10
19.269
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA couple of American girls on a bike trip in a remote part of Argentina split, and one goes missing, the other must find her before her worst fears are realized.A couple of American girls on a bike trip in a remote part of Argentina split, and one goes missing, the other must find her before her worst fears are realized.A couple of American girls on a bike trip in a remote part of Argentina split, and one goes missing, the other must find her before her worst fears are realized.
- Regia
- Sceneggiatura
- Star
Odette Annable
- Ellie
- (as Odette Yustman)
Andrea Verdún
- Waitress
- (as Andrea Verdun)
Nicolas Dolensky
- Cute Guy
- (as Nicolás Dolensky)
Walter Pena
- Mechanic
- (as Walter Peña)
Matias Paz Conde
- Skinny Guy
- (as Matías Paz Conde)
Maria Salome Cari
- Cleaning Woman
- (as María Salomé Cari)
Recensioni in evidenza
Two young attractive girls are biking through Argentina. They miss their bus to leave and stay a bit longer, when they get into a fight one of them leaves the other by herself. Big mistake, the girl gets herself kidnapped. Now her friend must try to find her.
The film never tries to elevate the genre that it is in, nor make it interesting. And Soon The Darkness manages to follow the footpath of every film before it, thus making it boring and predictable. First we have our two female characters. One is obviously a trouble maker and the rebel, while the other is more conservative. Guess which one gets herself kidnapped and which one has to rise to the occasion to get her friend back? The two female characters are played by Odette Yustman and Amber Heard, they fit their roles of attractive young females. The roles don't call for anything beyond that really.
The biggest letdown, had to be Karl Urban. His character is somewhat pointless. He doesn't advance the plot, his story line is left unfinished and Urban himself seems to be bored with the material. I like the guy, but he needs to pick better projects than this. Now that I have my biggest letdown out of the way, let me tell you where else this film went wrong.
The main reason for the girl getting kidnapped is due to the character's stupidity. The two girls get into a verbal argument, one storms off leaving the other. Who would leave their best friend in the middle of nowhere in a foreign country? On top of that, they state earlier that they were part of a bike tour group, but got lost from the pack? These point in the film had me scratching my head.
The film doesn't really know what it wants to be either, it reminded me a lot of Turistas. These characters are in a beautiful location, the film knows this and it is shot fairly well. There are bits of torture, yet the film never steers into that Hostel, or Saw territory. It comes off as very tame, I'm surprised it is even restricted. The film can easily be a PG-13 flick.
There are no surprises, you know from the moment you see the characters, who is responsible for what. The film tries to be clever to throw a curveball, but as I mentioned before, we have seen this type of film before and it's obvious where it was going. The film even lacks suspense. The kidnapping scene is poorly done, the climax is also a third rate cat and mouse game. The film fails to create any tension and that was a key element missing from here. Too many things were left unanswered for me. The two people who ran the hotel, do they know anything? Are they in on it? Does the wife try to warn them, but the husband put her in her place? Who knows.
And Soon The Darkness peaked my interest, but is failed to excite me. If Karl Urban was not in it, I would never have bothered with it. You should do yourself a favour too and skip it.
The film never tries to elevate the genre that it is in, nor make it interesting. And Soon The Darkness manages to follow the footpath of every film before it, thus making it boring and predictable. First we have our two female characters. One is obviously a trouble maker and the rebel, while the other is more conservative. Guess which one gets herself kidnapped and which one has to rise to the occasion to get her friend back? The two female characters are played by Odette Yustman and Amber Heard, they fit their roles of attractive young females. The roles don't call for anything beyond that really.
The biggest letdown, had to be Karl Urban. His character is somewhat pointless. He doesn't advance the plot, his story line is left unfinished and Urban himself seems to be bored with the material. I like the guy, but he needs to pick better projects than this. Now that I have my biggest letdown out of the way, let me tell you where else this film went wrong.
The main reason for the girl getting kidnapped is due to the character's stupidity. The two girls get into a verbal argument, one storms off leaving the other. Who would leave their best friend in the middle of nowhere in a foreign country? On top of that, they state earlier that they were part of a bike tour group, but got lost from the pack? These point in the film had me scratching my head.
The film doesn't really know what it wants to be either, it reminded me a lot of Turistas. These characters are in a beautiful location, the film knows this and it is shot fairly well. There are bits of torture, yet the film never steers into that Hostel, or Saw territory. It comes off as very tame, I'm surprised it is even restricted. The film can easily be a PG-13 flick.
There are no surprises, you know from the moment you see the characters, who is responsible for what. The film tries to be clever to throw a curveball, but as I mentioned before, we have seen this type of film before and it's obvious where it was going. The film even lacks suspense. The kidnapping scene is poorly done, the climax is also a third rate cat and mouse game. The film fails to create any tension and that was a key element missing from here. Too many things were left unanswered for me. The two people who ran the hotel, do they know anything? Are they in on it? Does the wife try to warn them, but the husband put her in her place? Who knows.
And Soon The Darkness peaked my interest, but is failed to excite me. If Karl Urban was not in it, I would never have bothered with it. You should do yourself a favour too and skip it.
Two young American women (Amber Heard and Odette Yustman) are biking around Argentina. It is a fun adventure, at least until one of them gets kidnapped. Can the other track down the kidnapper and save her friend? Who can she trust?
This film is a remake of a 1970 British thriller. For all intents and purposes, the connection could be overlooked and the film would be just fine. While some things were kept the same -- the bicycling, lack of subtitles and a shot of a plane overhead -- much of it was changed. The setting has moved from France to Argentina, the girls' names were changed, and there is a whole new dynamic. This film could have stood on its own.
Writer-director Marcos Efron truly does make it his own film, and it helps to have two of today's finest young stars in the lead roles. Amber Heard, at the time of this film's release, was already known and about to be more well-known alongside Johnny Depp and Nic Cage. Odette Yustman, perhaps less well-known, is still a star in her own right.
The film is tense, suspenseful, better-paced than the original, with beautiful color and scenery. There is a sexy element, but no outright sex. There is a violent element, but no outright gore. The film is R, but could get by with what I would call a "hard PG-13". Even the torture aspects never enter into the "torture porn" realm of "Saw" or "Hostel", or even "Turistas", and I give this film credit for that, staying firmly in "thriller" rather than "horror" territory.
While I would not give it a must-see, mandatory recommendation, it is a great thriller and one of the better films I have seen in a while. I never get sick of seeing Heard or Yustman, especially when they are in their swimsuits. This film earns a B, maybe a B-plus. The Anchor Bay DVD is also loaded with special features.
This film is a remake of a 1970 British thriller. For all intents and purposes, the connection could be overlooked and the film would be just fine. While some things were kept the same -- the bicycling, lack of subtitles and a shot of a plane overhead -- much of it was changed. The setting has moved from France to Argentina, the girls' names were changed, and there is a whole new dynamic. This film could have stood on its own.
Writer-director Marcos Efron truly does make it his own film, and it helps to have two of today's finest young stars in the lead roles. Amber Heard, at the time of this film's release, was already known and about to be more well-known alongside Johnny Depp and Nic Cage. Odette Yustman, perhaps less well-known, is still a star in her own right.
The film is tense, suspenseful, better-paced than the original, with beautiful color and scenery. There is a sexy element, but no outright sex. There is a violent element, but no outright gore. The film is R, but could get by with what I would call a "hard PG-13". Even the torture aspects never enter into the "torture porn" realm of "Saw" or "Hostel", or even "Turistas", and I give this film credit for that, staying firmly in "thriller" rather than "horror" territory.
While I would not give it a must-see, mandatory recommendation, it is a great thriller and one of the better films I have seen in a while. I never get sick of seeing Heard or Yustman, especially when they are in their swimsuits. This film earns a B, maybe a B-plus. The Anchor Bay DVD is also loaded with special features.
Pretty much every horror title these days is getting a low score almost on every critic sites , To me it is very sad because most of us don't even read the critic review ,we just watch the score the movie got and decide whether to watch it or not. I think this movie is one of those movies that no one really got to see because it has low score . If you look closely it has pretty nice cast in it , Yes Amber Heard and Odette Annable are beautiful actresses but hey also got nice acting skills . The plot is pretty unique , i mean i personally haven't seen movie with this story before and i found this story interesting. This movie has clichés in it but still it is very fun to watch and it doesn't get boring all along... I think its underrated and i would recommend it to every one since its mostly Mystery title , i wouldn't call it a solid horror.
The only good thing about this movie is the editing, the camera work and the sound. The acting is okay, but the plot is shallow. The promise of twists is totally unfulfilled. It is predictable and rather pointless. What a shame. It is one of those movies that seems to have something, but you wait and watch and nothing happens. There is very little to say about the movie. I had to add this filler just so that the review could be accepted for having 10 lines of text. The characterisation is shallow. I suppose the scenery in some of the scenes is rather interesting. But other than that, this is a complete waste of your time.
"And Soon the Darkness" tells the story of two American girls on bicycle trip in Argentina who fall prey to a sinister captor.One of them suddenly vanishes and the other one must find her friend before it's too late.I am a big fan of extremely chilling Robert Fuest's original set in sunny France and this unneeded remake is nowhere nearly as suspenseful.In fact it's very dull with one-dimensional characters and the lack of surprises.The banality of the plot is simply overwhelming.Admittedly the scenic scenery of Argentinian countryside looks beautiful and desolate.The ruins of a town that flooded years ago and was abandoned provide some spooky atmosphere.Unfortunately the majority of the film is tedious and annoying.5 out of 10.Watch creepy British original instead.
Lo sapevi?
- QuizThis is a forty-years-later remake of the British thriller Il mostro della strada di campagna (1970). The original is set in France and has two British actresses as the leads, whereas this is set in Argentina and has two American actresses as the leads.
- BlooperDuring the scene, when Ellie and Stephanie are first drinking in the bar, the two young Argentinian men buy the girls a shot each. Stephanie is shown drinking almost all of her shot, however on the next shot she still has a full shot glass and is preparing herself to drink it.
- ConnessioniRemake of Il mostro della strada di campagna (1970)
- Colonne sonoreBajo Del Norte
Written by Michael Sosa and Anthony Vanacore
Performed by Michael Sosa
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ngày Trong Bóng Tối
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 177.182 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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