Spider-Man: Lotus
- 2023
- 2h
VALUTAZIONE IMDb
3,1/10
2943
LA TUA VALUTAZIONE
Dopo la tragica morte della sua ragazza, Peter Parker indugia nella sua colpa. Quando scopre che un ragazzo con una malattia terminale vuole incontrare Spider-Man, Peter pensa di confortarlo... Leggi tuttoDopo la tragica morte della sua ragazza, Peter Parker indugia nella sua colpa. Quando scopre che un ragazzo con una malattia terminale vuole incontrare Spider-Man, Peter pensa di confortarlo nei suoi ultimi giorni.Dopo la tragica morte della sua ragazza, Peter Parker indugia nella sua colpa. Quando scopre che un ragazzo con una malattia terminale vuole incontrare Spider-Man, Peter pensa di confortarlo nei suoi ultimi giorni.
- Regia
- Sceneggiatura
- Star
Max Fox
- Tim Harrison
- (as Maxwell Fox-Andrews)
Recensioni in evidenza
At a staggering budget of $100,000 USD, Spider-Man Lotus enters the indie fan film arena with anticipation riding high. However, despite its financial prowess, the film struggles to translate its substantial investment into a polished and coherent cinematic experience.
Cinematography, takes an unexpected tumble here. Struggling with inconsistent color choices, shaky camera work, and odd moments where characters lose focus, the film fails to capitalize for visually captivating shots.
The editing further compounds the film's challenges, as it's plagued by puzzling continuity errors. For example: MJ knowing where Harry is after months without seeing him or even knowing about Harry's drug problem, since went missing right after his father died. Or Green Goblin knowing the place where Uncle Ben's Killer was arrested. Even Goblin's motivation left to be desired too.
Knowing that this is a indie movie, the GCI is expected to be weak. The diference between the work of the initial artists and their successors is evident, casting a shadow over the overall visual consistency of the production.
The soundtrack, while initially promising with its impressive score, falls short in execution. The music's placement disrupts rather than enhances the flow, and an unfortunate tendency to overuse the music detracts from the film's quieter moments. Given the substantial budget, the film could have better leveraged its soundtrack to create a more immersive experience.
The cast's performances exhibit a wide range of skill, with some shining and others faltering. Surprisingly, the "uncredited kid from true blood," Warden Wayne, delivers a performance lacking emotional depth and conviction. In contrast, standout portrayals by Moriah Brooklyn, Maxwell Fox-Andrews, Mariah Fox and Jack Wooton breathe authenticity into their characters, holding the best scenes in the movie (scenes where Spider-Man is not in!).
The pacing emerges as another obstacle, with prolonged dramatic segments and recurring scenes that detract from the narrative's flow. The film's attempt to juggle multiple storylines results in rushed resolutions, leaving some arcs feeling underdeveloped. The Harry and MJ subplot stands out as one of the film's more cohesive elements. If the movie had condensed its runtime to about an hour and centered on Peter Parker's process of coming to terms with Gwen Stacy's death, ultimately connecting with "The Kid Who Collects Spider-Man", the story would have found a more fitting and engaging balance.
In conclusion, my expectations for this film were elevated, particularly considering the manner in which it was being approached with a distinct sense of professionalism, reminiscent of mainstream productions. However, it regrettably falls short in delivering a straightforward narrative centered on overcoming challenges during trying circumstances.
Cinematography, takes an unexpected tumble here. Struggling with inconsistent color choices, shaky camera work, and odd moments where characters lose focus, the film fails to capitalize for visually captivating shots.
The editing further compounds the film's challenges, as it's plagued by puzzling continuity errors. For example: MJ knowing where Harry is after months without seeing him or even knowing about Harry's drug problem, since went missing right after his father died. Or Green Goblin knowing the place where Uncle Ben's Killer was arrested. Even Goblin's motivation left to be desired too.
Knowing that this is a indie movie, the GCI is expected to be weak. The diference between the work of the initial artists and their successors is evident, casting a shadow over the overall visual consistency of the production.
The soundtrack, while initially promising with its impressive score, falls short in execution. The music's placement disrupts rather than enhances the flow, and an unfortunate tendency to overuse the music detracts from the film's quieter moments. Given the substantial budget, the film could have better leveraged its soundtrack to create a more immersive experience.
The cast's performances exhibit a wide range of skill, with some shining and others faltering. Surprisingly, the "uncredited kid from true blood," Warden Wayne, delivers a performance lacking emotional depth and conviction. In contrast, standout portrayals by Moriah Brooklyn, Maxwell Fox-Andrews, Mariah Fox and Jack Wooton breathe authenticity into their characters, holding the best scenes in the movie (scenes where Spider-Man is not in!).
The pacing emerges as another obstacle, with prolonged dramatic segments and recurring scenes that detract from the narrative's flow. The film's attempt to juggle multiple storylines results in rushed resolutions, leaving some arcs feeling underdeveloped. The Harry and MJ subplot stands out as one of the film's more cohesive elements. If the movie had condensed its runtime to about an hour and centered on Peter Parker's process of coming to terms with Gwen Stacy's death, ultimately connecting with "The Kid Who Collects Spider-Man", the story would have found a more fitting and engaging balance.
In conclusion, my expectations for this film were elevated, particularly considering the manner in which it was being approached with a distinct sense of professionalism, reminiscent of mainstream productions. However, it regrettably falls short in delivering a straightforward narrative centered on overcoming challenges during trying circumstances.
This is the first time I've sat down to write a review on IMDB and there is a very good reason I decided this was the film id finally review.
Spider-Man lotus frustrated me beyond belief. Not because it was horrible (it wasn't), not because of the controversy but simply because you were so close to actually making an incredible spidey fan film.
Let me start with the positives!
on to my gripes
You took yourself too seriously. All the flashbacks and whining from every character just deflated me. And I learnt nothing new about these characters. And it frustrated me. You had everything in place all the time and money in the world but you wasted it looping the same character beats over and over.
Now im not writing all this because I hate this film or I hate you. Im writing this because I am such a fan of your journey and the balls on you to come out with your chin up and release this to the world. I really hope you see this and can learn from this film and get right back into filmmaking. You have potential. I have to keep reminding myself that this is your first film and for that it's an accomplishment and everyone should be very proud. But dont be afraid to look back and your baby and acknowledge its issues. You can do better and im sure in the coming years you will.
3/10 next project focus on structure and pacing.
Spider-Man lotus frustrated me beyond belief. Not because it was horrible (it wasn't), not because of the controversy but simply because you were so close to actually making an incredible spidey fan film.
Let me start with the positives!
- Overall I am a big fan of the direction you wanted to take with this characters and the themes you wanted to explore. I can tell you truly love this character by how much time and energy you spent really trying to dig into Peters grief and guilt.
- The opening sequence was explosive, exciting and fun and really allowed me to get on board with this spidey quite quickly
- the actors did a phenomenal job and really helped elevate the film
- VFX were on point and it was easy to overlook some of the minor issues.
- Faithful to the material
on to my gripes
- 2 hours was excessive. And Gavin trust me I know how hard it is to cut scenes especially when so much work went into writing location scouting and shooting them, feeding the crew, working long long hours just for that perfect take but I firmly believe at least half of the entire movie could have been cut out. And that's not because they are bad scenes. They were just unnecessary and didnt move the plot forward in a meaningful way. It got to a point where I felt this time the credits will pop up when it cuts to black. But then it kept going. Then cuts to black. Fade it. Keep going. Cut to black. It got a little tiresome. Dont be afraid to KILL YOUR DARLINGS. If a scene doesn't push the protagonist to the next stage in the story circle CUT IT. The main reason I dont want to say that this is a bad film is that there is a really good short film in hear with an hour cut from the edit.
- This film was really really really depressing. But a depressing story doesn't need to just be about people crying and being sad. Death can be weird, awkward weirdly funny. I had a close family member pass away this year. And there was a point after the funeral that my whole entire family was so tired of crying and being depressed that we all just started laughing uncontrollably. Now im not saying that there should have been a laughing scene in the movie but my point is that grief comes in many many forms not just crying in the rain and sitting and moping around. Death in movies doesn't have to just be crying. Peter is a guy that hides fear and pain through humour. I would have liked to see at least one scene when he is maybe trying to joke to Gwen over the tape recorder try make the moment light when really he is just trying to hide his own pain. It just feels that for a 2 hour runtime I didnt really get to see Peter experience anything other that immense pain and it got boring.
You took yourself too seriously. All the flashbacks and whining from every character just deflated me. And I learnt nothing new about these characters. And it frustrated me. You had everything in place all the time and money in the world but you wasted it looping the same character beats over and over.
Now im not writing all this because I hate this film or I hate you. Im writing this because I am such a fan of your journey and the balls on you to come out with your chin up and release this to the world. I really hope you see this and can learn from this film and get right back into filmmaking. You have potential. I have to keep reminding myself that this is your first film and for that it's an accomplishment and everyone should be very proud. But dont be afraid to look back and your baby and acknowledge its issues. You can do better and im sure in the coming years you will.
3/10 next project focus on structure and pacing.
So many things to dislike about this movie so ill just state what is the worst aspect. This movie feels like it's told out of order, and the editing is extremely horrible
. Scenes that should happen to set up character connections happen way too late in the movie for me to care about any characters. There is about 10mins collectively of spiderman in this movie, it's mostly a really bad melodrama about peter parker. Relies way to much on prior knowledge of the comics and movies. I genuinely can't find one silver lining about this movie, having a low budget is not an excuse for a terrible story.
The cinematography, CGI, and most of the acting in this amateur project aren't totally bad, but It's all over the place, and the pacing doesn't help at all. I mean, I sat through over an hour, and I still couldn't figure out where the heck it was heading. It wasted so much time on those pointless flashbacks and cheesy lines. Plus, there's barely any fight scenes, except for this quick two-minute bit where Spider-Man's just taking on some generic bad guys and Shocker. Just go rewatch any other Spider-Man movie; that'd be a better use of your time. I kept an open mind, even after hearing all the stuff about the people behind this, but I honestly ended up wasted my time. It's not a good Spider-Man movie or a good movie at all. Nothing really makes this one stand out; so why do I, or anyone for that matter, have to sit through two hours of just talking? Can't believe they used all that donation money for this garbage.
I will not, in this review, be addressing the controversy surrounding the people behind this film and their recorded racism/sexism. Because even going in to this film without any potential bias against it, it still fails.
Spider-Man: Lotus is a movie. Many dismiss criticisms of it under the pretense that it is a small student project and not an actual movie, but I adamantly reject that notion. It has a budget of $25,000. It has a runtime of two hours (meaning it's not even the shortest Spider-Man film). With the status of being a feature length indie film with a respectable indie budget, there comes expectations; it is very much within reason to expect this movie to be well-directed, well-written, well-shot, and above all, economic in its production. Spider-Man: Lotus is none of these things.
This movie is unpleasant on the eyes; the directing is deeply uninspired, shots being comprised almost always of very drab imagery that do not grab one's attention. Similarly, the movie is also unpleasant on the ears and brain; the script only shows slight potential just once or twice, and the entire runtime is a plodding chore to get through with a motionless story that numbs the senses at its best infuriates at its worst.
When Spider-Man: Lotus was first announced, the filmmakers affirmed their fans that they were going to work within the confines of their budgetary limitations by shooting a drama first and foremost; the typical hallmarks of what makes a superhero movie would not be a priority. This is not what they did. There are still two superhero-y fight/action scenes in the movie; they are both distractingly terrible. These, along with a few other severely misguided creative decisions, chew through much of the budget that should've been used in other, smarter ways.
Spider-Man: Lotus is not a good film. At best, it is still very much subpar. It had all the tools and ingredients necessary to be an incredible version of itself, but it used them either incorrectly or not at all. To those that still feel this is all too much to expect of a film of this size, here are some other movies whose budgets were at or below that of Lotus:
El Mariachi (1992) with a budget of $7,000
Primer (2004) with a budget of $7,000
Paranormal Activity (2007) with a budget of $15,000
Resolution (2012) with a budget of $20,000
Creep (2014) with a budget of $0
One Cut of the Dead (2017) with a budget of $25,000.
Spider-Man: Lotus is a movie. Many dismiss criticisms of it under the pretense that it is a small student project and not an actual movie, but I adamantly reject that notion. It has a budget of $25,000. It has a runtime of two hours (meaning it's not even the shortest Spider-Man film). With the status of being a feature length indie film with a respectable indie budget, there comes expectations; it is very much within reason to expect this movie to be well-directed, well-written, well-shot, and above all, economic in its production. Spider-Man: Lotus is none of these things.
This movie is unpleasant on the eyes; the directing is deeply uninspired, shots being comprised almost always of very drab imagery that do not grab one's attention. Similarly, the movie is also unpleasant on the ears and brain; the script only shows slight potential just once or twice, and the entire runtime is a plodding chore to get through with a motionless story that numbs the senses at its best infuriates at its worst.
When Spider-Man: Lotus was first announced, the filmmakers affirmed their fans that they were going to work within the confines of their budgetary limitations by shooting a drama first and foremost; the typical hallmarks of what makes a superhero movie would not be a priority. This is not what they did. There are still two superhero-y fight/action scenes in the movie; they are both distractingly terrible. These, along with a few other severely misguided creative decisions, chew through much of the budget that should've been used in other, smarter ways.
Spider-Man: Lotus is not a good film. At best, it is still very much subpar. It had all the tools and ingredients necessary to be an incredible version of itself, but it used them either incorrectly or not at all. To those that still feel this is all too much to expect of a film of this size, here are some other movies whose budgets were at or below that of Lotus:
El Mariachi (1992) with a budget of $7,000
Primer (2004) with a budget of $7,000
Paranormal Activity (2007) with a budget of $15,000
Resolution (2012) with a budget of $20,000
Creep (2014) with a budget of $0
One Cut of the Dead (2017) with a budget of $25,000.
Lo sapevi?
- QuizThis fan film is noted for controversy due to offensive comments made by lead actor Warden Wayne and director Gavin J. Konop being leaked online. Shortly after this the VFX team left the project. Both Gavin and Wayne issued apologizes, to mixed responses.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Людина-павук: Лотус
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 125.000 USD (previsto)
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 2.52 : 1
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By what name was Spider-Man: Lotus (2023) officially released in Canada in French?
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